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v5.3.1 Soundtoys Radiator

Soundtoys Radiator
  
Soundtoys Radiator

Tube Warmth for Your Mix!

Introducing Radiator, a dual drive tube input channel and EQ, based on the classic Altec 1567A tube mixer from the 1960s.


Highlights

radiator

The original Altec 1567A hardware was a rack-mounted five-input tube mixer with removable transformers, a simple two-knob EQ, an unmistakable green faceplate, and a whopping 97 dB of gain. The sound, by today’s standards, is colored and gritty, with a heaping helping of good old fashion hardware noise. In its day, it was used on many early Motown hits, and found its way into the PA racks of countless churches and school auditoriums across the USA.

Radiator brings the classic Altec tube sound to desktop recording rigs, capturing the distinctive warmth and punch of the original hardware. Featuring the modeled bass and treble tone controls from the original unit, a mix control for easy parallel processing, and the saturation and harmonic effects of the original hardware’s input and output amplifiers. All of these different circuit elements interact, allowing a wide range of tones to be created with just a few simple knobs. Plus we let you decide if the original noise is on or off.

Over the past few years the Altec mixers have been picked up by recording studios as an inexpensive way to bring analog color and character to computer based digital recording. With producers like Matt Wallace of early Maroon 5 fame utilizing the 1567A on their early hits, and now bands like the Black Keys (who had a custom console made from Altec 1567A’s) the demand, and price, for these funky little color boxes have soared.

Computer recordists everywhere can now get the Altec tube sound – on every input channel, without the hassles of interfacing to esoteric analog gear, and at a much lower cost. Radiator also includes Little Radiator, a simpler single-stage tube pre-amp  model based on the Altec 1566A hardware, the little brother of the Altec 1567A.

 

Plug-in formats (both 32 and 64-bit):

  • AAX Native
  • AAX AudioSuite
  • VST
  • Audio Units (AU)

Supported sample rates:

  • Minimum: 44.1 kHz
  • Maximum: 192 kHz

System requirements:

  • Operating system: Mac OS X 10.8 or later, Windows 7 or later
  • An internet connection is required at the time of activation.

All version 5 Soundtoys products come with 32-bit and 64-bit VST, AU, and AAX Native plug-in formats.

Here is a list of all of the DAWs (Digital Audio Workstations) that we currently support:

  • Pro Tools 10.3.5 – 2018 (Mac & PC: AAX Native and AudioSuite)*
  • Logic Pro 9 & X (​Mac: AudioUnits)
  • Digital Performer 8 – 9 (​Mac: AudioUnits & VST; Windows: VST)
  • Cubase 7 – 9  (Mac & PC: VST)
  • ​Nuendo 6 – 7 (​Mac & PC: VST)
  • Sonar X3 & Platinum (​PC: VST)
  • Ableton Live 9.2.2 – 10 (Mac: AudioUnits & VST; Windows: VST)**

*Our 32-bit AAX Native plug-ins will only load properly in Pro Tools 10.3.5 or later. If you are using Pro Tools 10.0.0 – 10.3.4 and wish to use Soundtoys 5 on your system, you will need to upgrade to Pro Tools 10.3.5 or later in order to do so. Our Native V4 products include RTAS, which will work in any version of Pro Tools 10.

**Using Live 9.2.1 or earlier can result in a nasty audio glitch when switching sampling rates during playback, or during offline bounce. We recommend using the latest version of Ableton Live.

Click here to view our full list of compatible host applications.

Other requirements:

iLok.com account (An iLok USB dongle is not required. Create a free account here)

Updates

What’s new in v5.3

macOS and PC:

  • Plug-in activation window now includes support for Activation Codes, which will be distributed to customers who purchase a new product (not an upgrade) from our web store, and will allow those licenses to be activated without an iLok account (optional).
  • Little Plate is now included in the 5.3 license group for new Soundtoys 5 customers.

macOS-only:

  • macOS Mojave is now officially supported.
  • Graphics issue that was causing several components of the Soundtoys graphical user interfaces to display incorrectly on macOS Mojave has been resolved.

