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Apple Pro Apps update for RED and RED updates for FCS

11/20/2008 Permalink 0 Comments share on linkedin
When it rains it pours!

Pro Applications Update 2008-04 Release Notes

Pro Applications Update 2008-04 addresses general performance issues and improves overall stability.

Applications included in the update:

  • Final Cut Pro 6.0.5
  • Compressor 3.0.5
  • Color 1.0.3
  • Shake 4.1.1

Read more on Final Cut User blog and thanks Jim G. for the IM.

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Posted by Michele Yamazaki

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GenArts to Showcase Sapphire Plug-ins at SIGGRAPH 2008

7/30/2008 Permalink 0 Comments share on linkedin
SapphireCompany to demonstrate their VFX plug-ins on a wide range of products at booth 1536

GenArts, Inc., a leading provider of visual effects plug-ins for the film, broadcast and video industries, will be exhibiting at SIGGRAPH 2008, being held August 12-14 at the Los Angeles Convention Center.

GenArts will feature Sapphire Plug-ins, a collection of over 200 image processing and synthesis effects, on a wide range of host platforms in the Plug-in Pavilion, booth 1536. Visitors to the booth will be given demonstrations of the latest Sapphire Plug-ins releases for Adobe After Effects and Apple Shake. GenArts will also be showing a technology preview of Sapphire Plug-ins for OFX products on The Foundry's Nuke, Autodesk Toxik and Eyeon Fusion.

About GenArts
Founded in 1996 in Cambridge, Mass., GenArts, Inc. is the premier provider of digital visual effects plug-ins for the film, broadcast and video industries. Their product, Sapphire Plug-ins, equips digital artists with a collection of over 200 state-of-the-art image processing and synthesis effects such as: Glows, EdgeRays, LensFlare, Lightning, FilmEffect, Warps and Textures. The effects seamlessly integrate into a number of editing and compositing systems including: Adobe® After Effects®, Premiere® Pro and Premiere® Elements; Apple® Final Cut Pro®, Final Cut Express®, Motion® and Shake®; Avid® AVX Products; Autodesk® Compositing & Editing Systems, and Combustion®; Eyeon® Fusion®; and Quantel® generationQ products.

Sapphire Plug-ins have become the industry standard for high-end visual effects creation by providing unrivaled image quality, a unique organic look, and ease of use. They have been used extensively in an array of television programs, music videos and feature films, including Iron Man, Indiana Jones and the Kingdom of the Crystal Skull, The Hulk, Spider-Man 1, 2 and 3, The Chronicles of Narnia, The Lord of the Rings trilogy, Star Wars - Episode I, II and III, Sin City, The Matrix trilogy, X-Men 1, 2 and 3, Titanic, Lost and CSI. Additional GenArts product information can be found at www.genarts.com.

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Posted by Michele Yamazaki

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The Foundry Furnace 4 for Shake Maintenance Update

5/20/2008 Permalink 0 Comments share on linkedin
furnaceThe Foundry have found and fixed some DirtRemoval and WireRemoval bugs in Furnace 4 for Shake and a free maintenance release is available for all of Furnace 4 customers.

In addition to the bug fixes they have made an improvement to WireRemoval; you can now pick up and move the WireRemoval widget using one click and drag instead of moving each of the points on the line separately.

This update is provided free of charge for all customers running Furnace 4 for Shake.

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Posted by Michele Yamazaki

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Ultimatte AdvantEdge Demo for Intel Mac Now Available

9/21/2007 Permalink 0 Comments share on linkedin
The Ultimatte AdvantEdge Demo v1.6.3 contains Universal Binary plug-ins for After Effects, Avid, Photoshop and Shake.

