Using RE:Vision Effects RE:Match:Pro; Matching Color From Separate Cameras/ Settings

RE:Match provides automatic color correction for multicam shoots, or for single camera shoots consisting of multiple shots with different lighting or camera settings, and matches as best it can one sequence's overall color appearance to match that of another.

RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multiple shot, multicam and stereo shoots. RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.

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RE:Match Overview

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Features of RE:Match:

• Ability to globally color correct one sequence to match another.
• Ability to set a color correction using a particular point in time of the sequence to match. Up to four still images can be selected and used to control the color correction over time.
• Ability to globally color correct individually for each pair of frames in both sequences.
• Ability to store the current color correction and use it on other sequences via cut-and-paste of the plug-in to another clip.
• Ability to dissolve between two different color corrections over a period of time.
• Ability to perform automatic global (whole image) color correction based on a smaller window of pixels for each of the image sequences.
• Works well with over bright values and very wide dynamic ranges.

RE:Match Pro/ Stereo Overview

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RE:Match Pro/ Stereo adds stereo pair support:

• Matching for stereo pairs takes advantage of internal per-pixel registration using optical flow methods.
• Stereo pair matching takes into account occlusions.
• Stereo pair matching takes into account that the two images may not have corresponding details at some of the edges of the frame.
• Stereo matching has controls for making details, such as reflections, lens flares and specular highlights match between the two views.
• Methods provided to remove or attenuate on-lens artifacts (such as water drops on a lens).
• Because RE:Match uses internal pixel registration, stereo matching does not require image alignment prior to use.
• Visualization modes are provided to visualize and guide what RE:Match is doing internally.
• Not limited to any particular resolution of images.
• Works on all bit depths, including HDR images.
• Works well with over bright values and very wide dynamic ranges.