One of the most useful tools for exposure monitoring and shot matching. Bring your camera tool to the post-processing environment!
Available for various platforms including OpenFX hosts: DaVinci Resolve, Scratch, Nuke, Vegas Pro as well as Premiere Pro CC, After Effects CC, Final Cut Pro X, Adobe Photoshop and Affinity Photo.
GPU acceleration, Scale overlay and LUT export
Use the benefit of GPU acceleration and work in real-time on DaVinci Resolve and Assimilate Scratch. Export your fine-tuned False Color overlay as 3D LUT and use in your camera monitor on set!
New features included in version 3.0:
Work in real-time
Customize your False Color ranges and export as 3D LUT
13 high quality and accurate presets
Position the scale reference anywhere in your workspace area
Have an immediate exposure reference always in sight! No need to switch the plugin on and off. Use Remote FalseColor and place the preview on the second monitor.
no extra hardware required
support for all the presets
video input device support
False Color 3.0 New Features
Everything you need to know about the version 3.0 release.
New features, more presets as well as more accurate presets, OpenFX version improvements and more!
all the versions of the plugin support 3D LUT Export
Adjust the preset exactly the way you want and export the overlay as 3D LUT! Then you can use it in your monitor on set with the exact same overlay you used for the pre-production prep.
Supported platforms: Adobe CC (Premiere Pro & After Effects), any OpenFX host including DaVinci Resolve, SCRATCH, NuKe and Sony Vegas Pro.
work in real-time with GPU Acceleration
OpenFX version now uses GPU card to do the processing. This means that the plugin runs in real-time and doesn’t slow down the process.
Currently supported platforms: DaVinci Resolve and SCRATCH.
Adobe supports GPU acceleration as well but it’s hardware specific – Adobe host will handle the processing.
adjust your workspace with Scale Overlay
In the OpenFX version there is additional mode for the scale display: overlay. In this mode the scale is rendered in a different layer on top of the viewer and can be moved around in the workspace. It doesn’t obstruct the picture and can be positioned properly when transform the image in the viewer (zoom in, etc).
Supported platforms: DaVinci Resolve
13 high quality and accurate Presets
More customization options such as: grayscale ranges, custom transitions between colors (sharp, smooth), variable number of ranges up to 15!
The presets available in version 2.0 got updated and now are much more accurate. There are also a few completely new presets such as SmallHD (for DPx devices) and Zacuto.
Supported platforms: all.
how to use False Color Plugin in Resolve 14 with ACES
While ACES color science is not directly supported in the plugin, Resolve 14 features a new set of built-in plugins that make it simple.
improved Saturation Mode
More accurate saturation calculation and new preset called “Saturation” that displays the ranges more clearly.
Now it’s not only exposure matching tool – make sure the saturation matches from shot to shot.
adjust and fine tune the Presets Configuration
Introduced a new range of options that will help you design the perfect False Color preset.
Use grayscale ranges and custom transitions between color ranges (sharp, smooth, gradient). Use any number of color ranges up to 15!
Supported platforms: Adobe CC (Premiere Pro & After Effects), any OpenFX host including DaVinci Resolve, SCRATCH, NUKE and Vegas Pro.
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