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Posted by Michele Yamazaki

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The Foundry preview Nuke 5 at IBC 2007

9/20/2007 Permalink 0 Comments share on linkedin
NUKEIBC 2007, Amsterdam, Booth #7.528, 7th September, 2007. Leading visual effects software developer The Foundry is delighted to announce that it will be offering visitors to IBC 2007 a sneak preview of the next major release of its powerful compositing application, Nuke. Visitors to booth 7.528 will be able to catch a glimpse of the eagerly awaited Nuke 5, which will include improvements to the user interface, the addition of Python for scripting, and support for stereoscopic workflow.

Since taking on the development of Nuke The Foundry's goal has been to remain true to the original concept of developing a comprehensive compositing solution that is 'designed by artists for artists'. With user requirements as the driver, The Foundry has concentrated on enriching and refining the product, building on its already strong foundations and focussing development efforts on areas that required renovation. Nuke 5 is the first major step towards this goal.

"We'd been looking at Nuke for months and always thought of it as a very forward-thinking piece of software. When we considered all of the options that could be the foundation of our pipeline for the future, we chose Nuke. More than any compositing package we considered, Nuke seems to embody the best grasp of where things are going." Robin Hackl, Managing Director, Image-Engine Design Inc

Applying over a decade of software development experience and close collaboration with the growing Nuke community, The Foundry has reworked Nuke's UI to improve the user experience and make it more approachable for a broader range of artists. In addition to augmenting the existing floating window layouts with a flexible panes and panels system, Nuke 5 will feature per-node inputs, and expanded LUT support for file I/O colourspace conversion.

Since its inception, Nuke's extensive scripting capabilities have been a key feature for many of its adopters, and The Foundry is taking this to the next level by adding support for the Python scripting language for the next release.

The Foundry's product development has long-benefited from close working relationships with some of the industry's leading post production facilities. The latest challenge facing these cutting edge artists is the dramatic increase in volumes of stereoscopic projects. The Foundry has responded by laying the groundwork for efficient multi-view compositing in Nuke 5.

"With the latest Nuke developments we are reinforcing our commitment to deliver first-class products that assist creativity, workflow and productivity, no matter how demanding the pipeline," said Dr Bill Collis, CEO, The Foundry. "Close relationships with our Nuke and plug-in customers are fundamental to our work - we listen to what they say they need for their pipelines today and tomorrow and this drives our R&D."

Available on Linux, Windows, and Mac platforms Nuke delivers unparalleled speed, an extensible 64-channel architecture, and powerful feature set unrivalled in the desktop market. Nuke 5 will be available towards the end of the year.

The Foundry will be demonstrating Furnace 4 for Shake, Furnace 4 for Nuke, Nuke 4.7 along with technology demonstrations of version 5, an alpha demo of Furnace 4 for Fusion and Furnace 3 for Autodesk® Systems Products on booth 7.528 at IBC 2007.

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Posted by Michele Yamazaki

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GenArts Sapphire demos for Shake and AVX!

7/26/2007 Permalink 0 Comments share on linkedin
Demos! Get your demos!

We've had the demo for GenArts Sapphire for After Effects, Final Cut Pro, Eyeon Fusion and Combustion up forevah, now you can try out the AVX and Shake demos. Aren't ya excited? You're welcome.

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Posted by Michele Yamazaki

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GenArts to Showcase Sapphire Plug-ins at SIGGRAPH 2007

7/17/2007 Permalink 0 Comments share on linkedin
sapphireCompany to demonstrate their VFX plug-ins on a wide range of products in booth 321

Cambridge, MA. July 17, 2007 - GenArts, Inc., a leading provider of visual effects plug-ins for the film, broadcast and video industries, will be exhibiting at SIGGRAPH 2007, being held August 7-9 at the San Diego Convention Center. GenArts will feature Sapphire Plug-ins, a collection of over 200 image processing and synthesis effects, on a wide range of host platforms in the Plug-in Pavilion, booth 321. For over a decade, GenArts Sapphire Plug-ins have set the standard for sophisticated, organic visual effects which natively integrate with the industry's leading editing and compositing systems. Visitors to the booth will be given demonstrations of the latest Sapphire Plug-ins releases for: Adobe After Effects & Premiere Pro, Apple Final Cut Pro & Shake, Avid AVX Products, and Autodesk Combustion.

