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Workflow (450 Tutorials)

Using Offline Reference Clips in DaVinci Resolve

Using Offline Reference Clips in DaVinci Resolve

February 23, 2016

Using offline clips is important when establishing yourself as a serious colorist. Learn how in this DaVinci Resolve Tutorial.

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A Faster Render

A Faster Render

February 17, 2016

“After I posted my Danny’s Dream short a few weeks ago, a few people wrote to ask about the V-Ray settings I’d used to render the sequences in about 5 minutes per frame. Instead of answering individually, I thought I’d post and discuss my settings here.” – Bertrand Benoit | BB3viz

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The Comprehensive PBR Guide from Substance

The Comprehensive PBR Guide from Substance

February 5, 2016

Here's something a little different for a tutorial Tuesday: this FREE 2 book series on Physically-Based Rendering and PBR texturing, in downloadable PDF format.

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Exploring Color Correction with Hawaiki Auto Grade

Exploring Color Correction with Hawaiki Auto Grade

February 5, 2016

Follow along with Larry Jordan as he examines “Auto Grade” from Hawaiki, a fully automatic image and color correction plug-in.

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Creating Octopus Tentacles

Creating Octopus Tentacles

February 5, 2016

In this tutorial, Eric Keller shows us how to quickly add suction cups to a tentacle mesh using the new ZModeler Brush and NanoMesh in ZBrush 4R7.

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Tonal Contrast – The Good, the Bad and the Ugly

Tonal Contrast – The Good, the Bad and the Ugly

February 5, 2016

“Everyone loves contrasty and detailed-like effects on their photos right? But there's a time where they just shouldn't be used. In this video, Matt Kloskowski shows you two places where…

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Alembic Pipeline Workflow for V-Ray in Maya

Alembic Pipeline Workflow for V-Ray in Maya

February 5, 2016

Here is another awesome tutorial from MAXDEPTH!

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Using iZotope RX3 To Remove The Music From The Film Brief Encounter

Using iZotope RX3 To Remove The Music From The Film Brief Encounter

February 5, 2016

“In this very special podcast extra interview Mike Wabro explains to Mike Thornton how he was able to surgically remove the music from the mono film sound track to leave just the dialog and effects.” – Mike Thorton

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Fallen Angel

Fallen Angel

February 3, 2016

“In this tutorial we'll lean how to melt objects in Houdini 14 using FLIP with variable viscosity & custom attributes. We'll also take a look at controlling our shader parameters with custom attributes and discuss techniques to leverage Houdini's powerful compositing context for texture map creation.” – Ben Watts

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Avid Media Composer Bin Layouts and Displays

Avid Media Composer Bin Layouts and Displays

January 27, 2016

Check out this great Avid Media Composer tutorial that might help speed up your current workflow!

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Exporting Multiple Timelines in Adobe Premiere Pro

Exporting Multiple Timelines in Adobe Premiere Pro

January 26, 2016

Learn how easy it is to export multiple timelines in Adobe Premiere Pro.

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8 Essential Cuts that Every Editor Should Know

8 Essential Cuts that Every Editor Should Know

January 19, 2016

These essential cuts will help any editor transform their footage into a gripping, solid narrative.

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Introduction to Fusion 8 for Motion Graphics

Introduction to Fusion 8 for Motion Graphics

January 19, 2016

Rob Redman offers a look into the 3D environment in Fusion 8 for Motion Graphics Artists.

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The Video Editors Guide to Color Grading

The Video Editors Guide to Color Grading

January 12, 2016

ncreasingly, color grading is being handled by video editors working on laptops and desktops instead of calibrated displays. Here are some ways to make this reality work for you.

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V-Ray for NUKE – Quick Start

V-Ray for NUKE – Quick Start

January 12, 2016

Learn how to set up and render a simple scene in NUKE using V-Ray.

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