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All Tutorials (3060 Tutorials)

Employ the Usage Tab to Simplify a DaVinci Resolve Project

Employ the Usage Tab to Simplify a DaVinci Resolve Project

May 10, 2016

“The Usage Tab can help remove unused clips from a large media pool and make any DaVinci Resolve project easier to manage.” – Tristan Kneschke

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Creating an Abstract Tentacle Creature with X-Particles and Octane

Creating an Abstract Tentacle Creature with X-Particles and Octane

May 10, 2016

“As I was creating one of my daily renders I came up with a technique to create an abstract tentacle sea creature using X-Particles in Cinema 4D.” – LockedAndLoading

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Transcode and Color Grading Tips 8 bit vs. 10 bit In Premiere Pro

Transcode and Color Grading Tips 8 bit vs. 10 bit In Premiere Pro

May 10, 2016

Should you transcode before Color Grading in Adobe Premiere?  Jarle Leirpoll puts that question to the test and lays to rest some misconceptions.

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Exporting and Rendering! Tips and Settings for Adobe Media Encoder, ProRes, H265, YouTube

Exporting and Rendering! Tips and Settings for Adobe Media Encoder, ProRes, H265, YouTube

May 3, 2016

Rendering and exporting can cause quite the kerfuffle if you aren’t entirely sure how to go about it. Let this post lend you a helping hand.

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Adobe Media Encoder: Create Watch Folders

Adobe Media Encoder: Create Watch Folders

May 3, 2016

Larry Jordan shows how to create and use Watch Folders to automate video compression using Adobe Media Encoder.

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C4D: From Images to Splines to Geometry – Bridges, Cracked Ice, and Stone Work

C4D: From Images to Splines to Geometry – Bridges, Cracked Ice, and Stone Work

May 3, 2016

Using a fairly procedural technique you can create bridges, cracked ice, and stonework in C4D.  How you ask?  Chris from Greyscalegorilla explains it all.

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How to Create and Animate an Umbrella Using Mosplines in Cinema 4D

How to Create and Animate an Umbrella Using Mosplines in Cinema 4D

April 26, 2016

In this tutorial, I’m going to show you how you can find a very handy use for the often ignored Cinema 4D Mospline object.

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Anatomy of a DaVinci Resolve Composite

Anatomy of a DaVinci Resolve Composite

April 26, 2016

“In this video, I show you how I pushed DaVinci Resolve further than I have yet. A project came in that needed a bit of compositing, and I tackled in right in DaVinci Resolve. And with a little help from Boris Continuum Complete, it all came together beautifully.” –
Mike Wolf

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Top and Tail Editing in Avid Media Composer

Top and Tail Editing in Avid Media Composer

April 26, 2016

Top and Tail editing can be a big editing time saver.  Learn how to use it with single and multiple tracks.

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Cineversity Tutorial Series for After Effects Users new to 3D

Cineversity Tutorial Series for After Effects Users new to 3D

April 20, 2016

Do you know After Effects but want to learn 3D? This new, FREE Cineverstiy tutorial teaches After Effects artists the basics of Cinema 4D Lite so they too can add 3D elements to their compositions.

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mocha: Take Combination with mocha Pro and mocha AE

mocha: Take Combination with mocha Pro and mocha AE

April 20, 2016

In this advanced mocha tutorial, Mary Poplin shows how to create a seamless take combination from two hand held shots. Covers mocha planar tracking, stabilization, insert module and workflow.

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C4D Motion Tracker to Create Handheld Camera Moves

C4D Motion Tracker to Create Handheld Camera Moves

April 20, 2016

Ever wanted to create a handheld camera move to your animation in MAXON Cinema 4D?  Joren Kandel from the Pixel Lab figured out a simple way to get a great looking handheld move using motion tracker in C4D.

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3DS Max: Create Brushed Metal in VRay

3DS Max: Create Brushed Metal in VRay

April 20, 2016

Learn how to make brushed metal with vray in 3DS Max by Johannes Tiner.

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Digital Anarchy Beauty Box for Commercial work

Digital Anarchy Beauty Box for Commercial work

April 20, 2016

Digital Anarchy has a few new tutorials featuring Colorist Jason Bowdach discussing how he uses Beauty Box Video for commercial work.

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After Effects: Create Camera Moves on 2D Images Using Displacements

After Effects: Create Camera Moves on 2D Images Using Displacements

April 20, 2016

Motion Array shows you how to create a 3D-like camera move on 2D images using displacements in After Effects,

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