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v3.20 v3.11 FilmConvert Nitrate for After Effects and Premiere Pro

FilmConvert Nitrate for After Effects and Premiere Pro
  

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Download demos and trial versions, product documentation, free presets and more.

You may download a free Demo after logging in.

Give Digital camera footage the color and grain of your favorite film stocks

Create the romance of film on your next digital video using FilmConvert Nitrate for After Effects and Premiere Pro. Our software seamlessly fits into your current Adobe workflow, helping you to achieve professional results quickly and easily. We’ve optimized our plugin to work cross-platform, as well as being completely up-to-date with Adobe Creative Cloud 2018 or later.

  • New Nitrate features – print density film emulation, advanced grain controls
  • Cross Platform (macOS + Windows)
  • Up-to-date with Adobe Creative Cloud 2018 or later
  • Adobe Premiere Pro
  • Adobe After Effects

FilmConvert introduces Nitrate for After Effects and Premiere Pro

Nitrate is a new set of features to give you even more power and control over your color grading.

  • Cineon Log film emulations
  • Full custom curve control
  • Advanced film grain controls

If you already know and love FilmConvert the way it is, don’t worry –
The basic features of FilmConvert are still there if you need quick results.

The Nitrate features just add more of the advanced controls when you really want to dive in and take total control of your image.

Learn more about Nitrate in the updates tab.


Camera profiles

We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.

Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.

Your FilmConvert license gives you access to all the camera packs currently available + 12 months of new camera pack updates.

Real Film Grain

Add real grain to your footage, scanned at 6k.

Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.

19 Film Stocks to choose from

With the majority of people shooting on digital these days, filmmakers are striving to achieve the desired qualities of film stocks when grading in post. Often, this requires a good team of colorists. However, we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®.

Create and export 3D LUTs using FilmConvert

LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.

  1. Use 3D LUTs on your monitor for on-set visualization. View on your monitor the look you will apply during post-production.
  2. In addition, load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.
  3. Likewise, export a 3D LUT to share your grade with others working on your film.

You can export your grade as a .cube LUT from any non-trial plugin version of FilmConvert. You cannot currently export .cube LUTs from the desktop app version at this time.

Also, check out FilmConvert Bundle of All Plug-ins


Videos

 

Windows

  • Windows 10
  • After Effects or Premiere Pro CC 2018 or later
  • CUDA 10.1+ or OpenCL 1.1+

For CUDA rendering a CUDA Compute Compatibility version, 3.0 capable graphics card is required.

macOS

  • macOS 10.15 or later (M1 compatible)
  • After Effects or Premiere Pro CC 2018 or later
  • Metal or OpenCL

 

