Premiere Pro (195 Tutorials)
Make your Footage Look Cinematic | Red Giant Short Cuts
March 19, 2019
Red Giant is back with another episode of Shortcuts. In this tutorial, Premiere Gal gives you some great tips on how to quickly make your videos or vlogs look cinematic with Red Giant Magic Bullet’s Looks and Colorista, and also, Universe Finisher.
Burning Question: Keyboard Shortcuts in Premiere Pro for a FCP User?
March 12, 2019
New to Premiere Pro? Customize your keyboard so that it works like FCP! Here are the Premiere Pro keyboard shortcuts that you need to know.
Migrate Timelines in Multiple NLEs: FCPX, Premiere Pro, Avid, Resolve
March 5, 2019
There are many reasons to migrate timelines. Sometimes you just need to switch it up, whether it’s because of a new job, a new computer, or you just want to learn a new tool. Here are tips on bringing your old work into your new editor, and a few tips on setting into your new NLE.
NewBlueFX Transitions 5 Ultimate Walkthrough #gettingstarted
February 13, 2019
Learn how to make the most of your video transitions workflow with this NewBlueFX Transitions 5 Ultimate walkthrough tutorial.
Zoetrope FLOW Tutorial
January 24, 2019
Learn how to use FLOW to create infinite flowing compositions using any video.
Create Fast YouTube End Screens in Adobe Premiere Pro CC
November 6, 2018
In this episode of Short Cuts, Premiere Gal Kelsey Brannan explains how to create a fast and stylized YouTube End Screens with Red Giant Universe.
Optimizing your System for Adobe Video / Audio Applications
October 17, 2018
Adobe shares information and recommendations for optimizing your system to get the most out of the latest Adobe video and audio tools.
Hot Tip! Removing Old Versions of Adobe Products on Your Mac
October 17, 2018
If you’ve been collecting legacy versions of Adobe software on your Mac for safety, but you’re running out of space, here’s some advice on how to remove the bloat.
Short Cuts | How to Create FAST Distortion Effects in Adobe Premiere
October 17, 2018
This week, Kelsey Brennan, AKA Premiere Gal, shows you how to make a fun RGB Separation and Chromatic Aberration effect that you’d get if you dropped your camera. This is a fairly common effect that can be used on titles, logos, transitions, and more. It’s a good trick to have in your arsenal!
Boris FX: Mocha Pro 2019: Getting Started with Tracking Basics
October 9, 2018
Ben Brownlee from Curious Turtle walks us through the basics of tracking a screen replacement in the new Mocha Pro 2019. Even if you have used Mocha before, you’ll want to watch this tutorial, as he also explains the new user interface and new spline tools.
Tutorial: Red Short Cuts | How To Create Retro Looks in Premiere Pro CC
October 7, 2018
In this episode of Short Cuts, Kelsey aka Premiere Gal explains the creation of three types of retro looks, created by adding Red Giant Universe’s Grain 16, VHS, and Retrograde tools to footage.
Tutorial: Red Giant Short Cuts | Quick & Awesome Titles in Premiere Pro CC
October 7, 2018
In case you missed it, this great tutorial in the Red Giant Short Cuts series with Kelsey aka Premiere Gal came out in early August. Kelsey explains how to make stylized titles in Premiere Pro with Red Giant Universe.
Update: Mettle FLUX updated to v1.1, plus After Effects / Premiere Pro Tutorial
October 4, 2018
FLUX V1.1 is now available, with many new presets, new mutation options, and new modes. New features include the ability to choose an OBJ File as a Force Field Shape, and a Randomize button. This is a free update for ownders of FLUX 1.0. Check out the After Effects and Premiere Pro tutorial to show off the new FLUX 1.1 features.
Tutorial: Short Cuts | How to Simulate Old TV Screens in Premiere Pro CC
October 2, 2018
Kelsey, AKA Premiere Gal, and Red Giant have a new episode of Short Cuts. Learn how to use the Holomatrix plug-in in Red Giant Universe to take HD footage from pristine to an old TV look.
Premiere Pro: A Color Correction Session with Stu Maschwitz – Colorista IV
October 2, 2018
In this tutorial from Stu Maschwitz tutorial, you’ll learn how to use Colorista IV to balance footage, to relight your foreground elements, to match footage across a timeline, and much more.
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