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v7.1 Pomfort Silverstack Lab

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Pomfort Silverstack Lab
 

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Pomfort Silverstack Lab

The Only Dailies Software You Need.

Pomfort Silverstack Lab is the first software that enables a simultaneous handling of data management and dailies creation in one tool. Pomfort integrated Silverstack’s renowned data management capabilities, along with an elaborate set of functionalities, which are for a lean and highly efficient dailies creation process. Two steps merged into one! Back up footage securely and organize it transparently, while creating dailies at the same time.

New in Version 7. Upload your project libraries to the cloud, new wipe view and additional reporting capabilities

 

Benefit from Silverstack Lab

High Speed Dailies Creation with All the Configurations You Require.

Silverstack Lab is a highly professional dailies software, that perfectly adjusts to your needs.

Silverstack Lab lets you prepare your dailies with automated audio sync and look matching functionalities. It offers various options to configure dailies to your specific requirements, such as frame line and metadata burn-ins, watermarks, and all common output formats.

The software comes with a high performance transcoding engine, that supports the parallel creation of AVID DNxHD/DNxHR, ProRes, and H.264/H.265 (HEVC) files in multiple resolutions at the same time. This way the dailies creation process becomes extremely fast and reaches a new level of productivity.

  • Dailies Anywhere. No matter if you create dailies directly on set or in post production: Silverstack Lab enables a seamless process – anywhere, any time.
  • Superior Integrations. Silverstack Lab integrates with all professional editing programs and many dailies web platforms.
  • Choose Your Workflow.  Silverstack Lab includes all the data management features of Silverstack and XT, which seamlessly integrate with the dailies functionalities.

Automated Audio Sync and Look Matching

Prepare Footage for Transcoding.

Conveniently prepare footage for transcoding with Silverstack Lab’s fully automated audio sync and look matching functionality. When loading external audio files into Silverstack Lab, the built-in syncing wizard detects corresponding audio and video clips based on timecode, and automatically syncs them.

Imported looks are matched the same way via timecode, and are automatically applied to the video clips.

Different Requirements Demand for Various Transcoding Configurations

Configure Dailies to Yours and Production’s Needs.

Silverstack Lab provides a variety of options to configure your dailies. This includes custom frame lines, dynamic metadata burn-ins and watermarks, as well as various format settings, such as different resolutions, containers, codecs, and custom bit rates. The various transcoding configurations in Silverstack Lab give you full confidence to always be aligned with production’s requirements.

Fast, Hybrid CPU / GPU-Based Transcoding Engine

Utilize All the Power of Your Machine.

Silverstack Lab comes with a high performance transcoding engine. It enables you to deliver content timely, on demand, with no compromises in quality. Additionally, reduce the amount of repetitive work. Silverstack Lab lets you transcode clips simultaneously to various resolutions and to all required output formats. For example, AVID DNxHD/DNxHR, ProRes, and H.264/H.265(HEVC). Silverstack Lab includes all the power and capabilities you need to rapidly transcode clips for editing systems, web platforms, and storage archives.

All Your Media in One Place

Keep Everything Together in Silverstack Lab’s Central Library.

Whenever media is ingested from the camera to Silverstack Lab, the software automatically stores all clip, look and audio information in its central library. When transcodes are created the library also tracks and logs all essential dailies information.

Having all media assets in one place makes it easier and faster to manage your dailies creation process, and makes sure your results can always be delivered in time and on target.

Silverstack Lab Works Well With Others

Benefit from Various Third-Party Integrations.

Silverstack Lab lets you transfer metadata directly to all common editing programs. For example, Avid Media Composer, Adobe Premiere Pro, Final Cut Pro, and DaVinci Resolve.

Its superior integration with popular dailies platforms, such as ARRI Webgate, COPRA, and Drylab, furthermore lets you directly transfer clips and extensive metadata information.

This enables a powerful dailies workflow, that combines high-speed transcoding in Silverstack Lab with metadata availability in the dailies web platforms.

Take Advantage of the Silverstack Cloud

Instantly access your Silverstack library in the cloud and invite team members to also monitor the status of your project – anytime, from any location, and with any device.

