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  • Burning Question: How do I make Whip Pan Transitions?

    Burning Question: How do I make Whip Pan Transitions?

    Jul 06, 2018

    Whip Pan, also called a Swish Pan, can give you a really stylish way to transition from one shot to the next or make things look like they’re shot in the same place, with a dizzying whip from one side of the room to the next, covering an edit. First I’ll show you a couple of examples. 

    • After Effects Tutorial - Whip Pans

    • SICK Premiere Pro Speed Ramp Transitions Tutorial! (How to Whip Pan & Time Remapping Whoosh Effects)

    • How to Create a Perfect WHIP TRANSITION in Premiere Pro

    • Whip Pan Blurring TRANSITION EFFECT Premiere Pro

    • Sapphire Transitions Swish Pan

    • Beginner Tutorial: Whip Cuts in Fusion 8 & Resolve

    • How to make Whip-Pan transitions with Vegas Pro ( Sam Kolder Matt Komo Rory Kramer Taylorcutfilms)

    Go To Tutorial →

  • Burning Question: How Do I get Great Results when Camera Tracking and Match Moving?

    Burning Question: How Do I get Great Results when Camera Tracking and Match Moving?

    Jun 07, 2018

    This question has come up many times with people looking for tips or the best products to use. This is a complex topic with artists who specialize in match moving. Techniques and tricks will vary based variables like lighting, movement, whether things go off screen, if the footage is handheld, if there are tracking markers, etc., so these tips and tutorials are more general. Whatever your project, you still want your results to look invisible. Here are a few tutorials and some products for better results!

    This article features tutorials on general match moving, Vicon Boujou, The Pixel Farm PF Track, Boris Continuum: Match Move, and Boris Mocha Pro. 

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  • Maya Monday: Redshift and Maya, part 2

    Maya Monday: Redshift and Maya, part 2

    Jun 06, 2018

    Redshift has several tutorials on working with Redshift in Maya. Here is the second batch from their YouTube Channel to get you started. 

    Included tutorials on this page

    • Maya - Cameras Tutorial Part 4 (Lens Distortion)
      Aldo Vicente talks about the lens distortion shader in the Redshift plugin for Maya.
    • Maya - Proxies Tutorial
      Laszlo Mandi gives you a strong background in proxies in the Redshift plugin for Maya.
       
    • Maya - AOVs Tutorial
      Laszlo Mandi dives into AOVs in the Redshift plugin for Maya.

    Here is part one if you missed it. Maya Monday: Redshift and Maya, part 1

     

    Go To Tutorial →

  • Wakanda Form-ever! by Action Movie Dad | Red Giant Cheap Tricks

    Wakanda Form-ever! by Action Movie Dad | Red Giant Cheap Tricks

    Jun 06, 2018

    The second episode of Cheap Tricks is up at Red Giant! Hashi from Action Movie Kid dives into creating the Vibranium sand effects from the end title sequence of Marvel’s Black Panther, created originally by the team at Perception. He uses Trapcode tools including Form, Particular, and Shine, as well as Red Giant Universe and Magic Bullet Looks. Check it out!

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  • Using Trapcode Particular with Master Properties in After Effects

    Using Trapcode Particular with Master Properties in After Effects

    May 29, 2018

    Harry Frank that explains how to use Particular with After Effects new Master Properties feature, which allows you to easily create tons of variations from a single comp.

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Tutorials: Compression & Output (10 TUTORIALS)

Pomfort Silverstack Lab: Dailies Creation Overview and Tips

Pomfort Silverstack Lab: Dailies Creation...

May 01, 2018

Read a quick guide that introduces you to 3 duties your first transcoding job is likely to include, and provides you with...

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Telestream Wirecast: Streaming Live How-To

Telestream Wirecast: Streaming Live How-To

Feb 07, 2018

Learn how to stream live to your favorite social media sites, like Facebook, YouTube, Twitter and more with this tutorial...

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Avid/Squeeze: Media Composer - Sorenson Squeeze Integration by Kevin P. McAuliffe

Avid/Squeeze: Media Composer - Sorenson Squeeze...

Nov 21, 2017

Kevin shows you how Sorenson Squeeze can interact directly with Media Composer to allow you to compress exports right from...

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After Effects: Tips for Faking a Pixel Art Look

After Effects: Tips for Faking a Pixel Art Look

Sep 26, 2017

Award winning motion graphics designer Garth Lee shares some tips on creating the look of pixel art. Think video games...

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Adobe Media Encoder: Create Watch Folders

Adobe Media Encoder: Create Watch Folders

May 03, 2016

Larry Jordan shows how to create and use Watch Folders to automate video compression using Adobe Media Encoder.

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Getting Started with Adobe After Effects

Getting Started with Adobe After Effects

Jan 26, 2016

Envato Market is offering a free 10 part tutorial on Adobe After Effects for beginners.  Watch the introduction video here...

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Setting up a Remote Dongle Server for V-Ray

Setting up a Remote Dongle Server for V-Ray

Nov 16, 2015

“If you’re a V-Ray user, there’s no doubt you get a bit paranoid about losing your dongle, especially when out in public.”...

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Why You Need Telestream ScreenFlow 5: An Overview / Review

Why You Need Telestream ScreenFlow 5: An Overview...

Nov 16, 2015

Learn about some of the new features in ScreenFlow 5 from Michele at Toolfarm. Need to record video from your computer...

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Avid Media Composer 7

Avid Media Composer 7

Sep 02, 2014

Get assistance, answers, and insights and start editing now—watch Avid’s 5-part tutorial series dedicated to the success...

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Avid to Sorenson Squeeze workflow

Avid to Sorenson Squeeze workflow

Sep 25, 2012

Learn about the Avid to Sorenson Squeeze workflow

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