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Adobe Creative Cloud (568 Tutorials)

Video Copilot Twitch Plug-in

Video Copilot Twitch Plug-in

November 12, 2015

Learn how to add all sorts of TWITCHES, GLITCHES and other CHAOS effects to your video using Adobe After Effects and the Twitch plugin.

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AE: Mind Trip – Part 1 & 2

AE: Mind Trip – Part 1 & 2

November 12, 2015

Follow along as Eran Stern enters the mind of a woman; creating both a tunnel vision effect and a dream like scene, that can be used separately or together, by applying a few After Effects tricks.

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U.F.Oh Yeah Film Short and The Making Of…

U.F.Oh Yeah Film Short and The Making Of…

November 12, 2015

Film Riot has created a clever short film entitled U.F.Oh Yeah, Directed and written by Ryan Connolly and starring Josh Connolly, the film is about a U.F.O. enthusiast and conspiracy theorist who has an encounter with extraterrestrials that doesn’t go quite as one might expect. After the film, learn about how some of the effects were made. There are a whole series of videos here and they’re fantastic!!

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Time Manipulation in Adobe Premiere Pro… and with Twixtor

Time Manipulation in Adobe Premiere Pro… and with Twixtor

November 12, 2015

Want to manipulate time in Premiere Pro? Here are some tutorials to help get it right, with both the built-in time tools in Premiere and with the help of RE:Vision Effects Twixtor.

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The Northern Lights

The Northern Lights

November 12, 2015

Did you miss the mesmerizing dancing and streaking greens and purples in the northern sky last night? Not only will you get scientific background on the aurora borealis, but today I present some inspiring time-lapse of auroras and methods to make them yourself in Adobe After Effects!

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In Depth: Repairing Damaged Pixels

In Depth: Repairing Damaged Pixels

November 12, 2015

Dead pixels, stuck pixels, bad pixel, burnt pixels, hot pixels… there are lots of types of damaged pixels and they’re annoying. Here are several ways you can repair them.

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“Make it Rain” with Boris FX and mocha AE

“Make it Rain” with Boris FX and mocha AE

November 12, 2015

In this simple After Effects tutorial, Imagineer System’s Mary Poplin shows you how to add realistic rain to a shot with plug-ins from Boris FX and mocha AE.

Mary uses the bundled mocha AE CC for planar tracking and masking and Boris Continuum Complete BCC Rain.

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Recreate the Sin City Look in After Effects

Recreate the Sin City Look in After Effects

November 12, 2015

Paul Ezzy shows you how to mimic the film noir, graphic novel stylized of Robert Rodriguez’s “Sin City: Dame To Kill” with Boris Continuum Complete 9 in Adobe AE.

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In Depth: Fireworks

In Depth: Fireworks

November 12, 2015

Yes, the U.S. Independence Day is upon us once again! Whatever your country or holiday, here are some methods of creating some beautiful explosions in the sky with After Effects, CINEMA 4D, and other hosts. There are some great plug-ins out there for making fireworks too.

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Image Restoration and Touch Up in After Effects Seminar

Image Restoration and Touch Up in After Effects Seminar

November 12, 2015

Here is the archived video of the event, in case you missed it, and more information on links mentioned in the session. 

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After Effects Hidden Gems Weekly: Previews in After Effects CC 2015

After Effects Hidden Gems Weekly: Previews in After Effects CC 2015

November 12, 2015

Does the new AE seem buggy when previewing?  It’s all in how the start and stop keys affect it’s behavior.  This article on Pro Video Coalition explains how it works and why it really isn’t buggy at all.

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Mucho mocha!

Mucho mocha!

November 10, 2015

We’ve compiled several Imagineer Systems mocha Pro tutorials in one blog to help make it easier for you to learn mocha, including roto painting, adjusting a track, how/when to manual track and more.

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How to Add Effects in 360 Video | SkyBox Studio

How to Add Effects in 360 Video | SkyBox Studio

November 3, 2015

Mikey Borup shows how to add effects to 360 footage.

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In Depth: Working with Night Time Scenes, part 1

In Depth: Working with Night Time Scenes, part 1

November 2, 2015

You really have two choices when shooting scenes that take place at night. Either shoot at night and deal with the low light situation or shoot Day for Night. Shooting at night is easier if your camera is capable of it. Day for Night, which I would recommend under certain circumstances, can be tricky but can look fantastic and undistinguishable when it’s done correctly. Part one of this article will focus on shooting in after dark.

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In Depth: Working with Night Time Scenes, part 2

In Depth: Working with Night Time Scenes, part 2

November 2, 2015

Part 1 of this two part series focused on shooting at night and when and how to accomplish shooting in low light. Part 2 focuses on working with footage shot during the daytime and color grading for night. We'll also talk about adding some night time elements to sell your shot.

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