Adobe Premiere Pro (171 Tutorials)
February 19, 2013
RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multiple shot, multicam and stereo shoots. RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.
February 12, 2013
Digital Rebellion gives some nice tips on workflows and fixing problems when dynamic linking between After Effects and Premiere Pro doesn't go as expected.
- Make sure your compositions have unique names
- Don't add trailing numbers
- Check your firewall
- Disable simultaneous frame rendering
- Clear caches and render files
- Render as a movie file
February 12, 2013
Have you ever wondered why your third party transition plug-ins for Premiere Pro don’t show up under Video Transitions, like the native Transitions effects do? I have a work around for you, using an Adjustment Layer.
January 17, 2013
How to finalize your audio, in compliance with common Broadcast Standards using Adobe Audition CS6 by Jason Levine at BoodahJooMusic.
November 4, 2011
Karl Soule talks about editing in 3D stereo using NVIDIA 3D Vision Pro and more. He uses Cineform Neo 3D in the presentation.
September 19, 2011
Speed up your color grading and finishing! This video tutorial teaches how to do primary, secondary and some pretty advanced color correction in Adobe Premiere Pro CS5.5. You’ll learn how to create masks for color correction inside of Premiere Pro, and to tweak parts of the image without affecting others. You’ll learn how to use Jarle’s Grading Tools (a collection of useful presets) to speed up your own color grading workflow.
Also covered are some common finishing techniques like how to fix moiré, blown-out highlights, blue sky fix, sharpening, letterboxing, noise reduction, stabilizing and scaling/crop.