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Red Giant Magic Bullet Suite


Download demos and trial versions, product documentation, free presets and more.

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Powerful Color Correction, Grading, and Film Looks for Editors, and Filmmakers

Magic Bullet Suite is a set of seven comprehensive tools that bring intuitive color correction, finishing, and film looks, right to your editorial timeline.

Please Note: Magic Bullet Suite Perpetual is version 14.

This version is the last perpetual version and is no longer updated. It will not run on current versions of After Effects. Please purchase Red Giant Complete or Maxon One to run Magic Bullet in the current version of After Effects.

Color Correct

rg mb suite color correct

Magic Bullet Suite 14 is a complete set of plugins that gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. And now, with both input and output color handling in Looks, Magic Bullet Suite fits in perfectly anywhere within your high-end color workflow.



Give your footage the look of a Hollywood film. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big-budget movies. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds.


Quickly balance skin tones, reduce wrinkles, and remove skin blemishes, so your talent can look their best. Magic Bullet Suite makes cosmetic cleanup fast and easy and gives you natural results that look untouched.


clean up

Save your footage from video noise caused by shooting in the dark or at high ISOs. Magic Bullet Suite can clean up the noise while still preserving the details in your shot. At the end of your color grading process, Magic Bullet Suite can also reintroduce some subtle texture and natural film grain that gives your final product a look that feels genuine and unprocessed.


Magic Bullet Looks 5

Magic Bullet Looks is designed to give editors and colorists powerful, versatile tools for creating cinematic film looks and professional color correction. Includes over 200 fully customizable Look presets and over 40 Powerful Tools to customize or build new Looks. Get the best, most intuitive color correction experience in the industry.

What’s new in Looks 5

  • Huenity
  • Color Remap
  • Channel Mixer
  • Looks Preset Search
  • LUT Browser
  • Color Handling
  • Tangent Support
  • 300 Presets

Magic Bullet Colorista V

Magic Bullet Colorista V provides professional color correction tools right on your editing timeline — no need to switch to a different app to grade your footage. Our Guided Color Correction helps you jumpstart your color grade. Import and create LUTs and work with HDR footage. Turns Adobe Premiere Pro and After Effects into a high-speed professional color grading environment.

What’s new in Colorista V

  • Preset Browser
  • LUT Browser
  • Generate LUTs
  • Saturation EQ
  • Color Engine

Denoiser III

Denoiser III gives you easy video noise reduction. Remove noise and grain from your footage, while preserving detail. Get immediate one-step results. Denoiser has been rewritten entirely from scratch to give you the best, fastest, most reliable denoising available.

Magic Bullet Mojo II

Get a cinematic color grade in seconds. Instantly give your footage an action movie color grade. Accentuate and protect skin tones. Cool off your backgrounds. Mojo is highly customizable – cool things off, warm them up, bleach them, and more.

Magic Bullet Cosmo II

Get fast, simple cosmetic cleanup with Magic Bullet Cosmo II. The fastest, easiest way to make your talent look their best. Quickly balance skin tones, reduce wrinkles and remove blemishes. Cosmo has been rewritten from scratch to give you fast, beautiful results.

Magic Bullet Renoiser

Get cinematic texture and film grain with Magic Bullet Renoiser. Restore texture and noise to overly processed digital video. Protect your footage from color banding and blocky compression artifacts. Give any footage a true-to-life 35mm, 16mm, or Super 8 film grain.

Magic Bullet Film

Magic Bullet Film creates the look of a real motion picture film. It emulates the entire photochemical process for an authentic look. Mix and match 22 negative stocks and 4 print stocks. Film includes accurate, measured film grain and a foolproof vignette tool.

Magic Bullet Looks

Cinematic looks and color correction


With the Magic Bullet Looks plugin you can choose from over 100 brand-new Look presets, designed to match your favorite movies and TV shows. While presets are the fastest, simplest way to grade your footage, every one of the over 300 included presets is fully-customizable, and uses professional tools and powerful techniques to make your footage look amazing.


