v3.01 FilmConvert Nitrate for OFX (DaVinci, Vegas)

Give Digital camera footage the color and grain of your favorite film stocks

Our intuitive software that takes care of the technology so you, the filmmaker, can focus on creating magical cinematic experiences for your audience. Easily add FilmConvert into your existing workflow and in just a few clicks, you are able to choose from 19 motion and still film stocks crafted and optimized scientifically to work with the sensor in your digital camera.

• Cross Platform (macOS + Windows)
• Nitrate for DaVinci Resolve – fully supported
• Nitrate for Magix Vegas – standard controls only
• FilmConvert Pro OFX – legacy installer available here

FilmConvert introduces Nitrate for OFX

— a new set of features to give you even more power and control over your color grading.

• Cineon Log film emulations
• Full custom curve control
• Advanced film grain controls

If you already know and love FilmConvert the way it is, don’t worry – The basic features of FilmConvert are still there if you need quick results.

The Nitrate features just add more of the advanced controls when you really want to dive in and take total control of your image.

Cineon Log Film Emulation

Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.

In Nitrate, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.

Shoot digital, grade film

Advanced colorists can use Nitrate in DaVinci Resolve for a true film color workflow. Nitrate now uses a full Log image-processing pipeline, so you can retain the full dynamic range of your footage through the grading process.

Improved interface and controls

Use Nitrate’s onscreen controls to grade your image in a full-screen interface so you can get up close and personal with your grade.

Features

Camera profiles

We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.

Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.

Real Film Grain

Add real grain to your footage, scanned at 6k.

Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.

19 Film Stocks to choose from

With the majority of people shooting on digital these days, film makers are striving to achieve the desirable qualities of film stocks when grading in post. Often, this requires a good team of colorists, however we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®.

Create and export 3D LUTs using FilmConvert

LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.

1. You can use 3D LUTs on your monitor for on-set visualization. View on your monitor the look you will apply during post-production.
2. You can load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.
3. You can export a 3D LUT to share your grade with others working on your film.

You can export your grade as a .cube LUT from any non-trial plugin version of FilmConvert. You cannot currently export .cube LUTs from the desktop app version at this time.