-
Review: SliceX From CoreMelt For Final Cut Pro X
Kevin McAuliffe is a big fan of Mocha Pro and likes how CoreMelt has integrated Mocha tracking technology into their products. In this review he takes a look at SliceX and finds it’s “an essential tool that you’ll want to add to your toolkit.”
-
Audio Review: IK Multimedia Syntronik in-depth review by Making Music
Making Music took a good long look at IK Multimedia Syntronik, a collection of 17 classic vintage synths, and was intrigued and impressed with what they saw. Read an excerpt here and follow the link to the full review.
-
Review: CrumplePop BetterStabilizer
Mark Bremmer from MicroFilmaker Magazine takes an in depth look at CrumplePop’s BetterStabilizer, the plugin for fixing shaky video in FCPX and Premiere Pro.
-
Review: Pomfort Silverstack Lab Does All of Your On-Set Media Management Tasks in One
With the new Silverstack Lab from Pomfort, all of your on-set media management and dailies creation can be completed from one interface.
-
Review: Choosing The Right Lens Flare Effect For The Job
Kevin P. McAuliffe talks about the 4 different lens flare effects he uses on a regular (almost daily) basis and why he likes them. Software reviewed: Red Giant Knoll Light Factory, Boris Continuum Complete Lens Flare 3D, Video Copilot Optical Flares and GenArts Sapphire Lens Flare.
-
Review: Red Giant Magic Bullet Suite 13, Part 2
Brady Betzel takes an in depth look at Red Giant Magic Bullet Suite 13. In this second part of his review, he looks at Denoiser III, Mojo II, Cosmo II, Renoiser and Magic Bullet Film. There’s also a link to part 1 in which he reviewed Magic Bullet Looks 4 and Colorista IV.
-
Review: Wirecast Pro 7 from Telestream by Kevin P. McAuliffe
Editor Kevin P McAuliffe had a chance to tryout Wirecast Pro 7 from Telestream and was hoping it would give him a professional-looking live production that was able to be created easily with just one person. Did it live up to his expectations? Find out in this review.
-
Review: Blackmagic Design Ursa Mini Pro 4.6K
Studio Daily’s Barry Braverman looked at the Blackmagic Design Ursa Mini Pro 4.6K, and finds “it’s a lot of camera for the money.”
-
Review: Red Giant Magic Bullet Suite 13
Oliver Peters reviews all of the tools in Magic Bullet Suite and gives it a great review. Plus, the Red Giant Sale has been extended so you can get a great deal on the upgrade right now!
-
Review: Autodesk Maya 2017
The industry leading 3D application, Maya, just got better. Ricky Grove (gToon) reviews the recently released Maya 2017 and finds it to be a super update to an already fantastic program. This review focuses on 4 main areas: rendering, motion graphics, graphic interface (GUI) and the new Time Editor.
-
Review: Maxon Cinema 4D Studio Release 18
Brady Betzel takes a look at Cinema 4D Studio R18, specifically the new Voronoi Fracture, Thin Film Shader and the Push Apart Effector.
-
Review: SiNi Software IgNite – 3D World Magazine
Paul Hatton from 3D World Magazine looked at SiNi Software IgNite for Autodesk 3ds Max and he concludes that IgNite will “definitely make your life easier.” Read the full review here.
-
Review: Trapcode Suite 13 Review Pt. 1 and 2
Kevin P. McAuliffe takes an in depth look at Red Giant Trapcode Suite 13 and all it’s individual plug-ins in this 2 part review. Read an excerpt here and follow the links to the full review.
-
Review: Luca Visual FX 4K HUD Elements
NLE_Ninja Kes Akalaonu is very impressed with versatility and added production value of the Luca Visual 4K HUD Elements. Read an excerpt from his review here and follow the link to the full article.
-
Review: Red Giant Magic Bullet Suite 13
Barry Braverman has posted a review of the color grading tools in Magic Bullet Suite 13 over at Studio Daily, and he likes the ease and convenience that the suite offers. Read an excerpt here and follow the link to the full article.