Livegrade Pro and Silverstack Lab Work Hand in Hand

Benefit From On-Set Looks in Dailies Creation

Silverstack Lab and Livegrade Pro are the seamless solution for creating color corrected dailies right at the film set. Create and manipulate looks on set with Livegrade Pro. Import all looks to Silverstack Lab, where they can be matched with corresponding video clips and used for transcoding. Creating dailies that have looks from the film set applied leads to better looking images that are available almost instantly after shooting ends.

What’s new in version 7?

Silverstack Cloud:

  • Online Access to Your Silverstack Library: Complete insights into your current and archived production data – any time and from any location.

Reports:

  • Multi Reports Export: Export of multiple report types simultaneously
  • Reduced Report File Sizes: Five times smaller PDF reports with thumbnails plus option to choose jpg compression to reduce file size even further
  • New Camera Sums Summary: Shooting Day Report with camera sum totals per camera letter
  • Report Note: Include a general note in your reports (includes support for Markdown markup language)
  • Shooting Day Report Improvements: Clearer clips and other files structure in summaries, flags overview and more improvements

Still Frame Grabs:

  • Still Image Exports Based on Transcoding Preset: Select resolution and overlay options as for transcoding now for still image exports

Clips Comparison:

  • Wipe View: Compare two selected clips in the player side-by-side (vertically or horizontally) and wipe a split position between them

Grading Controls:

  • Contrast Slider: ASC-CDL-compatible “simple grading” (SPL) interface type with four new controls
    Lift, Gamma, Gain: ASC-CDL-compatible “lift gamma gain” (LGG) interface type with three color wheels
  • Printer Lights: ASC-CDL-compatible “printer lights” (PRT) interface type with increase / decrease buttons for colors
  • Color Wheels: New luma-neutral behavior of color wheels
  • Master Control: New indicator for “master” level of color wheels

Library:

  • Improved Search Filtering for Clips: Search in concrete metadata fields to filter clips list and build search expressions for more detailed filtering
  • Filter General Info: Search to filter General Info of right bar to find metadata information faster
  • Rotate Clips for Vertical Video: Set left or right rotation for clips to work with video clips intended to be viewed in portrait mode

Features

Audio Clips

Manage and Sync Sound Files.

Silverstack Lab reads extended metadata from BWAV files and other audio formats, and automatically groups together track files that belong to one clip. You can automatically match and sync audio and video clips by timecode information, and it’s also possible to manually sync audio and video by setting slate markers.

Silverstack Lab supports playback multi-track audio and video clips (solo and grouped). Individually adjust level and panning of internal and external audio tracks for the stereo-mixdown used in rushes and dailies.


Dailies Creation

Create Native Avid DNxHD/MXF, Apple ProRes, and H.264 Files for Editorial and Review.

Silverstack Lab’s hybrid GPU/CPU-based transcoding engine reaches impressive speeds (e.g. by utilizing multithreading and multiple GPUs), that makes it possible to transcode multiple dailies deliverables at the same time on a single Mac notebook fast enough to cover the dailies process for an entire shooting day.

Silverstack Lab adds new features such as various burn-in options, watermarks, and frameline overlays for your production’s specific needs. You can also create clips with multiple original audio tracks.

All transcoded clips are managed in Silverstack’s library and are part of the workflow statistics, that help you get a quick overview of the status of your day’s work.

Examples of Transcoding Speed

New MacBook Pro (15”, Late 2016) with Silverstack Lab
 2.6 GHz Intel Core i7 (AMD Radeon Pro 450):

silverstack lab transcoding speed

Specifications:

ARRIRAW in Open Gate, 3414×2198 resolution and debayered in half-res quality. H.264 is in 720p resolution, ProRes 422 LT is in 1080p resolution. No look and overlay is applied.

The hardware setup needs fast disk I/O (e.g. a SSD RAID). The ARRIRAW transcoding example requires roughly 720 MB/sec read speed to encode ARRIRAW material to DNxHD 155 and H.264 in 21 minutes (1h of ARRIRAW at 24 fps has a size of approx. 996 GB). The transcoding speed is equivalent to 62 frames/sec decoding speed for the ARRIRAW material and 124 frames/sec encoding speed for the simultaneous creation of DNxHD and H.264.