About GenArts, Inc.
Founded in 1996 in Cambridge, Mass., GenArts, Inc. is the premier provider of digital visual effects plug-ins for the film, broadcast and video industries. Their product, Sapphire Plug-ins, equips digital artists with a collection of over 200 state-of-the-art image processing and synthesis effects such as: Glows, EdgeRays, LensFlare, Lightning, FilmEffect, Warps and Textures. The effects seamlessly integrate into a number of editing and compositing systems including: Adobe® After Effects® and Premiere® Pro; Apple® Final Cut Pro® and Shake®; Avid® AVX Products; Autodesk® Compositing & Editing Systems and Combustion®; Eyeon® Fusion®; Sony® XPRI®; and Quantel® generationQ products.

Sapphire Plug-ins have become the industry standard for high-end visual effects creation by providing unrivaled image quality, a unique organic look, and ease of use. They have been used extensively in an array of television programs, music videos and feature films, including: Pirates of the Caribbean 1, 2, and 3, Spider-Man 1, 2 and 3, Superman Returns, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, The Lord of the Rings trilogy, Star Wars – Episode I, II and III, Sin City, The Matrix trilogy, X-Men 1, 2 and 3, Titanic, Lost and CSI.

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Posted by Michele Yamazaki

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32-Bit Floating Point Color Space Support

5/08/2007 Permalink 0 Comments share on linkedin
We've put together a list of plug-ins that support 32-Bit Floating Point Color Space. All of the major apps are now supporting it, so if you're using After Effects 7 and above, Premiere Pro 2 and above and other apps of the last few years, you're probably okay. If both the app and the plug-in support 32-bit, you can definitely work in 32 bit.

What is 32-bit color? A quick explanation is that you usually work in a color space of 0-255 - 0 is pure black and 255 is pure white. With 32-bit color, you're working on a scale of 0-1... 0 is pure black and 1 is pure white. The trick here is that you can go higher than 1 and lower than 0 so you have a much higher dynamic range in your images and video. If you shoot RAW, this is really useful because you can pick up subtleties that are lost when you're trapped in a smaller range of luminance.

Learn more about 32-bit floating point color, link to some resources, and learn which third-party plug-ins support 32-bit color. We've included After Effects (of course!), Premiere Pro, Final Cut Pro, Shake, Combustion, Digital Fusion, Softimage XSI and even codecs.

If you're an expert in this area, we'd love your help to expand this resource.

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Posted by Michele Yamazaki

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GridIron Software Nucleo Pro 2 to Support Background Rendering of 3D Applications

3/27/2007 Permalink 0 Comments share on linkedin
nucleo proCustomize how nested compositions are rendered to further streamline productivity

DMN Newswire--2007-3-27--GridIron® Software today announced Nucleo Pro® 2, an upgrade to the productivity enhancement tool that optimizes the workflow for visual effects artists using Adobe® After Effects®. Nucleo Pro is well-known for its speculative and background rendering capabilities that allow motion graphics artists to render and work at the same time.

Nucleo Pro 2 (due to ship in early summer 2007) will support After Effects CS3 Professional and all versions of After Effects 7. New features of Nucleo Pro 2 include the ability specify how nested compositions are rendered and run renders of their favorite 3D applications in the Nucleo Pro Background Render Queue.

New Features in Nucleo Pro 2

Nucleo Render Proxies

Customize how nested compositions are rendered to streamline render times even further. Now users can flag a nested comp to render sub-compositions to an internal “cache file” format, and have the main composition render to the user specified output format. By doing this, subsequent spec-render times for the main composition are improved because the rendering engine no longer has to render the frames for proxied sub-compositions. Those frames are simply read from disk.
3D Applications in the Background Render Queue.

