FilmConvert Spring Sale - Limited Time Only
Give Digital camera footage the color and grain of your favorite film stocks
Create the romance of film on your next digital video using FilmConvert Nitrate for After Effects and Premiere Pro. Our software seamlessly fits into your current Adobe workflow, helping you to achieve professional results quickly and easily. We’ve optimized our plugin to work cross-platform, as well as being completely up-to-date with Adobe Creative Cloud 2018 or later.
- New Nitrate features – print density film emulation, advanced grain controls
- Cross Platform (macOS + Windows)
- Up-to-date with Adobe Creative Cloud 2018 or later
- Adobe Premiere Pro
- Adobe After Effects
FilmConvert introduces Nitrate for After Effects and Premiere Pro
Nitrate is a new set of features to give you even more power and control over your color grading.
- Cineon Log film emulations
- Full custom curve control
- Advanced film grain controls
If you already know and love FilmConvert the way it is, don’t worry –
The basic features of FilmConvert are still there if you need quick results.
The Nitrate features just add more of the advanced controls when you really want to dive in and take total control of your image.
Learn more about Nitrate in the updates tab.
We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.
Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.
Your FilmConvert license gives you access to all the camera packs currently available + 12 months of new camera pack updates.
Real Film Grain
Add real grain to your footage, scanned at 6k.
Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.
19 Film Stocks to choose from
With the majority of people shooting on digital these days, filmmakers are striving to achieve the desired qualities of film stocks when grading in post. Often, this requires a good team of colorists. However, we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®.
Create and export 3D LUTs using FilmConvert
LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.
- Use 3D LUTs on your monitor for on-set visualization. View on your monitor the look you will apply during post-production.
- In addition, load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.
- Likewise, export a 3D LUT to share your grade with others working on your film.
You can export your grade as a .cube LUT from any non-trial plugin version of FilmConvert. You cannot currently export .cube LUTs from the desktop app version at this time.
Also, check out FilmConvert Bundle of All Plug-ins
- Windows 10
- After Effects or Premiere Pro CC 2018 or later
- CUDA 10.1+ or OpenCL 1.1+
For CUDA rendering a CUDA Compute Compatibility version, 3.0 capable graphics card is required.
- macOS 10.15 or later (M1 compatible)
- After Effects or Premiere Pro CC 2018 or later
- Metal or OpenCL
Current FilmConvert Camera profiles
|Camera Manufacturer||Camera Model
|Apple||iPhone||iPhone 12 Pro/Max||iPhone XS XR
|iPhone 13 Pro||
|Blackmagic Design||Blackmagic Pocket||BMCC ||BMCC 4K
|URSA Mini Pro||BMPCC 4K||BMPCC 6K
|URSA Mini 4.6K|| URSA Mini Pro G2||
|Canon||Canon 1DC||Canon 1DX mk2||Canon 550D / T2i
|Canon 5D MkII||Canon 5D MkIII||Canon 5D MkIV
|Canon 600D / T3i||Canon 6D||Canon 7D / 60D
|Canon 80D||Canon C70||Canon C100
|Canon C100 Mark II||Canon C200||Canon C300
|Canon C300 Mark II||Canon C300 Mark III||Canon C500 Mark II
|Canon XC10||Canon XF300||Canon EOS R
|Canon 6D Mk II - EOS RP||Canon EOS R5||Canon EOS R5 C
|Canon EOS R6||Canon M50||Canon C500 mkII
|Digital Bolex||Digital Bolex D16||
|DJI||DJI Air 2S||DJI Inspire 1 / Phantom 3||DJI Mavic 2 Pro
|DJI Mavic 3 Cine||DJI Mavic Air||DJI Mavic Pro
|DJI Phantom 4 / Osmo||DJI Phantom 4 Pro||DJI X5
|DJI X5R||DJI X4S||DJI X5S