* Multiple formats are transcoded simultaneously


Supporting Post-Production Workflows

Fine-Tuning for Metadata Transfers.

The process of creating dailies has to have the overall workflow in mind – from editorial to conform and finishing. Therefore Silverstack Lab let’s you fine-tune the metadata that goes into and travels with the dailies. Depending on the chosen destination application (such as Avid Media Composer, Final Cut Pro X, Adobe Premiere, or DaVinci Resolve) you can set for example the type of clip and “tape” names in such detail, that no workflow will be left behind. In Silverstack Lab’s transcoding configurations you can set which and how metadata files should be automatically created after finishing the transcoding jobs.


Tons of Improvements

Window Configurations and Multi-Clip Grid View.

Silverstack comes with easy access to different window configurations, that are tailored to specific activities on set, such as management, QC, color grading, or configuring the transcoding process. Window configurations get all the user interface elements out of the way that are not needed at the moment and puts the focus on the user’s current task with just one click.

Silverstack Lab allows to place user interface elements such as a clip collection on a second display. For improved look management and QC, Silverstack Lab offers a side-by-side mode of the player, that can display up to twelve clips simultaneously – either on the computer display or on the HD-SDI output.

Compatibility

Operating Systems

  • Intel Mac
  • OSX 10.12 or newer.

If your MacBook Pro is equipped with an ExpressCard/34-, CompactFlash- or SD card-slot, you can directly offload clips from any SxS, CompactFlash or SD card as they are used by following cameras: ARRI Alexa (SxS),  RED and AJA Ki Pro  (CompactFlash), Sony Sony F5 / F55, Canon EOS C300, Canon EOS DSLRs , Nikon DSLRs and GoPro (SD Card). Otherwise you need a suitable card reader.

You can find a list of supported formats in the article Assets in Silverstack. All formats with no specific detection will be handled as generic files. Please see the article Generic File Formats for more information.

For a realtime playback of your offloaded video files the usage of a fast hard drive as a SSD card is recommended.

Advanced Camera Support

ARRIRAW

  • ARRI Alexa (.ari) **
  • ARRI Alexa Mini (.mxf)
  • ARRI Amira (.mxf)
  • ARRI Alexa 65 (.ari) **
  • ARRI Alexa LF (.ari) **

CODEX HDE ARRIRAW (.arx)

  • ARRI Alexa **
  • ARRI Alexa 65 **
  • ARRI Alexa LF **

AVC-Intra

  • Panasonic Varicam

Blackmagic RAW

  • Blackmagic Design URSA Mini Pro 4.6K

Canon XF Movies

  • Canon C300 Mk. I & II **
  • Canon C500 **
  • Canon C700 and C700 FF **
  • Canon C200**

Canon XF-HEVC

  • Canon XF705 **

Canon MPEG-4 AVC/H.264 (*.mts)

  • Canon C100 **

Canon Cinema Raw Light (.crm)

  • Canon C200 and C200B

Canon Uncompressed RAW (.rmf)

  • Canon C700 and C700 FF
  • Canon C300 Mk II

CinemaDNG

  • BMCC
  • Bolex D16 **
  • Ikonoskop
  • IndieCam

Generic Image Sequences

  • JPEG
  • TIFF
  • DPX

H.264 Quicktime Movies

  • Canon DSLR **
  • GoPro Hero **
  • Nikon DSLR **

Kinefinity KineRAW (.krw)

  • TERRA 4K/5K/6K
  • KineMINI 4K
  • KineMAX 6K

Panasonic DNG RAW

  • Panasonic Varicam LT (with Convergent Design Odyssey7Q+)

ProRes Quicktime Movies

  • AJA KiPro
  • ARRI Alexa / Alexa LF **
  • ARRI Alexa Mini **
  • ARRI Amira **
  • RED cameras **
  • Panasonic Varicam **
  • Sony Venice **
  • Atomos Ninja and Samurai
  • Codex Action Cam
  • Convergent Design Odyssey

