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Effects (349 Tutorials)

Add Depth Of Field To Your CINEMA 4D Composite Using Cineware and After Effects

Add Depth Of Field To Your CINEMA 4D Composite Using Cineware and After Effects

June 27, 2013

In this tutorial, Nick Campbell of Greyscalegorilla shows how to set up a depth pass for rendering depth of field for 3D objects using CINEMA 4D, Frischluft Lens Care and After Effects.

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Tutorial: Split Image Slide Show in After Effects

June 25, 2013

Daniel of AETUTS+ shows how to create a cool slideshow transition in After Effects

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Faking Physics in Newton and Element 3D

Faking Physics in Newton and Element 3D

May 23, 2013

by Adam Taylor at AEtuts+ “In this tutorial I will be going over the steps of setting up a 2d physics simulation in Motion Boutique's Newton, and then tying 3D models to it using Element 3d. Then I'll go over how to tweek the keyframes to make the physics appear to be more 3D. I'll share some tips for animating a 3D camera. Finally I'll go over making the shots looks good. “

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Everyday VFX in Avid Media Composer with Boris Continuum Complete

Everyday VFX in Avid Media Composer with Boris Continuum Complete

May 7, 2013

Steve Holyhead’s engaging presentation shed light on three everyday VFX problems, Pan & Zoom, Beauty Pass, and Transitions, which he solves using an array of filters from the BCC 8 AVX package.

Highlights included: a Ken Burns style pan & zoom with no key framing needed (!); a 1-2-3 step approach (BCC Smooth Tone, BCC Film Glow & BCC Film Grain) to giving your talent that Hollywood glow; and the power of BCC transitions – quick, easy, and versatile.

Plus, get a sneak peak of the soon-to-be released BCC v8.2 AVX with up to 100% improvement in render time, the additions of lots more “green dot” effects, and enhanced real-time performance.

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Displacement and Deformation Techniques in Cinema 4D

Displacement and Deformation Techniques in Cinema 4D

April 27, 2013

In today’s tutorial, new Cgtuts+ author Mario Brajdic will introduce you to working with displacement and deformers in Cinema 4D and show you how this powerful combination can be used in conjunction with custom materials, lighting, and post effects to create some truly unique and visually stunning results.

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Make a Chalkboard-Style Scribble and Smudge

Make a Chalkboard-Style Scribble and Smudge

April 2, 2013

By Jorrit Schulte at AEtuts+. “We’ll be looking at creating a chalk-style scribble based on an image. We’ll be creating masks to make the lines using both manual and automatic techniques. From there we’ll animate the drawing on, and create a wiping animation which leaves smudges on the screen.”

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In Depth: Using Adobe After Effects for Print Work

March 18, 2013

After Effects is made for motion work but it can also be used for still imagery and print work. I made an invite using loads of After Effects plugins.

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Red Giant Holomatrix- Create a Holographic Look in After Effects

Red Giant Holomatrix- Create a Holographic Look in After Effects

February 12, 2013

In this episode, Aharon Rabinowitz shows you how to create the look of a holographic interface, using Red Giant Software’s Holomatrix. He’ll also use Magic Bullet Looks for color grading, and footage from Digital Juice’s Motion Designer’s Toolkit.

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Create a Shattering Glass Animation in Cinema 4D & AE – Part 3 Rendering

Create a Shattering Glass Animation in Cinema 4D & AE – Part 3 Rendering

December 27, 2012

Post at CGtuts+: “Today’s lesson is all about prepping for rendering. You’ll start by finalizing the animation with some slight tweaks to the timing. Once done you’ll move onto the material setup and learn how to create realistic glass and metal shaders using Cinema 4D’s intuitive material editor. Finally, Cyril will walk you through lighting the scene. This lesson includes building a dynamic light rig using XPresso and fine tuning it’s position to generate correct caustics at render time.”

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Create a Shattering Glass Animation in Cinema 4D & AE – Part 2 Cameras & Pre-Viz

Create a Shattering Glass Animation in Cinema 4D & AE – Part 2 Cameras & Pre-Viz

December 27, 2012

Post at CGtuts+: “In part two you’ll get an in-depth lesson on how real-world cameras work. Cyril provides detailed insight on working with focal length, aperture, depth of field and motion blur and how these principles and settings apply to your Cg cameras. Then it’s back to Cinema 4D where you’ll learn how to block out shot timing, and find the best camera positions for the animation by running through a detailed pre-visualization process.”

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Create a Shattering Glass Animation in Cinema 4D & AE – Part 1 Modeling & Animation

Create a Shattering Glass Animation in Cinema 4D & AE – Part 1 Modeling & Animation

December 27, 2012

Post at CGtuts+: “Create a cool slow-motion shattering glass animation using Cinema 4D and After Effects. Over the course of this massive lecture, professional artist Cyril Kotecky will teach you the ins and outs of working with dynamics and what goes into creating such a shot. Including the benefits Pre-Viz can have in the early stages as you block out your shot timing and camera positions.”

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Using Advanced fractures with Pulldownit in MAYA

Using Advanced fractures with Pulldownit in MAYA

November 26, 2012

Showing how to control the way an object fractures with pulldownit plugin in MAYA.

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Create Cool Lighting Effects in Avid with BCC Lens Flare 3D

Create Cool Lighting Effects in Avid with BCC Lens Flare 3D

November 21, 2012

Using Boris Continuum Complete’s powerful Lens Flare 3D filter, Kevin P. McAuliffe shows you how to set up lighting effects in your favorite Avid video editing system. First, Kevin demonstrates how to create multiple lights that blink automatically. Then, he combines BCC Extruded Text with BCC Lens Flare 3D to create a starting title sequence.

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Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations

Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations

October 12, 2012

Post at Red Giant TV: Aharon Rabinowitz shows you how to take Trapcode Mir in a whole new direction using Amplitude Layers. You'll learn to create looping animation, cityscapes, audio-triggered displacement and more. 

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Creating Faux Shadows in Adobe After Effects by Eran Stern

Creating Faux Shadows in Adobe After Effects by Eran Stern

September 25, 2012

Shadows sell the illusion that we are really in 3D space. This lesson demonstrates how to add depth to our scene with shadow effects. You'll also learn how to save the effects as an animation preset so they can be reused and matched to each element.

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