Includes FabFilter Pro-MB, Pro-L, Pro-Q, Pro-C, Pro-DS, Pro-R and Pro-G
FabFilter Pro Bundle Highlights
FabFilter Pro-MB is a powerful multiband compressor/expander plug-in with all the expert features you need, combining exceptional sound quality with great interface workflow. More
FabFilter Pro-L 2 is a feature-packed limiter plug-in for mastering and mixing. More
FabFilter Pro-Q 3 is a high-quality EQ plug-in. More
FabFilter Pro-C 2 is a professional compressor plug-in. More
FabFilter Pro-DS is a highly intelligent and transparent de-essing plug-in. More
FabFilter Pro-G is a highly flexible gate/expander plug-in. More
FabFilter Pro-R is a high-end reverb plug-in with natural sound, musical controls, and innovations. More
All FabFilter plug-ins are available in VST, VST3, Audio Units, AAX Native and AudioSuite formats.
Windows 10, 8, 7 or Vista
64-bit or 32-bit
VST 2/3 host or Pro Tools
Mac OS X
macOS 10.12 or higher (64-bit only)
AU or VST 2/3 host or Pro Tools
Intel or Apple Silicon processor
Updated February 20, 2018
Fixed possible crashes in Logic Pro X, which occasionally tries to initialize plug-ins with invalid/uninitialized buffers.
Fixed possible crash in Nuendo 7 on macOS when closing a plugin.
Fixed issues with key stroke stealing on Windows when using the Avid S6 control surface.
Fixed incorrect appearance of plug-in interfaces in Live 10 in High DPI mode.
The VST 2.4 plug-in will now automatically adapt its channel layout to match the audio/track it is placed on. Note that the separate “(Mono)” version of the plug-ins are still included for backwards compatibility.
Fixed a bug that could cause a crash when moving the mouse over the right edge of a menu with icons.
Small bug fixes and improvements.
What’s new March 13, 2017?
Pro-Q 2: Improved EQ Match feature so you can save the input spectrum as a reference spectrum. When opening EQ Match, you now have various choices to use as the reference: a previously saved reference spectrum, the main plug-in input or the side chain input. This makes it much easier to set up and use EQ Match.
Pro-Q 2: Added Permanent Spectrum Grab mode: click and hold in the spectrum area until the spectrum freezes and turns blue. You can now grab multiple peaks in the frozen spectrum, unlike the regular Spectrum Grab mode which only allows you to grab and adjust a single peak. Just click once on the background to exit Permanent Spectrum Grab mode.
Pro-Q 2: The frequency scale at the bottom of the interface now displays the frequency under the mouse cursor if you hover over the display or move the mouse slowly. If the piano display is enabled, the key under the mouse cursor is highlighted and its note number is shown. You can turn this on or off by clicking Show Frequency On Hover in the Help menu.
Pro-Q 2, Pro-R: Added a workaround for a bug in Ableton Live on Mac that could cause the Q parameter for a band to be reset to its minimum value when dragging it around in the AU plug-in version of Pro-Q 2.
Pro-C 2, Pro-DS, Pro-G, Pro-MB, Pro-Q 2: Added a workaround for a bug in Ableton Live that caused latency compensation to work incorrectly when loading a session that sets the parameters such that the plug-in doesn’t have latency, in combination with a default preset that does introduce latency. This only occurred with the VST plugin format and caused Live to use the latency from the default preset.
Pro-C 2, Pro-DS, Pro-G, Pro-L: Fixed a bug that caused the plug-in interface to use more memory than needed if the display was not enabled.
Pro-C 2: Updated the AAX plug-in to enable the dynamics display on the Avid S6 console.
Improved Avid S6 page tables mappings in the AAX plug-ins, now more closely following Avid’s conventions for a better workflow.
Eric Burgess demonstrates the Distance Knob in FabFilter Pro-R to move the piano track back in his mix to create space for other instruments. This is a fun tutorial and super helpful to anyone using Pro-R or thinking of using it!
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