With Nucleo Pro 2, motion graphics artists can manage After Effects and 3D renders from one convenient spot. Simply drag projects for any of the supported applications into the Background Render Queue. Then specify the appropriate render settings and allow Nucleo Pro to initiate and manage the render in the background. Support is available for most popular 3D rendering applications, including: Maxon Cinema 4D, Autodesk 3D Studio Max, Autodesk Maya, Softimage XSI, Apple Shake, Side Effects Software Houdini, Mental Images Metal Ray, and SplutterFish Brazil.

"With the release of Nucleo Pro 2, GridIron Software further demonstrates its dedication to boosting productivity for creative professionals. Users will reap benefits with the ability to work in After Effects while 3D designs render in the background," said Simon Hayhurst, director of product management, Dynamic Media Organization for Adobe Systems. "Our just-announced After Effects CS3 delivers outstanding performance on the latest hardware and operating systems and gives visual artists the enhanced creative tools that enable them to deliver their best work."
"CINEMA 4D offers comprehensive integration of 3D in After Effects with direct export of layers and elements," said Paul Babb, president/CEO of MAXON US. "This workflow integration only gets better with Nucleo Pro 2."

Pricing and Availability

  • Nucleo Pro 2 will sell for $395 US. Beginning April 16, 2007 customers may pre-order Nucleo Pro 2 for $295. Note: this offer will expire the first day Nucleo Pro 2 begins shipping later this summer.
  • Nucleo Pro 1 customers may upgrade to Nucleo Pro 2 for $99.
  • Nucleo customers may upgrade to Nucleo Pro 2 for $350.
  • Nucleo Pro 2 will begin shipping in early summer.
  • Nucleo Pro 2 will support all versions of Adobe After Effects version 7.0 and the new After Effects CS3 on both Windows and Mac OS X.

About GridIron Software

GridIron Software is the leading software provider in high performance workflow. GridIron’s mission is to provide tools that leverage its unique expertise in parallel programming and system optimization, for the creative content professional. Providing products that allow software to properly utilize multi-core and multi-CPU workstations, GridIron is the market leader in providing utilities for the creative professional.

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Posted by Michele Yamazaki

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Fully Fueled: The Foundry launches Furnace 4 for Shake

3/14/2007 Permalink 0 Comments share on linkedin
furnaceLondon, UK. March 12, 2007. Leading visual effects software developer The Foundry is delighted to announce the launch of Furnace 4 plug-ins for Shake, a major product release comprising next generation motion estimation technology and a host of cool tools, designed to ease the routine processes involved with the production of first class digital visual effects.

Furnace, available for Linux and OSX, was originally launched in 2002 and has become popular suite of image processing plug-ins to enhance workflow and boost productivity. A key focus for the new Furnace 4 release has been to take advantage of the latest advances in technology, combined with over seven years of The Foundry's own research into motion estimation, to deliver optimised output, enhanced speed, a more intuitive user interface and improve the user experience.

In addition to significant optimisation across a number of the existing plug-ins, the latest release features eight brand new tools. These include: Contrast which, utilising the latest dynamic range compression technology from Apical, will automatically detect and enhance the shadow region, within filmed or HD footage, without blowing out highlights in other parts of the image; DeFlicker2, a fully automated plug-in that will remove in-scene flicker caused by poorly synchronised light rigs or stray lights; and RotoTracker, which tracks a rotoshape through a sequence, keeping it accurately attached to an object even as it changes shape.

"Our artists are employed across a wide variety of high-profile projects. To guarantee we continue to meet clients' demands we require sophisticated digital tools to help us get the job done. The Foundry's Furnace is an impressive digital toolset that delivers time and time again, a first-class collection of tools, which should be on any Shake artist's wish list. Nick Cannon, Head of Technology, Film, MPC

One of the most notable advances in Furnace 4 is its ability to separately calculate, pre-generate and utilise motion vectors. Many of the Furnace plug-ins use motion vectors and rather than calculating the vectors on a per plug-in basis it is now possible to calculate them once using the new VectorGenerator plug-in. This new technique has many advantages although the most significant is speed enhancement.