Alter the presets by adding or removing tools along the toolchain, or just build a look from scratch by combining any of the intuitive and powerful tools.


The best color correction experience in the industry happens because of a great set of tools and a great way to use them. The Magic Bullet Looks UI makes the process of color grading intuitive and easy.


Magic Bullet Looks now works ever better with high-end workflows. Choose from over 30 new camera profiles for input or output using the new Color Handling controls. This means Looks’s 300+ presets work perfectly on any footage, and in any workflow.


Huenity (NEW)
Huenity is a powerful tool that makes it easy to simplify your color palette by customizing a range of hues. With a slick, intuitive UI that makes it simple to define the area you want to affect, Huenity makes it simple to bring together a range of colors for things like unifying skin tones, skies, any other colors in a shot. It’s also a great tool for limiting the tonal range of an image so that you can explore more stylistic looks.

Color Remap (NEW)
Color Remap is a first of its kind — a color corrector that allows you to easily map any color to any other color. You can perfectly match client color palettes, conform your shot using a color chart, or explore infinite creative options. As you remap colors, you see your results in a 3D color cube. You can easily pin down colors you don’t want to change, making Color Remap the most powerful color tool we’ve ever built.

Channel Mixer (NEW)
Channel Mixer is a powerful tool that can have a big impact on the color or your image. This tool makes it easy to feed the information from one color channel into the output of another color channel for things like creating high-quality black and white conversions, correcting color casts, and tinting and stylizing your footage.

LUT Browser (NEW)
The brand-new LUT Browser provides a sleek workflow allowing for any number of Lookup Tables to be imported, previewed on a thumbnail of your footage, and applied with ease. Expand your library of looks indefinitely. Import LUT packages, dailies LUTs, or LUTs you created with Colorista (new feature in Colorista plugin) and make them part of your everyday color workflow.

Color Handling (NEW)
Keeping up-to-date with high-end workflows and a growing number of professional cameras Color Handling provides a wide range of new color input and output transforms ensuring consistency, quality and flexibility when color correcting and creating deliverables. With Color Handling at both the beginning and end of the Looks tool chain, Magic Bullet looks can fit into any color workflow.

Looks Preset Search (NEW)
The new Preset Search makes it simple and intuitive to find the Looks preset you need through the use of creative language and context. Search for presets using keywords such as movie titles, colors, moods and more. Respond fast to your client’s requests, discover different color palettes, become inspired, and craft the perfect look for your project.

Tangent Support (NEW)
Turn your workstation into a professional grading suite. With the latest version of Looks, you can use the Colorista, 4-Way Color, and other Looks tools with Tangent control surfaces.


Professional Color Correction On Your Timeline


Magic Bullet Colorista V is a plugin that puts streamlined professional color correction tools directly on your editing timeline. No need to leave your host app to grade your footage.


Let Colorista V guide you, using an industry-tested color correction workflow. In just a few simple steps, this quick and easy shortcut will start you off on the right foot with a perfectly balanced shot that’s ready for a color grade.


Get true real time color correction with Adobe’s Mercury playback engine. Transform Premiere Pro and After Effects into a professional color grading environment with the Colorista panel. Create multi-layered masked corrections with Adobe’s masking and tracking features. Colorista V is tightly integrated with Adobe applications, giving you a seamless color grading experience that goes far beyond the native tools.


Look up tables are a big part of a colorist’s workflow. Whether they’re camera manufacturer LUTs designed to bring footage into the right color space, or creative LUTs used to transform your footage with the grade from a popular film, Colorista makes it easy to import and work with LUTs. Even better, Colorista can create and output LUTs based on your color work, making it easy to share your grade across projects, people and software that reads LUTs.


