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v13.0.11 Red Giant Magic Bullet Suite

Review:

Red Giant Magic Bullet Suite
  

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Powerful Color Correction, Grading, and Film Looks for Editors, and Filmmakers

Magic Bullet Suite brings together seven of Red Giant’s powerful, intuitive tools for real-time color correction and cinematic looks right to the timeline of your favorite non-linear editor. Plus, professionally remove noise, add grain, and fix skin tones with natural-looking results.


Highlights

Toolfarm Top 10 2018

Several of the plug-ins in Magic Bullet Suite come with gorgeous presets, allowing you to effortlessly enhance and correct your footage, accurately reproducing the look of film stocks or lens filters.

 

red giant magic bullet suite color correctColor Correct

Magic Bullet Suite 13 gives you everything you need to make your footage look great, right on your editing timeline. Balance out your shots with powerful color adjustments that work the way your eye expects them to. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. With Magic Bullet Suite, you’ll have the most powerful and intuitive real time color correction tools available, without ever needing to switch to a different app.

 

red giant magic bullet suite stylizeStylize

Give your footage the look of a Hollywood film. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big budget movies. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds.

 

red giant magic bullet suite refineRefine

Quickly balance skin tones, reduce wrinkles and remove skin blemishes, so your talent can look their best. Magic Bullet Suite makes cosmetic cleanup fast and easy, and gives you natural results that look untouched.

 

red giant magic bullet suite clean upCleanup

Save your footage from video noise caused by shooting in the dark or at high ISOs. Magic Bullet Suite can clean up the noise while still preserving the details in your shot. At the end of your color grading process, Magic Bullet Suite can also reintroduce some subtle texture and a natural film grain that gives your final product a look that feels genuine and unprocessed.

 

TOOLS/INCLUDED

Magic Bullet Looks 4

Powerful, looks and color correction for filmmakers.

  • Over 100 fully-customizable Look presets.
  • Over 40 Powerful Tools to customize or build new Looks.
  • The best, most-intuitive color correction experience in the industry.

Magic Bullet Colorista IV

Professional Color Correction for Filmmakers.

  • Color Correction directly on your timeline – No need to switch to a different app to grade your footage.
  • Guided Color correction helps you jumpstart your color grade.
  • Turns Adobe Premiere Pro and After Effects into a high-speed professional color grading environment.

Denoiser III

Easy Video Noise Reduction.

  • Removes noise and grain from your footage, while preserving detail.
  • Provides immediate one-step results.
  • Rewritten entirely from scratch to give you the best, fastest, most reliable denoising available.

Magic Bullet Mojo II

A Cinematic Color Grade in Seconds

  • Instantly gives your footage the sophisticated color grade of a Hollywood movie.
  • Makes people look great by emphasizing skin tones, while unifying other colors.
  • Highly customizable, with presets based on Hollywood films.

Magic Bullet Cosmo II

Fast, Simple Cosmetic Cleanup

  • The fastest, easiest way to make your talent look their best.
  • Quickly balances skin tones, reducing wrinkles and remove blemishes.
  • Rewritten from scratch to give you fast, beautiful results.

Magic Bullet Renoiser

Cinematic Texture and Grain

  • Restores texture and noise to overly processed digital video.
  • Protects your footage from color banding and blocky compression artifacts.
  • Gives any footage a true-to-life 35mm, 16mm, or Super 8 film grain.

Magic Bullet Film

The look of real motion picture film.

  • Emulates the entire photochemical process for an authentic look.
  • Mix and match 22 negative stocks and 4 print stocks.
  • Includes accurate, measured film grain and a foolproof vignette tool.

Supported OS :

  • Mac OSX 10.10 and higher
  • Windows 7, 8, 10, 64 bit versions only

Hosts :

  • Adobe CC2014 and higher
  • Additional Host apps: Varies by product.

What's New in Magic Bullet Suite 13.0.11

  • Adobe CC 2019 Compatibility

What's New in Magic Bullet Suite 13.0.9

  • Bug fixes in Looks/Colorista for interlaced sequences in Premiere Pro

What's New in Magic Bullet Suite 13.0.3

Magic Bullet Looks 4.0.2

  • Fixed an issue with the LUT tool and its management of custom LUTs
  • Fixed an issue that could cause flickering when using OpenCL

Magic Bullet Colorista IV 4.0.3

  • Support for hi-res Windows displays
  • Fixed an issue that would cause the “Show Skin Overlay” checkbox to not work in the Colorista IV panel.

Magic Bullet Denoiser III 3.0.1

  • 4K Support for GeForce GTX cards(4GB VRAM and up) for Windows.

WHAT’S NEW IN MAGIC BULLET SUITE 13

Magic Bullet Suite 13 includes seven products, five of which have been upgraded and one that is entirely new: Magic Bullet Looks 4, Colorista IV, Denoiser III, Mojo II, Cosmo II, Film 1.2, and the
all-new Magic Bullet Renoiser.

For the first time ever, Magic Bullet Suite 13 brings you real-time color correction with OpenGL/OpenCL support. All tools are GPU Accelerated for maximum speed.