What’s New in v5.2.3

All Soundtoys Plugins updated June 4, 2018 (Maintenance Update 5.2.3.13619 (Mac) and 5.2.3.13636 (PC))

  • Little Plate now included in the Soundtoys 5 installer
  • Fixed rare audio dropout/glitches under certain circumstances
  • Fixed crash that could happen sometimes on session recall
  • Fixed sluggish animation of tweak drawers on high DPI monitors on Mac
  • Fixed rhythm editor to allow for creation of multi-bar rhythms
  • Fixed “update nesting too deep” alert
  • Added support for MIDI triggering to AAX versions of FilterFreak and PrimalTap
  • Fixed CPU spiking in certain instances
  • Fixed AudioSuite support for different stem formats (mono-mono, mono-stereo, stereo-stereo) for Tremolator, Decapitator, Devil-Loc Deluxe, FilterFreak 1 & 2, Little Radiator, Radiator, and Sie-Q
  • Fixed occasional crash when rendering in Reaper on Windows
  • Fixed preset sorting in macOS High Sierra
  • Audio Units plug-ins will now scan correctly without requiring a restart in macOS High Sierra
  • Locked knob titles will remain red when GUI is closed and reopened
  • Fixed Pro Tools automation hotkey support for Effect Rack, as well as compound parameters like Delay Notes/Time in EchoBoy
  • Fixed Pro Tools automation hotkey support for all plug-ins on Windows
  • Fixed session recall in AU Lab
  • Fixed balance offset in in PanMan Random & Triggered modes
  • Updated VST plug-in names to make them consistent with AU and AAX versions when displayed in DAWs. *This included Little Plate, Little AlterBoy, Little Radiator, Little PrimalTap, Little MicroShift, EchoBoy Jr., and Sie-Q.

What’s new in 5.2:

  • EchoBoy Jr. is now available in Soundtoys 5 and Effect Rack
  • EchoBoy Jr. is now included with individual EchoBoy 5 licenses and installers
  • Some Effect Rack presets now include EchoBoy Jr.
  • Fixed an issue where certain AAX plug-ins did not support multi-mono operation
  • The LFO rate parameter can now be automated in PhaseMistress and FilterFreak 1 & 2

What’s new in 5.1

Sie-Q was added to the lineup.

What’s new in 5.02

Features:

  • Plug-ins with the Analog Mode option now have a new “Op Amp” style to replace the Version 4 “Digital” style that was removed. In the previous version 5 release sessions using “Digital” defaulted to “Clean”. They now default to “Op Amp”. This will address the sound differences that some customers heard when recalling old sessions.
  • PrimalTap has a new Auto Gain switch added to the Tweak menu. When enabled, the output will automatically be lowered proportionally as the input gain is raised. This is the new default behavior for PrimalTap. Old sessions and user presets will open with Auto Gain set to “Off.”
  • Preset names, when edited, now display in italics to indicate an edited state

Fixes:

  • Preset names are now displayed correctly when sessions that were last saved with V4 are recalled (instead of reading “Default”).
  • Fixed an issue in PrimalTap where the Rolloff feature was not filtering the feedback loop as intended. (Note: this update will change the sound of some presets and sessions but is the correct and intended sound and behavior of PrimalTap).
  • Fixed an issue where Devil-Loc and Devil-Loc Deluxe knobs could jump to minimum or maximum when clicked in a certain area.
  • Fixed a problem where the delayed signal in EchoBoy might drop out under certain conditions.
  • PhaseMistress default settings will now sound identical to the default preset.
  • Preset names are now pre-populated when using the Save As… option.
  • Resolved a Windows problem where alerts could be hidden behind other windows.
  • Fixed issues that would cause the compare light to come on unnecessarily with certain plugins and presets.

New in Soundtoys 5:

  • Effect Rack, PrimalTap, and Little AlterBoy plug-ins
  • New authorization options
  • Workflow enhancements

Getting Rhythmic with SoundToys Plug-ins

SoundToys guru Mitch Thomas demonstrates the basics of using SoundToys plug-ins to create rhythmic effects, and then dives deeper with the powerful Rhythm Editor in part 2.

More...