Phantom Cine

  • Vision Research Phantom Flex/Flex4K/Miro

REDCODE

  • RED Weapon Dragon 6K, Weapon Helium 8K S35,
  • Weapon Monstro 8K VV **
  • RED Raven 4.5K **
  • RED Scarlet-X, Scarlet Dragon, Scarlet-W 5K **
  • RED Epic-X, Epic Dragon, Epic-W 8K **
  • RED One, RED One MX **

Sony RAW

  • Sony F5/F55/F65, Venice

V-RAW

  • Panasonic Varicam

X-OCN LT, ST and XT

  • Sony F5/F55, Venice (with AXS-R7 recorder)

XAVC

  • Sony F5/F55, Venice **

XAVC S

  • Sony a7S**

** with audio support

What’s new in version 7.1?

Playback Controls:

  • JKL Navigation: Playback, jog, and shuttle using the typical JKL keyboard shortcut controls.
  • Improved Clip Scrubbing on SDI: Smoother scrubbing through clips on SDI reference monitor.

Job Errors:

  • Earlier Notice of Failed Files: Failed tasks inside a job will now be clearly visible from the jobs overview while job is still running.
  • Improved Jobs View: Clearer job state display for better overview.
  • Pop-up Warnings and Reminders for Unread Failed Jobs: You get warned about unread failed jobs and can set reminder notifications.
  • Improved Display of Error Causes: Get details about more error causes directly in the jobs view.
  • Create MHL File for Failed Jobs: Possibility to create Media Hash List (.mhl) files for failed and cancelled jobs.

Video Scopes:

  • Wipe View: Easier analysis of image consistency with wipe view applied to video scopes.

Advanced Camera Support:

  • Support for RED Komodo: Metadata library, thumbnails, playback, and transcoding for upcoming RED Komodo camera.

Panel Support:

  • Improved support for Tangent Wave and Wave2: Customize the user interaction with the Tangent Mapper.

A detailed list of all changes can be found in the Silverstack Lab 7 changelog.


What’s new in version 7?

Silverstack Cloud:

  • Online Access to Your Silverstack Library: Complete insights into your current and archived production data – any time and from any location.

Reports:

  • Multi Reports Export: Export of multiple report types simultaneously
  • Reduced Report File Sizes: Five times smaller PDF reports with thumbnails plus option to choose jpg compression to reduce file size even further
  • New Camera Sums Summary: Shooting Day Report with camera sum totals per camera letter
  • Report Note: Include a general note in your reports (includes support for Markdown markup language)
  • Shooting Day Report Improvements: Clearer clips and other files structure in summaries, flags overview and more improvements

Still Frame Grabs:

  • Still Image Exports Based on Transcoding Preset: Select resolution and overlay options as for transcoding now for still image exports

Clips Comparison:

  • Wipe View: Compare two selected clips in the player side-by-side (vertically or horizontally) and wipe a split position between them

Grading Controls:

  • Contrast Slider: ASC-CDL-compatible “simple grading” (SPL) interface type with four new controls
    Lift, Gamma, Gain: ASC-CDL-compatible “lift gamma gain” (LGG) interface type with three color wheels
  • Printer Lights: ASC-CDL-compatible “printer lights” (PRT) interface type with increase / decrease buttons for colors
  • Color Wheels: New luma-neutral behavior of color wheels
  • Master Control: New indicator for “master” level of color wheels

Library:

  • Improved Search Filtering for Clips: Search in concrete metadata fields to filter clips list and build search expressions for more detailed filtering
  • Filter General Info: Search to filter General Info of right bar to find metadata information faster
  • Rotate Clips for Vertical Video: Set left or right rotation for clips to work with video clips intended to be viewed in portrait mode

Silverstack Cloud

Access to Your Production Data – Any Time, from Anywhere

Make your current Silverstack projects easily accessible online for you and for other team members. Like this you can remotely monitor the status of the project in real-time.

Benefit from complete insights into your current and archived production data with easy access even after a project ends – no matter where you are located and which device you are using.