Magic Bullet Looks 4.0

  • GPU: OpenGL/OpenCL
  • Looks Presets
  • Tool Presets
  • Source Tool
  • Renoiser Tool
  • Mojo Tool
  • Reference Library
  • Universal strength slider
  • Looks Favorites
  • Resizing Scopes
  • Save Looks Workflow

Magic Bullet Colorista IV

  • GPU: OpenGL/OpenCL
  • Colorista Panel
  • Guided Color Correction
  • LUTs
  • Color Temperature & Tint
  • RGB Point Curves
  • Log Support

Magic Bullet Denoiser III

  • Incredible quality results
  • GPU acceleration
  • Near Real-time performance
  • New UI/Easier to use
  • Rewritten entirely from scratch

Magic Bullet Mojo II

  • Updated cinematic style
  • GPU: OpenGL/OpenCL
  • My Footage is…
  • Presets
  • Vignette
  • Exposure
  • Color Temperature
  • Tint

Magic Bullet Cosmo II

  • GPU: OpenGL
  • Better Results
  • Skin Sample Tool
  • Refined Visual Feedback

Magic Bullet Renoiser

This is an entirely new product that gives your footage a cinematic texture and grain. Whether you’ve denoised your video, created CGI and motion graphics compositions, or even shot on a camera that produces virtually noiseless footage, Renoiser’s all-new, realtime, GPU-accelerated grain engine rebuilds your footage with with a cinematic texture more genuine than anything you’ve seen before. Renoiser is fully customizable, and Includes 16 noise/grain presets based on real film stocks and popular movies, such as 16MM, 8MM and much more.

Magic Bullet Film 1.2

  • GPU: OpenGL/OpenCL

What's New in Magic Bullet Suite 13.0.10

The Thing With a Hundred Eyes with Red Giant #Halloween

Red Giant's lead designer Leo Hageman shows you how to use the Contact Lens Kit. It's a free and easy-to-use project with 100 different eye presets!

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Creating the Star Wars Force Push with Red Giant & Trapcode Tools

Seth Worley creates Star Wars Force Push effect with VFX Supercomp, Optical Glow, Trapcode Particular, Universe Camera Shake, Magic Bullet Suite.

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Burning Question: What in the heck is OFX? #OFX #openfx

I was talking to someone at NAB who I would consider to be “in the know” for visual effects and was surprised that he had never heard of OpenFX. More and more developers are developing with OpenFX, or OFX, a standardized software interface supported by numerous hosts such as Nuke, DaVinci Resolve and Sony Vegas. Here’s a few things to know so you’re not caught off guard!

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Make your Footage Look Cinematic | Red Giant Short Cuts

Red Giant is back with another episode of Shortcuts. In this tutorial, Premiere Gal gives you some great tips on how to quickly make your videos or vlogs look cinematic with Red Giant Magic Bullet’s Looks and Colorista, and also, Universe Finisher.

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Premiere Pro: A Color Correction Session with Stu Maschwitz - Colorista IV

In this tutorial from Stu Maschwitz tutorial, you’ll learn how to use Colorista IV to balance footage, to relight your foreground elements, to match footage across a timeline, and much more.

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Red Giant Magic Bullet Suite: Stu Maschwitz’s Color Grading Pipeline

Director Stu Maschwitz walks you through his color grading pipeline - a process that includes video denoising, color correction, and renoising with film grain using products from the Red Giant Magic Bullet Suite.

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Wakanda Form-ever! by Action Movie Dad | Red Giant Cheap Tricks

The second episode of Cheap Tricks is up at Red Giant! Hashi from Action Movie Kid dives into creating the Vibranium sand effects from the end title sequence of Marvel’s Black Panther, created originally by the team at Perception. He uses Trapcode tools including Form, Particular, and Shine, as well as Red Giant Universe and Magic Bullet Looks. Check it out!

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Cheap Tricks - It’s Wrinklin’ Time (VFX tutorial)

Daniel Hashimoto (creator of Action Movie Kid) walks through how to re-create some of the VFX and motion graphics from “A Wrinkle In Time, with special guest Lyric Wilson, who played Young Meg in the film. 

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Tutorials: Stranger Things Titles and VFX - Recreating the Open, Upside Down Look

In honor of Halloween and the recent release of season 2 of the popular Netflix Series “Stranger Things,” we thought you might like another look at these tutorials.  Learn how to recreate the 80’s-styled opening sequence in After Effects, and the “Upside Down” world Look - from Red Giant’s Seth Worley.

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Red Giant Magic Bullet Suite Tutorial Roundup

Get up and running quickly with all the products in the Red Giant Magic Bullet Suite, when you watch this batch of Quickstart Guides from director Stu Maschwitz.

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Magic Bullet Suite 13 Tutorials

Stu Maschwitz, Creative Director for Red Giant’s Magic Bullet line, has made many walkthrough tutorials on the new Magic Bullet Suite 13.  Here he goes a bit more in depth on several different features.

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In Depth: Upscaling or Upsizing Video

If you ever need to work with old video footage that’s in standard format, here are several options and tools to make the job smoother and get better results.

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Color Correcting Typewriters by Stu Maschwitz

Stu explains how to add color correction masks in 3D space on his Prolost blog.

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