Key features of Furnace 4 for Shake:

Contrast is designed to enhance the colour contrast within an image. It is adaptive and spatially varying. Based on its analysis of the scene content it automatically calculates a different curve transformation for each pixel in the image and true colour is enhanced.

DeFlicker2 is a fully automated plug-in designed to remove in-scene flicker caused by such things as poorly synchronised light rigs and stray lights.

RotoShape converts Raw vector masks into Shake rotoshapes and vice versa for improved interoperability.

RotoTracker will track a rotoshape through a sequence, keeping it accurately attached to an object even as it changes shape.

ShadowRemoval removes translucent objects such as shadows from a sequence. The artist loosely highlights the area to be removed and ShadowRemoval will perform a seamless extraction of the unwanted object.

VectorConverter is a tool designed to convert images representing motion vector fields, originating from other vendor applications, into the vector format used in Furnace by providing a simple interface to rewire, scale, offset and invert the colour channels.

VectorGenerator utilises The Foundry's next generation motion estimation engine to produce accurate sets of vectors between frames. By using VectorGenerator the artist only needs to calculate the vectors once and the user can input them into many of the Furnace plug-ins, saving bundles of time.

VectorWarper allows the user to warp an image sequence using vectors from a different image sequence. This plug-in can be used creatively to produce unusual temporal image effects.

The Foundry's Furnace development team were honoured with a 2006 Scientific and Engineering Award from the Academy of Motion Picture Arts and Sciences for their roles in the design and development of the Furnace plug-ins.

The Foundry will be demonstrating Furnace 4 on booth SL14413 in the South Hall at NAB 2007.

Availability and Pricing
Now shipping, Furnace 4 node-locked is priced at: $4,400 with Furnace 4 float priced at: $6,600. Existing customers can upgrade for $2,200 node-locked and $3,300 floating.

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Posted by Michele Yamazaki

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Re:Vision Effects Drop Price on Shake Plug-ins, New Bundle for Shake

3/08/2007 Permalink 0 Comments share on linkedin
re:vision effects logoRe:Vision Effects has lowered the price by $200 each on Re:Flex 3 for Shake and Twixtor 4.5 for Shake.

Also, there is a new bundle for Re:Vision Effects Shake plug-ins which contains Twixtor, Re:Flex and ReelSmart Motion Blur. If you bought them seperately, you'd normally pay around $1,379. Get it for jut $945 at Toolfarm!

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Posted by Michele Yamazaki

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GenArts to Introduce Their Latest Sapphire Plug-ins at NAB 2007

2/13/2007 Permalink 0 Comments share on linkedin
genarts sapphire

Company to showcase their latest VFX plug-ins and demo reel in newly designed booth SL2829

Cambridge, MA. February 13, 2007 -- GenArts, Inc., a leading provider of digital visual effects plug-ins for the film, broadcast and video industries, will be featuring its entire range of plug-ins at NAB 2007, being held April 16-19 at the Las Vegas Convention Center. Exhibiting in a newly designed booth, GenArts will have an expanded presence at this year’s NAB. Visitors to booth SL2829 will be given demonstrations of the latest versions of Sapphire Plug-ins on a number of host platforms including: Autodesk Compositing & Editing Systems and Combustion, Avid AVX Products, Adobe After Effects and Premiere Pro, and Apple Final Cut Pro and Shake. The expanded booth will also include a theater where GenArts will debut a new demo reel featuring Sapphire Plug-ins and representing the most recent work from premier post production houses worldwide.