Wipe View

Compare Two Clips in the Player – Side by Side

The wipe view extends the available grid view with another helpful comparison mode that assists dailies grading. Work on a consistent look across scenes by comparing two selected clips in the player.

The image wipe allows to wipe a splitter across one frame of two compared clips vertically or horizontally, to match the look of clips and adjust for consistency.

Reports

Export Multiple Report Types with One Click

Silverstack 7 facilitates the export process of multiple report types in one step. Like this you can for example create shooting day and clips reports with only one action in a streamlined reporting process, reducing required effort and therefore time.

Additional enhancements like reduced reporting size with many thumbnails and adding a general report note brings the reporting in Silverstack to another level.

What’s new in version 6.5?

Dailies & Proxies:

  • Create AAF Files for Avid Media Composer: Speed up and simplify Media Composer editing workflows by creating AAF files
  • New Output Format: DNx in QT Container (.mov): Transcode to DNx codecs in Quicktime (.mov) container
  • Advanced Custom Crop Options: Crop to exact resolutions and offsets for fine control over transcoded clips and still exports
  • New Output Format: H.264 and HEVC in MP4 Container(.mp4): Transcode to H.264 and H.265 (HEVC) codecs in MP4 container (.mp4)
  • Custom Keyboard Shortcuts: Define your individual shortcut for any action in the main menu

Audio:

  • Audio Waveform Zoom: New audio details panel enables more detailed sound sync control and subframe audio slipping
  • Panasonic Varicam AVC-Intra: Audio support for Panasonic Varicam AVC-Intra MXF clips

Camera Formats:

  • Blackmagic RAW: Advanced camera support for Blackmagic RAW
  • CODEX HDE ARRIRAW: Advanced camera support for Codex HDE ARRIRAW files (.arx)

Copy & Library:

  • Improved Copy Speeds: Copy speed optimization for file sequences and high performance drives
  • Scrubbing Through Clips: Smoother scrubbing through clips in player
  • Library Sorting: New bin and folder sorting options for easier library organization

Reports & Still Exports:

  • New Custom Naming Options for Reports and Still Frame Exports: File names for reports and still frames can now be customized with metadata wildcards

Metadata Export:

  • ARRI Webgate: Automatic export of metadata file to transmit information to ARRI Webgate

Working with LiveGrade Pro:

  • Receive Metadata from LiveGrade Pro: Take over metadata from LiveGrade Pro via PFLA when matching looks

What’s New in Silverstack Lab v6.4?

Video Scopes:

  • Native Video Scopes in Multiple Flavors: Waveform, histogram, vectorscope with settings

Copy & Verification:

  • Separate Copy and Verification Jobs: Schedule separate copy and verification jobs to complete copy first and verify afterwards
  • Verification States: Immediately see if any copy of a file misses verification or is defective
  • Simplified Options for Standard Copy: Improved security by reducing options for default copy settings

Jobs:

  • Identify Related Jobs: Select a job to see its dependant jobs in the jobs panel (e.g. for cascading copy or separate copy and verification jobs)
  • Schedule as Next Job: Schedule new jobs to be executed at earliest possibility
  • Running Jobs for Bins: Monitor in the library which bins have running jobs

Camera Formats:

  • Canon: Support for 5.9K RAW clips from Canon C700 FF

Dynamic Metadata:

  • Support for Dynamic Lens and Camera Metadata: Extract and display dynamic metadata to reference settings per frame and in playback
  • Improved Clips Reports: Dynamic metadata is leveraged to improve reporting with metadata of first frame
  • Dynamic Metadata Burn Ins: Transcode clips with dynamic metadata visibly embedded in the clip

Metadata Export:

  • COPRA Dailies System: Automatic export of metadata file for COPRA dailies system

Output Formats:

  • H.265/HEVC: Transcoding to H.265/HEVC (available starting from macOS 10.13)

Library:

  • Tags: Enter keywords or prepare uniform favorite tags to select from

New in Version 6.3

Transcoding:

  • Support for External GPUs: Use external GPUs to improve transcoding speeds for specific formats
  • Custom Frame Lines: Frame line burn-ins now support custom aspect ratios
  • H.264 Bitrate Options: Enter your custom bitrate or choose intended quality for transcoding to H.264

