v3.01 FilmConvert Nitrate for OFX (DaVinci, Vegas)


FilmConvert Nitrate for OFX (DaVinci, Vegas)


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Give Digital camera footage the color and grain of your favorite film stocks

Our intuitive software that takes care of the technology so you, the filmmaker, can focus on creating magical cinematic experiences for your audience. Easily add FilmConvert into your existing workflow and in just a few clicks, you are able to choose from 19 motion and still film stocks crafted and optimized scientifically to work with the sensor in your digital camera.

  • Cross Platform (macOS + Windows)
  • Nitrate for DaVinci Resolve – fully supported
  • Nitrate for Magix Vegas – standard controls only
  • FilmConvert Pro OFX – legacy installer available here

FilmConvert introduces Nitrate for OFX

— a new set of features to give you even more power and control over your color grading.

  • Cineon Log film emulations
  • Full custom curve control
  • Advanced film grain controls

If you already know and love FilmConvert the way it is, don’t worry – The basic features of FilmConvert are still there if you need quick results.

The Nitrate features just add more of the advanced controls when you really want to dive in and take total control of your image.

Cineon Log Film Emulation

Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.

In Nitrate, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.

Shoot digital, grade film

Advanced colorists can use Nitrate in DaVinci Resolve for a true film color workflow. Nitrate now uses a full Log image-processing pipeline, so you can retain the full dynamic range of your footage through the grading process.

Improved interface and controls

Use Nitrate’s onscreen controls to grade your image in a full-screen interface so you can get up close and personal with your grade.


Camera profiles

We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.

Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.

Real Film Grain

Add real grain to your footage, scanned at 6k.

Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.

19 Film Stocks to choose from

With the majority of people shooting on digital these days, film makers are striving to achieve the desirable qualities of film stocks when grading in post. Often, this requires a good team of colorists, however we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®.

Create and export 3D LUTs using FilmConvert

LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.

  1. You can use 3D LUTs on your monitor for on-set visualization. View on your monitor the look you will apply during post-production.
  2. You can load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.
  3. You can export a 3D LUT to share your grade with others working on your film.

You can export your grade as a .cube LUT from any non-trial plugin version of FilmConvert. You cannot currently export .cube LUTs from the desktop app version at this time.




Windows 10

  • Blackmagic Design DaVinci Resolve Studio 16.
  • Blackmagic Design DaVinci Resolve 16.
  • Blackmagic Design DaVinci Resolve Studio15.
  • Blackmagic Design DaVinci Resolve 15.

An OpenCL 1.1 or CUDA capable graphics card.
For CUDA you need CUDA compute capability v3.0 and CUDA runtime v9.2.


macOS 10.13.6 or later.

  • Blackmagic Design DaVinci Resolve Studio 16
  • Blackmagic Design DaVinci Resolve 16
  • Blackmagic Design DaVinci Resolve Studio15
  • Blackmagic Design DaVinci Resolve 15

An OpenCL 1.1 or Metal capable graphics card. (Metal is not supported in Resolve 15).

Current FilmConvert Camera profiles

Camera ManufacturerCamera Model
AppleiPhoneiPhone XS XR
ArriArri Alexa
Blackmagic DesignBlackmagic PocketBMCC BMCC 4K
CanonCanon 1DCCanon 1DX mk2Canon 550D / T2i
Canon 5D MkIICanon 5D MkIIICanon 5D MkIV
Canon 600D / T3iCanon 6DCanon 7D / 60D
Canon 80DCanon C100Canon C100 mk II
Canon C200Canon C300Canon C300 mkII
Canon XC10Canon XF300Canon EOS R
Canon 6D Mk II - EOS RPCanon M50
Digital BolexDigital Bolex D16
DJIDJI Inspire 1 / Phantom 3DJI Mavic 2 ProDJI Mavic Air
DJI Mavic ProDJI Phantom 4 / OsmoDJI Phantom 4 Pro
DJI Zenmuse X7
FujifilmFujifilm XT2Fujifilm XT3Fujifilm X-T4
GoProGoPro Hero3GoPro Hero4GoPro Hero5
GoPro Hero8 Black
KinefinityKineMAX 6KKineMINI 4K
NikonNikon D7000Nikon D750Nikon D800
Nikon Z 6
PanasonicPanasonic DVX200Panasonic EVA1Panasonic G85
Panasonic G9Panasonic GH2Panasonic GH3
Panasonic GH4 + V-LogPanasonic GH5Panasonic GH5S
Panasonic Vericam LTPanasonic S1Panasonic S1H
Red Red DragonRed Helium - WeaponRed Helium EPIC-W
Red One
SamsungSamsung NX1Samsung S8
SonySony a6300Sony a6500Sony A7 mk3
Sony A7r mk2Sony A7r mk3Sony A7s
Sony A7s mk2Sony AX700Sony EX1 / EX3
Sony F55Sony FDR X3000Sony FS5
Sony FS7Sony FS7000 / FS100FX9
Sony RX0Sony RX100 IV - RX10 IISony RX100 V

Download your latest camera profile today!

FilmConvert camera profiles are dedicated data packs that increase the color accuracy for your footage.

The data packs work in both the FilmConvert plugins and desktop app grading software. They cannot be loaded into your camera, but you can use the plugin software to export a LUT with your color settings to use in-camera if you wish.

You can download our most recent camera profiles below. If we don’t currently support your camera, you can request it here.

If we don’t have an exact match for your camera, never fear! You can still use our software to achieve a stunning result. We advise you to have a play with some of the different camera profile packs, especially within the same manufacturer.

Note: These Camera Packs need the latest version of FilmConvert for full compatibility

Download free camera profile

Version 3.01 / Date: 26 Nov 2019 / MAC

Improved compatibility with Resolve 15.

Version 3.01 / Date: 26 Nov 2019 / Windows

Rebuild to improve Windows CUDA performance.

Version 3.0 / Date: 01 Oct 2019 / MAC

FilmConvert Nitrate initial release

Version 3.0 / Date: 01 Oct 2019 / Windows

FilmConvert Nitrate initial release.

FilmConvert Nitrate for OFX (DaVinci Resolve) #gettingstarted

In this tutorial, Gerald Undone goes over the basics of applying a lut in Resolve, the new functionalities of Nitrate and how to get a nice color grade quickly.


Burning Question: What in the heck is OFX? #OFX #openfx

I was talking to someone at NAB who I would consider to be “in the know” for visual effects and was surprised that he had never heard of OpenFX. More and more developers are developing with OpenFX, or OFX, a standardized software interface supported by numerous hosts such as Nuke, DaVinci Resolve and Sony Vegas. Here’s a few things to know so you’re not caught off guard!