Colorista has always been a great HDR color corrector. With Colorista V, we’ve overhauled the render engine with new Highlight and Shadow Region controls, improved 3-way correction, and an all-new Clarity control. A new Highlight Boost control makes it easy to upgrade any video to HDR, while the new Saturation EQ gives you control of color curves with far fewer clicks.


Preset Browser (NEW)
Quickly preview and apply presets with Colorista’s Preset Browser and build your own library of custom presets. If you need to color correct many similar shots across your timeline, the new Preset Browser will help you work faster, more efficiently, and with greater consistency, but it’s also a great way to quickly find a look and get creative with the color in your shot.

LUT Browser (NEW)
Look Up Tables are an integral part of your color correction process and we wanted to make them easier to work with and apply than ever before. Import and preview LUTs over a thumbnail of your footage, and expand your library of LUT’s indefinitely. Import LUT packages, dailies LUTs, or LUTs you created with Colorista‘s new LUT generation tool, and make them part of your everyday professional color workflow.

Generate LUTs (NEW)
Once you’ve created a color grade you like, use Colorista’s new LUT generation tool to save it up as a LUT and then share across your timeline, facility or even the world. Use the LUT in Colorista, Looks, on set, in cameras or any other place LUTs are used.

Saturation EQ (NEW)
Take control of saturation in your image like never before. Colorista’s powerful new Saturation EQ tools gives you a unique and powerful way to control saturation across different “bands” of lightness or saturation in your footage. Use Saturation EQ to Desaturate just the highlights or shadows or to inject color into less saturated areas while removing saturation from colors that feel too intense.


Supported OS :

  • Mac OSX 10.11 and higher
  • Windows 7, 8, 10 (64 bit versions only)


  • Adobe CC 2017 and higher
  • Additional Host apps: Varies by product.


  • Adobe After Effects:  CC 2017 and later
  • Adobe Premiere Pro: CC 2017 and later
  • Apple Final Cut Pro X 10.2.3 and later
  • Apple Motion 5.2.3 and later
  • Magix VEGAS Pro 14 and later
  • Avid Media Composer 8.2 or later
  • DaVinci Resolve 14 and later**
  • HitFilm Pro 6.0 and later

** This plug-in will not work with any version of DaVinci Resolve from the Mac App Store

Hosts: Cosmo, Film, Renoiser, Mojo

  • Adobe After Effects: CC 2017 and later
  • Adobe Premiere Pro: CC 2017 and later
  • Apple Final Cut Pro X 10.2.3 and later
  • Apple Motion 5.2.3 and later
  • Magix VEGAS Pro 14 and later
  • DaVinci Resolve 14 and later*
  • HitFilm Pro 6.0 and later

*These plug-ins will not work with any version of DaVinci Resolve from the Mac App Store

Hosts: Denoiser

  • Adobe After Effects CC 2017 and later
  • Adobe Premiere Pro CC 2017 and later
  • Apple Final Cut Pro X 10.2.3 and later
  • Apple Motion 5.2.3 and later


  • Adobe After Effects CC 2017 and later
  • Adobe Premiere Pro CC 2017 and later
  • Apple Final Cut Pro X 10.2.3 and later
  • Apple Motion 5.2.3 and later




Magic Bullet Suite 14.0.4

The Magic Bullet Suite 14.0.4 update has been released, which resolves the issues outlined below and makes Magic Bullet Suite 14 fully compatible with the latest versions of Final Cut Pro and Motion.

Apple just released Final Cut Pro 10.5.2 and Motion 5.5.1, and while we know you want to jump into those updates, if you are a customer using either Magic Bullet Colorista or Looks, we are advising you not to update at this time.

What’s new in Magic Bullet Suite 14.0.3?

  • Added support for macOS Big Sur for Looks 5, Colorista V, and Denoiser III
  • Added support for Final Cut Pro for Looks 5, Colorista V, and Denoiser III

Enhancements and stability improvements

  • Fixes for loading thumbnails and 100+ LUTs (Look-Up Tables) for MB Looks
  • Significant improvements to MB Colorista including minor adjustment layer and keyframing issues for PPro as well as enhanced loading times for AE and PPro.