Workflow:

  • Linear Timecode (LTC) Support: Extract timecode information from video clips with LTC
  • Direct Transfer of Audio Sync to Adobe Premiere Pro: Create synced sequences in Premiere Pro with audio sync information from Silverstack Lab

Reporting:

  • Reports with Three Thumbnails: Create Clips and Thumbnails reports including three thumbnails per clip

Clip Processing:

  • Crop to Aspect Ratio: Crop clips to a custom aspect ratio

Backup:

  • Dual LTO/LTFS Backup: Backup clips to multiple LTO/LTFS drives simultaneously

New in version 6.2:

Zeiss Lens Correction:

  • Lens Data from ZEISS CP.3 XD Lenses: Lens correction data can be imported (e.g. from MasterLockit Plus), exported (e.g. to Zeiss plugin for DaVinci Resolve), and used for image filtering

Transcoding:

  • Transcoding with LUTs and Burn-ins: Up to 30% faster transcoding compared to version 6.0
  • Transcoding Speed Improvements: Improved decoding for Phantom Cine RAW and SONY RAW camera formats
  • Combined Clip Transcoding: Transcode multiple source clip to one combined clip for easier sharing and review
  • Decoding Options: Optimized ProRes option (“reduced decoding resolution”) for playback and transcoding

Export:

  • Drylab: Handover of clips and metadata to Drylab Creator

Jobs:

  • Suspension and Reordering of Copy and Transcoding Jobs: Interrupt and reorder copy and transcoding jobs for more flexibility for scheduling and resource management

Camera Formats:

  • Canon: Cinema RAW Light (.CRM) from latest Canon cameras
  • Kinefinity: KineRAW (.KRW) from Kinefinity cameras

Productivity:

  • Audio: Audio support for ARRIRAW in MXF container
  • Looks: Easy copy and paste of looks with shortcuts
  • Import: Enhanced Movie Slate import options
  • Clips Table View: Easier column selection
  • Metadata: Renaming of custom metadata fields

New in version 6.1:

Project Preparation:

  • Project Settings Export/Import: Transfer project settings and create project templates including transcoding configurations, library folder structure, offload templates and smart folders

Dailies:

  • DNx Formats: Improved naming and audio support for DNx formats
  • Transcoding Options: New burn-in and black bar options for transcoding

Audio:

  • Audio Sync: Easier adjustment, re-sync and batch editing of external audio clips
  • Audible Frame Stepping: Hear audio while stepping through a clip

Camera Formats:

  • RED IPP2: Enabling RED Image Processing Pipeline 2 for custom looks
  • Canon: Uncompressed RAW from EOS C700 (.RMF)

What’s new in Silverstack Lab 6?

Silverstack Lab is based on all the production proof features of Silverstack and Silverstack XT. We added a full set of features for a streamlined dailies workflow. You can see the details below.

Audio:

  •     Audio Clips: Multi-track audio clips with metadata in the clip library with playback
  •     Manual Audio Sync: Add audio tracks to video clips and sync by slate
  •     Automatic Audio Sync: Timecode-based syncing of video and audio clips

Transcoding:

  •     Avid DNxHD support: Transcoding to native DNxHD in MXF container for Avid Media Composer
  •     Speed Improvements: Accelerated transcoding to ProRes and H.264 (including support for 2nd GPU)
  •     Managed Transcodes: Transcoded files are managed in clip library
  •     Overlays: Frame lines, extended metadata burn-in and watermark
  •     Multi-Channel Audio: Source audio tracks in transcoded clips
  •     Transcoding Configurations: Store custom configurations for transcoding jobs

Workflow:

  •     Workflow Support: Automatic export of metadata for target application
  •     Conform Options: Detailed configuration of clip and reel names in transcodes and metadata
  •     Adobe Premiere Export: Transfer of clip list with metadata

User Interface:

  •     Window Configurations: Shortcuts for activity-tailored user interface configurations
  •     2nd-Display: Clip collection and player on second display
  •     Side-By-Side: Grid-View with up to twelve clips side-by-side

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