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Color Grading / Color Correction (146 Tutorials)

Magic Bullet Suite 13 Tutorials

Magic Bullet Suite 13 Tutorials

November 22, 2016

Stu Maschwitz, Creative Director for Red Giant’s Magic Bullet line, has made many walkthrough tutorials on the new Magic Bullet Suite 13.  Here he goes a bit more in depth on several different features.

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Premiere Pro: Advanced Color Correction

Premiere Pro: Advanced Color Correction

November 1, 2016

Tobias Gleissenberger shows you how to utilize some of the tools built into Premiere Pro, such as the waveform monitor, the RGB parade and the vectorscope, to analyze the color in your video and adjust them accordingly.

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Adobe Premiere Pro: Limitations in the Lumetri Color Panel

Adobe Premiere Pro: Limitations in the Lumetri Color Panel

August 9, 2016

“This video tutorial is about some limitations and illogical behaviors in the Lumetri Color Panel (within Premiere Pro) that you need to be aware of to use it correctly and get the best image quality.”

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X-Particles Explosions in Cinema 4D

X-Particles Explosions in Cinema 4D

July 20, 2016

Noah Witchell has a tutorial on making a fiery explosion using the FLIP Solver, which is built into X-Particles.

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Easy Color Grading Using Magic Bullet Looks

Easy Color Grading Using Magic Bullet Looks

July 20, 2016

This tutorial by Tom J. McCoy explains how Magic Bullet Looks works to create professional color grades.

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What's New in Media Composer 2021.9 , Avid Logo, Media Composer, Avid Sibelius, Avid Pro Tools

Avid Media Composer: Color Correction and Color Grading

June 28, 2016

Learn about color grading and/or color correction in Avid Media Composer. Here are many resources with advice from professional colorists.

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DaVinci Resolve and BCC 10 – Light Leaks and Video Glitch

DaVinci Resolve and BCC 10 – Light Leaks and Video Glitch

May 17, 2016

Colorist Dan Harvey shows DaVinci Resolve users how to quickly apply new style effects & transitions from Boris FX with BCC 10.

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Transcode and Color Grading Tips 8 bit vs. 10 bit In Premiere Pro

Transcode and Color Grading Tips 8 bit vs. 10 bit In Premiere Pro

May 10, 2016

Should you transcode before Color Grading in Adobe Premiere?  Jarle Leirpoll puts that question to the test and lays to rest some misconceptions.

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Anatomy of a DaVinci Resolve Composite

Anatomy of a DaVinci Resolve Composite

April 26, 2016

“In this video, I show you how I pushed DaVinci Resolve further than I have yet. A project came in that needed a bit of compositing, and I tackled in right in DaVinci Resolve. And with a little help from Boris Continuum Complete, it all came together beautifully.” –
Mike Wolf

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How to Convert Color Video to Monochrome in DaVinci Resolve

How to Convert Color Video to Monochrome in DaVinci Resolve

March 22, 2016

“Carver Moore shows us how to convert footage to Black and White in DaVinci Resolve.” – WolfCrow

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How to Use External Scopes with Video vs Data Levels in DaVinci Resolve

How to Use External Scopes with Video vs Data Levels in DaVinci Resolve

March 15, 2016

How to Use External Scopes (and Where to Set Your Black and White Levels). A follow-up to understanding Video Levels and Data Levels in DaVinci Resolve

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Using Offline Reference Clips in DaVinci Resolve

Using Offline Reference Clips in DaVinci Resolve

February 23, 2016

Using offline clips is important when establishing yourself as a serious colorist. Learn how in this DaVinci Resolve Tutorial.

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Grading, Compositing, and Editing in Resolve

Grading, Compositing, and Editing in Resolve

February 9, 2016

Having Fun With Post! Creating and Finessing with Alexis Van Hurkman.

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Exploring Color Correction with Hawaiki Auto Grade

Exploring Color Correction with Hawaiki Auto Grade

February 5, 2016

Follow along with Larry Jordan as he examines “Auto Grade” from Hawaiki, a fully automatic image and color correction plug-in.

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Tonal Contrast – The Good, the Bad and the Ugly

Tonal Contrast – The Good, the Bad and the Ugly

February 5, 2016

“Everyone loves contrasty and detailed-like effects on their photos right? But there's a time where they just shouldn't be used. In this video, Matt Kloskowski shows you two places where…

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