  • Huenity
  • Color Remap
  • Channel Mixer
  • Looks Preset Search
  • LUT Browser
  • Color Handling
  • Tangent Support
  • 100 New Presets


  • Preset Browser
  • LUT Browser
  • Generate LUTs
  • Saturation EQ
  • Color Engine


What’s New in Magic Bullet Suite 13.0.15

  • Updated to support RGA 1.0.7

What’s New in Magic Bullet Suite 13.0.11

  • Adobe CC 2019 Compatibility

What’s New in Magic Bullet Suite 13.0.9

  • Bug fixes in Looks/Colorista for interlaced sequences in Premiere Pro

What’s New in Magic Bullet Suite 13.0.3

Magic Bullet Looks 4.0.2

  • Fixed an issue with the LUT tool and its management of custom LUTs
  • Fixed an issue that could cause flickering when using OpenCL

Magic Bullet Colorista IV 4.0.3

  • Support for hi-res Windows displays
  • Fixed an issue that would cause the “Show Skin Overlay” checkbox to not work in the Colorista IV panel.

Magic Bullet Denoiser III 3.0.1

  • 4K Support for GeForce GTX cards(4GB VRAM and up) for Windows.

What’s New In Magic Bullet Suite 13

Magic Bullet Suite 13 includes seven products, five of which have been upgraded and one that is entirely new: Magic Bullet Looks 4, Colorista IV, Denoiser III, Mojo II, Cosmo II, Film 1.2, and the
all-new Magic Bullet Renoiser.

For the first time ever, Magic Bullet Suite 13 brings you real-time color correction with OpenGL/OpenCL support. All tools are GPU Accelerated for maximum speed.

Magic Bullet Looks 4.0

  • GPU: OpenGL/OpenCL
  • Looks Presets
  • Tool Presets
  • Source Tool
  • Renoiser Tool
  • Mojo Tool
  • Reference Library
  • Universal strength slider
  • Looks Favorites
  • Resizing Scopes
  • Save Looks Workflow

Magic Bullet Colorista IV

  • GPU: OpenGL/OpenCL
  • Colorista Panel
  • Guided Color Correction
  • LUTs
  • Color Temperature & Tint
  • RGB Point Curves
  • Log Support

Magic Bullet Denoiser III

  • Incredible quality results
  • GPU acceleration
  • Near Real-time performance
  • New UI/Easier to use
  • Rewritten entirely from scratch

Magic Bullet Mojo II

  • Updated cinematic style
  • GPU: OpenGL/OpenCL
  • My Footage is…
  • Presets
  • Vignette
  • Exposure
  • Color Temperature
  • Tint

Magic Bullet Cosmo II

  • GPU: OpenGL
  • Better Results
  • Skin Sample Tool
  • Refined Visual Feedback

Magic Bullet Renoiser

This is an entirely new product that gives your footage a cinematic texture and grain. Whether you’ve denoised your video, created CGI and motion graphics compositions, or even shot on a camera that produces virtually noiseless footage, Renoiser’s all-new, realtime, GPU-accelerated grain engine rebuilds your footage with with a cinematic texture more genuine than anything you’ve seen before. Renoiser is fully customizable, and Includes 16 noise/grain presets based on real film stocks and popular movies, such as 16MM, 8MM and much more.

Magic Bullet Film 1.2

  • GPU: OpenGL/OpenCL

What’s New in Magic Bullet Suite 13.0.10

May the 4th Be With You: A Star Wars Tutorials Roundup

It's May the 4th, aka Star Wars Day! Today we celebrate May the 4th with a roundup of Star Wars-inspired tutorials from over the years.


Burning Question: What in the heck is OFX? Updated #OFX #openfx

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Burning Question: Can I Still Upgrade my Red Giant & Trapcode Products? (Updated)

With the latest releases of Red Giant & Trapcode products, there are no longer perpetual licenses. Learn how to get the newest software.