Current FilmConvert Camera profiles

Camera ManufacturerCamera Model
AppleiPhoneiPhone 12 Pro/MaxiPhone XS XR
iPhone 13 Pro
ArriArri Alexa
Blackmagic DesignBlackmagic PocketBMCC BMCC 4K
URSA Mini ProBMPCC 4KBMPCC 6K
URSA Mini 4.6K URSA Mini Pro G2
CanonCanon 1DCCanon 1DX mk2Canon 550D / T2i
Canon 5D MkIICanon 5D MkIIICanon 5D MkIV
Canon 600D / T3iCanon 6DCanon 7D / 60D
Canon 80DCanon C70Canon C100
Canon C100 Mark IICanon C200Canon C300
Canon C300 Mark IICanon C300 Mark IIICanon C500 Mark II
Canon XC10Canon XF300Canon EOS R
Canon 6D Mk II - EOS RPCanon EOS R5Canon EOS R5 C
Canon EOS R6Canon M50Canon C500 mkII
Digital BolexDigital Bolex D16
DJIDJI Air 2SDJI Inspire 1 / Phantom 3DJI Mavic 2 Pro
DJI Mavic 3 CineDJI Mavic AirDJI Mavic Pro
DJI Phantom 4 / OsmoDJI Phantom 4 ProDJI X5
DJI X5RDJI X4SDJI X5S
DJI X7
FujifilmFujifilm XT2Fujifilm XT3Fujifilm XT4
GoProGoPro Hero3GoPro Hero4GoPro Hero5
GoPro Hero8GoPro Hero 10
KinefinityKineMAX 6KKineMINI 4K
NikonNikon D7000Nikon D750Nikon D800
Nikon Z 6
OlympusOM-D EM1XOM-D EM1 MK II
PanasonicPanasonic DVX200Panasonic EVA1Panasonic G85
Panasonic G9Panasonic GH2Panasonic GH3
Panasonic GH4 + V-LogPanasonic GH5Panasonic GH5S
Panasonic Lumix GH6Panasonic S1Panasonic S1H
Panasonic S5Panasonic Vericam LT
Red Red DragonRed Helium - WeaponRed Helium EPIC-W
Red KomodoRed One
SamsungSamsung NX1Samsung S8
SigmaSigma fp
SonySony a1Sony a6300Sony a6500
Sony A7 IVSony A7r mk2Sony A7r mk3
Sony A7r mk4Sony A7RIVSony A7s
Sony A7s mk2Sony A7 mk3Sony A7S III
Sony AX700Sony EX1 / EX3Sony F55
Sony FDR X3000Sony FS5Sony FS7
Sony FS7000 / FS100FX6FX9
Sony RX0Sony RX100 IV - RX10 IISony RX100 V
Sony VENICESony ZV-1
Z CamE2-S6Z Cam E2

Download your latest camera profile today!

FilmConvert camera profiles are dedicated data packs that increase the color accuracy of your footage.

The data packs work in both the FilmConvert plugins and desktop app grading software. They cannot be loaded into your camera, but you can use the plugin software to export a LUT with your color settings to use in-camera if you wish.

You can download our most recent camera profiles below. If we don’t currently support your camera, you can request it here.

If we don’t have an exact match for your camera, never fear! You can still use our software to achieve a stunning result. We advise you to have a play with some of the different camera profile packs, especially within the same manufacturer.

Note: These Camera Packs need the latest version of FilmConvert for full compatibility

Download free camera profile

Version 3.20 / Date: 15 Dec 2021 / MAC

  • Fix for Premiere Pro v22.1.1 on M1

Version 3.12 / Date: 02 Nov 2021 / MAC

  • License apps now M1 compatible.

Version 3.11 / Date: 22 Jul 2021 / MAC

  • Universal build (Intel + M1)

Version 3.11 / Date: 17 Nov 2020 / Windows

  • Rebuild to support CUDA 10.1+

Version 3.10 / Date: 02 Nov 2020 / MAC

Code refactoring.
Removed need for OpenCL where Metal is available.

Version 3.10 / Date: 02 Nov 2020 / Windows

Code refactoring
Removed need for OpenCL on NVIDIA machines

What’s new in Filmconvert Nitrate

Cineon Log Film Emulation

Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.

In the Nitrate update, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.

Design your own film response curve

We’ve designed full custom curve controls for each of the FilmConvert film stocks, so you can create exactly the look you want: modify highlight and shadow roll-offs, or even design your own film stock from scratch. Nitrate now uses a full Log image processing pipeline, so you can retain the full dynamic range of your footage through the grading process.

Advanced film grain controls

You can now adjust the appearance of the grain individually in the highlights, mid-tones, and shadows.

Filmconvert Nitrate: Color Grading Tips #gettingstarted

In this tutorial, Gerald Undone offers color grading tips and talks about some of the improvements of Filmconvert Nitrate.  Nitrate is only currently available for Adobe After Effects and Premiere Pro, but versions for DaVinci Resolve, Final Cut Pro, Vegas and more are coming soon.

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Perfecting the Film Post Production Workflow

If you’re thinking of doing your own feature length film, Vashi Nedomansky of VashiVisuals knows a bit about feature film post production workflow. He discusses the multiple roles he filled during his five years while working on the film The Grind, including handling footage, color grading, effects and more.

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