Movie and still camera effects, viewfinder simulations and projector transitions.
XEffects Camera Transitions 2 are 58 effects for Final Cut Pro X that reproduce movie & still camera effects, viewfinder simulations and projector transitions. Effects are customisable with direction changes, frame width, sharpness & roundness control and adjustable blur.
From a simple iris to a frame grabbing motordrive; from an SMPTE leader to a full 'sprockets on show' projector film slip, this pack contains a collection of popular film and camera effects.
The iris and shutters are perfect for rattling through a series of stills. Versions with freezes automatically pause moving footage through the effect for a realistic photographic 'snap.'
Build a sequence with all the leaders, different sized film slips with sprockets, frame twitches, dodgy splices and telecine winds you will need.
58 effects in pack (More than double version 1!)
Viewfinders, overlays & effects
What's new in version 2?
XEffects Camera Transitions 2 adds 30 new plugins to this popular pack.
We have added viewfinders such as camera viewfinders that include DLRS, a vintage twins lens reflex, a Holga and Lomo for example.
We have also included focusing screen overlays and effects that combine to give authentic looking viewfinder optics.
Transitions emulate still and movie camera effects and still & movie projection effects
Built by editors for editors, this pack will add creativity, style and impact to any production
Built in freezes in shutter effects so you don't have to manually add holds in the FCPX timeline.
All effects are transitions, apply, edit and slip like any other transition in FCPX
Transitions contain many options to customise the effect to exactly the look you need.
A short tutorial on how to use Camera Transitions 2 in Final Cut Pro X. Start getting creative!
The large update to Camera Transitions 2 brings many viewfinders, overlays and effects. This video shows how to build great looking viewfinders using the new plugins within Camera Transitions 2.
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