VFX & Chill with Hashi & Seth: July 30, 2021

On the July 30 episode of VFX & Chill, Hashi and Setherson recreate VFX from Ghostbusters. Time to make the Sky Donut with Trapcode!


Maxon 3D Motion Show // June 2021 - Watch Now!

The Maxon 3D Motion Show is live now! Toolfarm is proud to be a sponsor of the show. The schedule for today is below the video. Watch now!


Access Magic Bullet Looks in Cinema 4D

Learn how to access Magic Bullet Looks in Cinema 4D in this quick tip from Maxon. It's a great new feature that was added in S23!


The REPLAY: Maxon's 3D & Motion Design Show April 2021

If you missed Maxon's 3D & Motion Design Show for April 2021, watch the replays here! We have all three days worth of programming here.


Maxon's 3D & Motion Design Show - March 17, 2021

Tune in to the 3D & Motion Design Show on March 17. Learn Cinema 4D, Redshift, and Red Giant tools with several talented featured artists.


Creating the Invisible Jet from Wonder Woman 1984

Hashi shows you how to create the Invisible Jet from Wonder Woman 1984 with After Effects, Cinema 4D, Trapcode Mir, Particular, and more!


Creating A 16-Bit Retro Video Game Look,

Hashi shows you how to make your modern footage look like an old video game with After Effects, Universe, Magic Bullet Colorista. Super fun!


How to Manage Red Giant Licenses, for Purchases after 17 Nov 2020

If you're managing your Red Giant licenses purchased after November 17, 2020, you will need to log in with a Maxon account. Here's how.


Remove Noise from Video, Match Grain, Film Grain vs Digital Noise

In this tutorial from Fireball VFX, you will learn difference between film grain and digital noise and when it should be removed, how to add it in when needed and more. 


Maxon 3D & Motion Design Show IBC 2020 Edition, Day 4

Maxon's 3D & Motion Design show IBC edition Sept 8-11, 2020. Artist-focused live shows feat. Cinema 4D, Red Giant, and Redshift.


Fractured Ice Surface Tutorial - What's Kraken?

Hashi shows you how to create a Kraken coming through the ice on a frozen river. He talks about the new Red Giant VFX Lens Distortion Matcher plugin.


How to Create Seth Worley’s Glitter-infested Darker Colors Titles

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Onward Legs Effect, Cheap Tricks with Hashi

Hashi of Action Movie Kid, dives into the legs only body effect from Pixar's Onward. Makes some Onward-inspired magic with Red Giant tools.


Sonic the Hedgehog Effects, Cheap Tricks with Hashi

In this tutorial, Hashi dives into the effects of the new Sonic the Hedgehog film, covering 3D, compositing, and color correction. Create cool looking VFX!


Red Giant Tutorial Roundup

Check out these great tutorials from Red Giant.  Get started with Universe and VFX Reflections, learn "cheap tricks" for re-creating cool Frozen II and Game of Thrones effects and even learn how to create a Star Wars style Force push.


Frozen II VFX: Cheap Tricks with Hashi

Red Giant has a fun new tutorial from Hashi of Action Movie Kid. In this tutorial, Hashi goes through how to create the diamond burst effect from Frozen II.


The Thing With a Hundred Eyes with Red Giant #Halloween

Red Giant's lead designer Leo Hageman shows you how to use the Contact Lens Kit. It's a free and easy-to-use project with 100 different eye presets!


Creating the Star Wars Force Push with Red Giant & Trapcode Tools

Seth Worley creates Star Wars Force Push effect with VFX Supercomp, Optical Glow, Trapcode Particular, Universe Camera Shake, Magic Bullet Suite.


Game of Thrones VFX Parts 1 & 2: Cheap Tricks with Hashi

Red Giant has a fun new tutorial from Hashi of Action Movie Kid. Parts 1 and 2 walk you through several great tricks to make your VFX look spectacular.


