In Depth Articles (51 Tutorials)
In Depth: Using Adobe After Effects for Print Work
March 18, 2013
After Effects is made for motion work but it can also be used for still imagery and print work. I made an invite using loads of After Effects plugins.
In Depth: Motion Stabilization Options, Part 2 of 2
January 31, 2013
Sometimes using a tripod is not an option and you’re forced to shoot hand-held. Maybe you’re shooting in an amusement park, botanical gardens, or a concert and tripods are not allowed in. Unless you have the ability to stand perfectly still, you will likely need to stabilize the footage in postproduction. Motion stabilization is used to smooth footage and remove camera shake.
In Depth: Motion Stabilization Options, Part 1 of 2
January 24, 2013
Sometimes using a tripod is not an option and you’re forced to shoot hand-held. Maybe you’re shooting in an amusement park, botanical gardens, or a concert and tripods are not allowed in. Unless you have the ability to stand perfectly still, you will likely need to stabilize the footage in postproduction. Motion stabilization is used to smooth footage and remove camera shake.
In Depth: Noise and Grain Plug-ins for After Effects, Final Cut and Other NLEs, Part 2 of 2
January 10, 2013
Here is the rundown of noise and grain reduction plug-ins on the market for After Effects and other NLE’s, rated on speed, accuracy and quality, and ROI.
In Depth: Noise/Grain Plug-ins for After Effects, Final Cut and Other NLEs, Part 1 of 2
January 3, 2013
Here’s the rundown of noise and grain reduction plug-ins on the market for After Effects and other NLE’s, rated on speed, accuracy and quality, as well as return on investment. This article will focus mostly on grain and noise reduction but also touch upon matching and adding grain and noise.
In Depth: Lens Flare Plug-ins for After Effects, Part 1 of 5
August 23, 2012
More than you ever wanted to know about Lens Flares! This is the first of a 5 part series and will give an overview of lens flares and the plug-ins that can generate them.