|Fujifilm||Fujifilm XT2||Fujifilm XT3||Fujifilm XT4
|GoPro||GoPro Hero3||GoPro Hero4||GoPro Hero5
|GoPro Hero8||GoPro Hero 10||
|Kinefinity||KineMAX 6K||KineMINI 4K||
|Nikon||Nikon D7000||Nikon D750||Nikon D800
|Nikon Z 6||
|Olympus||OM-D EM1X||OM-D EM1 MK II|
|Panasonic||Panasonic DVX200||Panasonic EVA1||Panasonic G85
|Panasonic G9||Panasonic GH2||Panasonic GH3
|Panasonic GH4 + V-Log||Panasonic GH5||Panasonic GH5S
|Panasonic Lumix GH6||Panasonic S1||Panasonic S1H
|Panasonic S5||Panasonic Vericam LT||
|Red ||Red Dragon||Red Helium - Weapon||Red Helium EPIC-W
|Red Komodo||Red One||
|Samsung||Samsung NX1||Samsung S8||
|Sony||Sony a1||Sony a6300||Sony a6500
|Sony A7 IV||Sony A7r mk2||Sony A7r mk3
|Sony A7r mk4||Sony A7RIV||Sony A7s
|Sony A7s mk2||Sony A7 mk3||Sony A7S III
|Sony AX700||Sony EX1 / EX3||Sony F55
|Sony FDR X3000||Sony FS5||Sony FS7
|Sony FS7000 / FS100||FX6||FX9
|Sony RX0||Sony RX100 IV - RX10 II||Sony RX100 V
|Sony VENICE||Sony ZV-1||
|Z Cam||E2-S6||Z Cam E2||
Download your latest camera profile today!
FilmConvert camera profiles are dedicated data packs that increase the color accuracy of your footage.
The data packs work in both the FilmConvert plugins and desktop app grading software. They cannot be loaded into your camera, but you can use the plugin software to export a LUT with your color settings to use in-camera if you wish.
You can download our most recent camera profiles below. If we don’t currently support your camera, you can request it here.
If we don’t have an exact match for your camera, never fear! You can still use our software to achieve a stunning result. We advise you to have a play with some of the different camera profile packs, especially within the same manufacturer.
Note: These Camera Packs need the latest version of FilmConvert for full compatibility
Download free camera profile
Version 3.20 / Date: 15 Dec 2021 / MAC
- Fix for Premiere Pro v22.1.1 on M1
Version 3.12 / Date: 02 Nov 2021 / MAC
- License apps now M1 compatible.
Version 3.11 / Date: 22 Jul 2021 / MAC
- Universal build (Intel + M1)
Version 3.11 / Date: 17 Nov 2020 / Windows
- Rebuild to support CUDA 10.1+
Version 3.10 / Date: 02 Nov 2020 / MAC
Removed need for OpenCL where Metal is available.
Version 3.10 / Date: 02 Nov 2020 / Windows
Removed need for OpenCL on NVIDIA machines
What’s new in Filmconvert Nitrate
Cineon Log Film Emulation
Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.
In the Nitrate update, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.
Design your own film response curve
We’ve designed full custom curve controls for each of the FilmConvert film stocks, so you can create exactly the look you want: modify highlight and shadow roll-offs, or even design your own film stock from scratch. Nitrate now uses a full Log image processing pipeline, so you can retain the full dynamic range of your footage through the grading process.
Advanced film grain controls
You can now adjust the appearance of the grain individually in the highlights, mid-tones, and shadows.
Filmconvert Nitrate: Color Grading Tips #gettingstarted
In this tutorial, Gerald Undone offers color grading tips and talks about some of the improvements of Filmconvert Nitrate. Nitrate is only currently available for Adobe After Effects and Premiere Pro, but versions for DaVinci Resolve, Final Cut Pro, Vegas and more are coming soon.More...
Perfecting the Film Post Production Workflow
If you’re thinking of doing your own feature length film, Vashi Nedomansky of VashiVisuals knows a bit about feature film post production workflow. He discusses the multiple roles he filled during his five years while working on the film The Grind, including handling footage, color grading, effects and more.More...