Make your Footage Look Cinematic | Red Giant Short Cuts

Red Giant is back with another episode of Shortcuts. In this tutorial, Premiere Gal gives you some great tips on how to quickly make your videos or vlogs look cinematic with Red Giant Magic Bullet’s Looks and Colorista, and also, Universe Finisher.


Vegas Pro Color Correction and Color Grading Tutorial Roundup

First, we'll start out with Vegas Pro Color Correction since you'll do a color correction before you will grade your footage. 


Color Grading in FCPX Using the Tools in Final Cut Pro 10.4

FCPX 10.4 came with some hot new features for color grading, including the Color Inspector and Color Wheels, making color grading easier and more intuitive.


Tutorial: Open As A Panel in Red Giant Colorista

This is not really a tutorial as much as a tip on how to speed up your workflow in After Effects or Premiere Pro when using Colorista.


Premiere Pro: A Color Correction Session with Stu Maschwitz - Colorista IV

In this tutorial from Stu Maschwitz tutorial, you’ll learn how to use Colorista IV to balance footage, to relight your foreground elements, to match footage across a timeline, and much more.


Red Giant Magic Bullet Suite: Stu Maschwitz’s Color Grading Pipeline

Director Stu Maschwitz walks you through his color grading pipeline - a process that includes video denoising, color correction, and renoising with film grain using products from the Red Giant Magic Bullet Suite.


Wakanda Form-ever! by Action Movie Dad | Red Giant Cheap Tricks

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Cheap Tricks - It’s Wrinklin’ Time (VFX tutorial)

Daniel Hashimoto (creator of Action Movie Kid) walks through how to re-create some of the VFX and motion graphics from “A Wrinkle In Time, with special guest Lyric Wilson, who played Young Meg in the film. 


Tutorials: Stranger Things Titles and VFX - Recreating the Open, Upside Down Look

In honor of Halloween and the recent release of season 2 of the popular Netflix Series “Stranger Things,” we thought you might like another look at these tutorials.  Learn how to recreate the 80’s-styled opening sequence in After Effects, and the “Upside Down” world Look - from Red Giant’s Seth Worley.


In Depth: Color Grading is a LUT Easier with LUTs!

A LUT, or Look Up Table, is used in the film industry as an easy method of color grading. It’s an array of numbers to control the color of an image, by mapping one color space to another. Simple enough at the surface, but here’s more than you probably want to know about LUTs.


Red Giant Magic Bullet Suite Tutorial Roundup

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Eclipse - Behind the scenes - Sky Replacement

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Magic Bullet Suite 13 Tutorials

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Michele Learns Cinema 4D: Episode 6: Toolfarm’s NAB Survival Video Open

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Create Ghostbusters Style Visual Effects

Director Seth Worley takes you behind the scenes and shows you how he created the visual effects in “Busted,” his Red Giant Film Team Experiment. Watch “Busted” here and follow the link to the tutorial.


Red Giant Colorista III in FCPX

Red Giant worked hard to get Colorista III to work seemlessly with Final Cut Pro X.  Here Stu Maschwitz shows you just how beautifully they work together.


Re-creating the Lost Smoke Monster

In this Episode of Red Giant TV, Filmmaker/Motion Graphics artist Seth Worley will show you how to re-create the look of the Lost Smoke monster. Covered: Compositing, Masking, 3D tracking, Color Correction and some really cool Trapcode Particular techniques.


Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

Take a bland, colorless sky and make it into a vault of heaven! Create an alluring azure sky with fluffy clouds, a sublime sunset or an moody moonlight scene. I’ll give several options, utilizing plug-ins from CoreMelt, Video Copilot, Boris FX, Red Giant, SUGARfx and Imagineer.


In Depth: Keying: Pre-Processing Greenscreen Footage for Keying

If your greenscreen footage didn’t turn out as perfectly as you had hoped, here are some things that you can do to fix problems and not create new ones.


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