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FilmConvert for After Effects and Premiere Pro v2.4

Review:

FilmConvert for After Effects and Premiere Pro
  

Downloads

Download demos and trial versions, product documentation, free presets and more.

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Give Digital camera footage the color and grain of your favorite film stocks

Create the romance of film on your next digital video using FilmConvert plugin for Premiere Pro & After Effects. Our software seamlessly fits into your current Adobe workflow, helping you to achieve professional results quickly and easily. We’ve optimized our plugin to work cross platform, as well as being completely up-to-date with Adobe Creative Cloud 2015 or later.

  • Cross Platform (macOS + Windows)
  • Up-to-date with Adobe Creative Cloud 2015 or later
  • Adobe Premiere Pro
  • Adobe After Effects

Camera profiles

We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.

Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.

Real Film Grain

Add real grain to your footage, scanned at 6k.

Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.

19 Film Stocks to choose from

With the majority of people shooting on digital these days, film makers are striving to achieve the desirable qualities of film stocks when grading in post. Often, this requires a good team of colorists, however we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®.

Create and export 3D LUTs using FilmConvert

LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.

  1. You can use 3D LUTs on your monitor for on-set visualization. View on your monitor the look you will apply during post-production.
  2. You can load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.
  3. You can export a 3D LUT to share your grade with others working on your film.

You can export your grade as a .cube LUT from any non-trial plugin version of FilmConvert. You cannot currently export .cube LUTs from the desktop app version at this time.

 

 


Videos:

Windows

  • Adobe After Effects or Premiere Pro CC 2015 or later.
  • Windows 7 sp1 (64 bit) and up.For OpenCL rendering an OpenCL 1.1 capable graphics card and runtime system are required.
    For CUDA rendering a CUDA Compute Compatibility version 3.0 capable graphics card is required.

 

macOS

  • OSX 10.9.5 or above is required.
  • Adobe After Effects or Premiere Pro CC 2015 or later.

For OpenCL rendering a version 1.1 capable graphics card and runtime system are required.

For CUDA rendering a CUDA Compute Compatibility version 3.0 and CUDA driver version 9.2 is required. For older CUDA versions, the

Current FilmConvert Camera profiles

Camera Manufacturer Camera Model
Apple iPhone iPhone XS XR
Arri Arri Alexa
Blackmagic Blackmagic Pocket BMCC BMCC 4K
BMD URSA Mini Pro BMPCC 4K URSA Mini 4.6k
Canon Canon 1DC Canon 1DX mk2 Canon 550D / T2i
Canon 5D MkII Canon 5D MkIII Canon 5D mkIV
Canon 600D / T3i Canon 6D Canon 7D / 60D
Canon 80D Canon C100 Canon C100 mk II
Canon C200 Canon C300 Canon C300 mkII
Canon XC10 Canon XF300
Digital Bolex Digital Bolex D16
DJI DJI Inspire 1 / Phantom 3 DJI Mavic 2 Pro DJI Mavic Air
DJI Mavic Pro DJI Phantom 4 / Osmo DJI Phantom 4 Pro
DJI X5 DJI X5R
Fujifilm Fujifilm XT2 Fujifilm XT3
GoPro GoPro Hero3 GoPro Hero4 GoPro Hero5
Kinefinity KineMAX 6K KineMINI 4K
Nikon Nikon D7000 Nikon D750 Nikon D800
Nikon Z 6
Panasonic Panasonic DVX200 Panasonic EVA1 Panasonic G85
Panasonic G9 Panasonic GH2 Panasonic GH3
Panasonic GH4 + V-Log Panasonic GH5 Panasonic GH5S
Panasonic VariCam LT
Red Red Dragon Red Helium – Weapon Red Helium EPIC-W
Red One
Samsung Samsung NX1 Samsung S8
Sony Sony a6300 Sony a6500 Sony A7 mk3
Sony A7r mk2 Sony A7r mk3 Sony A7s
Sony A7s mk2 Sony AX700 Sony EX1 / EX3
Sony F55 Sony FDR X3000 Sony FS5
Sony FS7 Sony FS700 / FS100 Sony RX0
Sony RX100 IV – RX10 II Sony RX100 V

 

Download your latest camera profile today!

FilmConvert camera profiles are dedicated data packs that increase the color accuracy for your footage.

The data packs work in both the FilmConvert plugins and desktop app grading software. They cannot be loaded into your camera, but you can use the plugin software to export a LUT with your color settings to use in-camera if you wish.

You can download our most recent camera profiles below. If we don’t currently support your camera, you can request it here.

If we don’t have an exact match for your camera, never fear! You can still use our software to achieve a stunning result. We advise you to have a play with some of the different camera profile packs, especially within the same manufacturer.

Note: These Camera Packs need the latest version of FilmConvert for full compatibility

Download free camera profile

Perfecting the Film Post Production Workflow

If you’re thinking of doing your own feature length film, Vashi Nedomansky of VashiVisuals knows a bit about feature film post production workflow. He discusses the multiple roles he filled during his five years while working on the film The Grind, including handling footage, color grading, effects and more.

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