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Software (1821 Tutorials)

rg vfx optical glow

Red Giant VFX Optical Glow Tutorial #gettingstarted

June 20, 2019

Get started with Stu Maschwitz’s tutorial for Optical Glow – one of the brand new tools in Red Giant VFX Suite!

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rg vfx spot clone tracker

Red Giant VFX Spot Clone Tracker Tutorial #gettingstarted

June 20, 2019

Get started with Stu Maschwitz’s tutorial for Spot Clone Tracker – one of the brand new tools in Red Giant VFX Suite!

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rg vfx king pin tracker

Red Giant VFX King Pin Tracker Tutorial #gettingstarted

June 20, 2019

Get started with Stu Maschwitz’s tutorial for King Pin Tracker – one of the brand new tools in Red Giant VFX Suite!

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rg vfx shadow

Getting Started with Red Giant Shadow #gettingstarted

June 19, 2019

Get started with Shadow, one of the brand new tools in Red Giant VFX Suite with this tutorial created by Brian Behm.

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rg vfx primatte keyer

Getting Started with Primatte Keyer 6 #gettingstarted

June 19, 2019

Get started with Primatte Keyer 6, part of the new Red Giant VFX Suite with this tutorial created by Simon Walker.

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rg vfx supercomp

Red Giant VFX Supercomp Tutorial #gettingstarted

June 19, 2019

Get started with Stu Maschwitz’s tutorial for Supercomp – one of the brand new tools in Red Giant VFX Suite!

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Maya Monday

Crystal or Glass Shaders for Maya #mayamonday

June 17, 2019

Arvid Schneider is talking about how to create a realistic looking crystal using procedural techniques, with focus on the unique challenges he comes across.

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In Depth Demo Reel

In Depth: The Ultimate Guide to Building a Great Demo Reel

June 13, 2019

Is your New Year’s Resolution to get a new job or to bring in new freelance work? A new demo reel can help.  What are employers looking for in a reel? I was on a panel at a college last month where we talked about what makes a demo reel great and what makes it… well, not so great. I also asked around to some industry peers for their opinions. 

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octane texture pack 3

Octane Texture Pack 3 Tutorial

June 11, 2019

In this tutorial, Joren from The Pixel Lab shows you how to use the new Octane Texture Pack 3 Procedural Edition from Renderking.

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Thanos Portal FumeFX

FumeFX Thanos Portal for 3ds Max

June 11, 2019

This tutorial for the Thanos Portal comes from SitniSati, and is, of course, inspired by the Avengers Infinity War. Watch it now!

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understanding metalness

Understanding Metalness in PBR workflow with V-Ray Next

June 11, 2019

Chaos Group has added a Metalness parameter to the V-Ray standard material in an effort to better support a PBR workflow in V-Ray Next.

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In Depth 3D Renderers

In Depth: 3D Renderers (Updated 7 June 2019) #3drenderer #redshift

June 7, 2019

There are so many renderers available out there, and how does an artist know what to choose? Although they really do the same thing, they work differently and have different results. Here is a breakdown of what the different renderers offer, not reviews, so you can decide which renderer is right for you.

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8 Must-Have Plug-ins for Adobe After Effects

In Depth: 8 Must-Have Plug-ins for Adobe After Effects

June 4, 2019

This is a question that I get quite a bit. It’s usually someone who is just out of college and getting started in the biz. They often use the phrase “the best bang for the buck”. Nobody wants to spend money on tools they will never use either. Because this field has some diversity, I’m breaking this into a multi-part feature for motion graphics in After Effects, visual effects in After Effects, editing, and more. Here are my picks must-have plug-ins for motion graphic artists using After Effects.

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aura multiple producers

After Effects: Aura – Multiple Producers w/ 3D Layers

June 4, 2019

This tutorial will teach you how to use 3d layers to create multiple producer points in Rowbyte Aura for After Effects.

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Cinema 4D Tutorial Roundup: Tips for Compositing 3D Renders into Live Footage

Cinema 4D Tutorial Roundup: Tips for Compositing 3D Renders into Live Footage

June 4, 2019

Making your 3D content look natural in a live-action shot can sometimes be challenging. It’s important to match elements in the shot, for example, the focal length, the angle, the lighting, the color grade, the grain, and all the rest.

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