Upcoming Sale: Red Giant 40% Off 24 Hour Sale – Starts Tomorrow 7/30/19
It’s almost time! Tomorrow, July 30, 2019 for 24 hours only, you can save 40% on all Red Giant products including the all-new VFX Suite.
40% Off Red Giant – Starts Tuesday, July 30, 2019
For 24 hours only, from 8am PDT (11am EDT) on Tuesday, July 30, 2019 to 8am PDT (11am EDT) on Wednesday, July 31, 2019, Red Giant products, upgrades and new subscriptions will be 40% off – including the all-new Red Giant VFX Suite.
What’s Included in the Sale:
- All product suites
- Individual products
- Full licenses
- New Universe subscriptions
- Academic store (which is already 50% off – be sure to qualify first!)
- 40% off Red Giant Products
- Sale starts: 7/30/19 at 8am PDT (11am EDT)
- Sale ends: 7/31/19 at 8:00am PDT (11am EDT)
- Sale excludes all subscription renewals, Universe Monthly subscriptions and the Red Giant Volume Program. Also excludes the VFX Suite Limited Time Upgrade for Owners of any Effects or Keying Suite Products.
Savings on products will include:
VFX Suite offers a powerful toolkit for realistic visual effects composites in Adobe After Effects, including Supercomp, a completely reinvented compositing environment that makes it easy to create complex, seamless composites. With Supercomp, light and atmospheric effects interact with all of your layers and the elements of a scene in a far more natural way than can be modeled with a simple stack of 2D layers.
Comprised of nine tools in total, VFX Suite offers a powerful toolkit for realistic VFX composites, automatic chroma-keying, lightning-fast and accurate planar tracking, object replacement / removal, photo-realistic glow effects, beautiful prismatic displacement effects and camera-inspired lens flares for visual effects and motion graphics.
A toolkit for realistic VFX composites in After Effects
Supercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with ALL of your layers and the elements of a scene in a far more natural way and with far less pre-composing than ever before. Supercomp includes more than 15 gpu-accelerated context-aware tools for integrating all of your elements into your final shot.
The industry’s most essential tools for creating 3D motion graphics and visual effects in Adobe After Effects CC, Trapcode Suite 15 introduces the Dynamic Fluids™ physics engine. For the first time ever, artists can create particle systems within After Effects that interact in a realistic fluid environment, creating particles that swirl, mix and react to realistic forces.
Create organic 3D particle effects, complex motion graphics elements and more.
Trapcode Particular is the definitive plug-in for creating organic particle effects in Adobe After Effects, complete with depth and realistic shading, and full 3D rotation. Whether you are creating motion graphics, or realistic visual effects like fire and smoke, Particular’s complex physics engine allows users to custom define air resistance, bounce, and turbulence to customize each particle. With GPU-acceleration and the 300+ presets, Trapcode Particular will have you turning out stunning, dynamic particle effects in minutes.
Magic Bullet Suite 13 gives filmmakers everything needed to make footage look great, right on editing timelines. Balance out shots with powerful color adjustments that work the way the human eye expects them to. Go beyond color correction, with accurate simulations of lens filters and film stocks. Magic Bullet Suite delivers powerful real-time color correction thanks to OpenCL support in Adobe Premiere Pro CC, enabling filmmakers to improve footage without ever needing to switch to a different app.
Effortlessly enhance and correct your footage, accurately reproducing the look of film stocks or lens filters.
Magic Bullet Looks includes 200 state-of-the-art fully-customizable Look presets, constructed to simulate the film look of well-known films and television shows and genres. The intuitive interface of Magic Bullet Looks is unmatched in the industry for ease-of-use and customization, and the results are absolutely impressive! Download a demo and try Magic Bullet Looks now!
Shooter Suite 13.0 is a set of purpose-built applications, including the industry-leading PluralEyes, that give directors of photography, videographers, shooters and filmmakers the ability to bring footage from set to post. With PluralEyes 4 ($179; usually $299), users can sync audio and video directly in Premiere Pro, without having to leave the host app. Compatible with any NLE, PluralEyes 4.0 features Smart Start capabilities, automatic drift correction, vertical track scaling, integration with Red Giant Offload, and more simplicity and automation than ever before.
PluralEyes takes the pain out of syncing video and audio!
PluralEyes scrutinizes the soundtrack from your video footage or camera files and matches them up flawlessly, in nothing flat. Instantaneously sync your audio and video footage even if you don’t have clapboards or timecode. No more tedious syncing by hand!
*Universe 3.0 – $119 (usually $199): Universe 3.0 offers an enhanced user experience thanks to the brand new Universe Dashboard, a dockable control board for Premiere Pro and After Effects that makes it simple to add effects and presets. Five new, customizable text generation effects give users even more ways to add a unique flair or specific look to their work. Universe also includes tools for stylizing video, adding glows and blurs, creating motion graphics and much more.
*The discount on Universe subscriptions is for customers who have never purchased an annual subscription of Red Giant Universe. If you have previously had a Universe annual subscription, you will not get the discount to buy an annual subscription. If you are currently (or have been) a monthly subscriber, but have never owned a license of Universe annual, you are eligible for this promotion. This 40%-off price is a one-time introductory rate for Universe Annual. After that, the renewal price will be at the standard annual fee.
Posted by Kim Sternisha