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Fixing Problems (85 Tutorials)

MochaImport+ for NUKE in depth tutorial

MochaImport+ for NUKE in depth tutorial

May 27, 2014

Mathias Möhl of Mamoworld has a tutorial to get you up to speed fast in MochaImport+ for Nuke.

Table of contents:

  • Corner Pin+ w. Lens Dist. (at 0:30)
  • Stabilized View+ (at 7:15)
  • Tracker+ (at 25:40)
  • Roto+ & RotoPaint+ (at 27:59)
  • GridWarp+ (at 31:36)
  • Transform+ (at 35:02)
  • Full camera rig+ (at 40:54)
  • Camera and Geo+ (at 43:56)

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Create a Lizard Man in After Effects Pt. 2

Create a Lizard Man in After Effects Pt. 2

March 25, 2014

Ran Ben Avraham shows us how to create a Lizard Man transformation in After Effects with FreeForm Pro. Ran motion tracks a sequence and then he uses FreeForm Pro to wrap the texture of his choice around the actors face in 3D.

In Part 2 you will learn how to 2D track different parts of the face in Mocha. You'll apply that info to the texture that has been created.

View Part 1

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Create Your Own HDR Day to Night Timelapse

Create Your Own HDR Day to Night Timelapse

February 11, 2014

Stefan Surmabojov shows how to create a groovy HDR timelapse image sequence with a day for night effect. You'll need a DSLR with a kit lens, a large memory card, a tripod and more. He clearly explains how to set up the camera so that you don't end up with exposure problems and flicker. He takes care of the post production of the HDR sequence in Adobe Lightroom 5, which is now included in Adobe Creative Cloud.

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In Depth: Keying: Introduction & Frequently Asked Questions about Shooting Greenscreen

In Depth: Keying: Introduction & Frequently Asked Questions about Shooting Greenscreen

February 4, 2014

Keying is part technical skill, part patience, and part sorcery. This series will take you through different areas of keying, not so much to teach you step by step, but to talk about some of the problems you’ll run into and how to fix them.

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In Depth: Keying: Pre-Processing Greenscreen Footage for Keying

In Depth: Keying: Pre-Processing Greenscreen Footage for Keying

February 4, 2014

If your greenscreen footage didn’t turn out as perfectly as you had hoped, here are some things that you can do to fix problems and not create new ones.

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Remove Wrinkles with Skin Touch Up from NewBlueFX

Remove Wrinkles with Skin Touch Up from NewBlueFX

June 26, 2013

As Tutorial Tuesday continues, we have Ian Stark showing how to use Video Essentials IV to quickly and easily remove wrinkles and blemishes with Skin Touch Up. Give your film a facelift with just a few clicks!

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Everyday VFX in Avid Media Composer with Boris Continuum Complete

Everyday VFX in Avid Media Composer with Boris Continuum Complete

May 7, 2013

Steve Holyhead’s engaging presentation shed light on three everyday VFX problems, Pan & Zoom, Beauty Pass, and Transitions, which he solves using an array of filters from the BCC 8 AVX package.

Highlights included: a Ken Burns style pan & zoom with no key framing needed (!); a 1-2-3 step approach (BCC Smooth Tone, BCC Film Glow & BCC Film Grain) to giving your talent that Hollywood glow; and the power of BCC transitions – quick, easy, and versatile.

Plus, get a sneak peak of the soon-to-be released BCC v8.2 AVX with up to 100% improvement in render time, the additions of lots more “green dot” effects, and enhanced real-time performance.

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How To Make Your Audio Broadcast-Safe (ITU-R BS.1770-2 & EBU) in Adobe Audition

How To Make Your Audio Broadcast-Safe (ITU-R BS.1770-2 & EBU) in Adobe Audition

January 17, 2013

How to finalize your audio, in compliance with common Broadcast Standards using Adobe Audition CS6 by Jason Levine at BoodahJooMusic.

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Imagineer mocha AE 3.1 and mocha Pro 3.1 Lens Distortion Tips, Calibration Clips, Using Grids

Imagineer mocha AE 3.1 and mocha Pro 3.1 Lens Distortion Tips, Calibration Clips, Using Grids

November 15, 2012

Martin Brennand takes you through how to calibrate a lens with the mocha Lens Module and use it with the new mocha Lens plug-in supported with mocha AE 3.1 and mocha Pro 3.1 – Also covered- using a calibration clip when you do not have enough information in your shot to define the warp of the lens.

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Color grading and finishing in Premiere Pro CS5.5

Color grading and finishing in Premiere Pro CS5.5

September 19, 2011

Speed up your color grading and finishing! This video tutorial teaches how to do primary, secondary and some pretty advanced color correction in Adobe Premiere Pro CS5.5. You’ll learn how to create masks for color correction inside of Premiere Pro, and to tweak parts of the image without affecting others. You’ll learn how to use Jarle’s Grading Tools (a collection of useful presets) to speed up your own color grading workflow.

Also covered are some common finishing techniques like how to fix moiré, blown-out highlights, blue sky fix, sharpening, letterboxing, noise reduction, stabilizing and scaling/crop.

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