About GenArts, Inc.
Founded in 1996 in Cambridge, Mass., GenArts, Inc. is the premier provider of digital visual effects plug-ins for the film, broadcast and video industries. Their product, Sapphire Plug-ins, equips digital artists with a collection of over 190 state-of-the-art image processing and synthesis effects such as: Glows, EdgeRays, LensFlare, Lightning, FilmEffect, Warps and Textures. The effects seamlessly integrate into a number of editing and compositing systems including: Adobe® After Effects® and Premiere® Pro; Apple® Final Cut Pro® and Shake®; Avid® AVX Products; Autodesk® Compositing & Editing Systems and Combustion®; Eyeon® Fusion®; Sony® XPRI®; and Quantel® generationQ products.

Sapphire Plug-ins have become the industry standard for high-end visual effects creation by providing unrivaled image quality, a unique organic look, and ease of use. They have been used extensively in an array of television programs, music videos and feature films, including: Pirates of the Caribbean 1, 2, and 3, Superman Returns, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, The Lord of the Rings trilogy, Star Wars – Episode I, II and III, Spider-Man 1, 2 and 3, Sin City, The Matrix trilogy, X-Men 1, 2 and 3, Titanic, Lost and CSI.

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Posted by Michele Yamazaki

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The Foundry debuts Furnace 4 for Shake & Tinderbox for Combustion at NAB 2007

2/05/2007 Permalink 0 Comments share on linkedin
foundry logo

Hardcore visual effects in Vegas, courtesy of The Foundry

DMN Newswire--2007-1-25--Leading visual effects developer The Foundry will take up residence on booth SL14413 in the South Hall at NAB 2007. Visitors looking for stunning 2D visual effects and hardcore image-processing tools will find a host of advanced, yet cost-effective, solutions to enhance workflow and boost productivity from The Foundry.

Full details of new products and company news will be announced soon, but highlights at NAB 2007 already include the debut of Furnace 4 for Shake, and the launch of Tinderbox for Combustion.



Furnace is a hugely popular suite of more than 30 image-processing tools, many of which automate time-consuming processes in the creation of digital visual effects. The development team responsible for Furnace is to be honoured with a Scientific and Engineering Award® from the Academy of Motion Picture Arts and Sciences® on 10th February 2007 in Los Angeles. Furnace 4 will build on this considerable platform.

Combustion artists will be able to put The Foundry's Tinderbox suite through its paces. This widely adopted suite of over 70 creative visual effects for After Effects is set to be available for artists running Combustion on Windows. Plus there will be comprehensive demonstrations of Tinder, Furnace and Keylight on a range of host platforms including Autodesk™ Media and Entertainment Systems, After Effects and Shake.

“Our artists are employed across a wide variety of high-profile projects. To guarantee we continue to meet clients' demands we require sophisticated digital tools to help us get the job done. The Foundry's Furnace is an impressive digital toolset that delivers time and time again, a first-class collection of tools, which should be on any Shake artist's wish list.” Nick Cannon, Head of Technology, Film, MPC.

The Foundry’s products are widely acclaimed across the industry, having recently been used by digital artists on a host of high-profile feature films including Casino Royale, X-Men: The Last Stand, The Da Vinci Code and Charlie and the Chocolate Factory.

About The Foundry:

The Foundry is a London based software developer specialising in visual effects technology for the film and video markets. From an initial start-up in 1996 by Bruno Nicoletti, The Foundry has grown considerably in size and scope over the last ten years. Initially Bruno and his business partner Simon Robinson used their extensive experience in post production to produce Tinder plug-ins for Discreet's® Flame® systems - the first set of such plug-ins to be commercially available. Today the company employs more than a dozen people and develops and markets plug-ins on a range of host applications, including After Effects, Autodesk™ Media Entertainment Systems, Apple's Shake and Avid|DS.

The company now also successfully licenses its sophisticated image processing technology to third parties, expanding its scope beyond plug-ins. The Foundry has used its considerable influence to drive the development of an open standard for visual effects plug-ins known as OpenFX, which is gaining wide acceptance by host and plug-in developers, such as Grass Valley, FilmLight, Autodesk™, D2 Software and others.

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Posted by Michele Yamazaki

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