After Effects

Harry Frank that explains how to use Particular with After Effects new Master Properties feature, which allows you to easily create tons of variations from a single comp.

MASH is the motion graphics engine in Maya and you can create some really cool stuff with it. We’ve covered it many times before but it’s such a vast and powerful system, it’s worth revisiting many times.

Creating accurate, realistic leaves in 3D is difficult because of all the subtle differences present in the natural world.  TILTPIXEL partner Ramy Hanna explains the best tools and techniques to use in V-Ray for 3ds Max to get “impeccable results.”

Saul Espinosa, a Matte Painter and Environmental Artist, walks you through everything you need to know about working with displacements in Maya with the Redshift plugin.

Here are several videos to help you get going fast with RealFlow | Maya.

Nick Campbell from Greyscalegorilla gives some great tips on how to make your reflections look real in Cinema 4D. He explains how to speed up your texturing process with the Greyscalegorilla Topcoat and HDRI Studio Rig plug-ins.

Chad Ashley from Greyscalegorilla explains how to work faster using HDRI Link with Cinema 4D and Arnold. Plus, the Greyscalegorilla One Day Sale is still happening, so details are in the post.

Chad Ashley at Greyscalegorilla demonstrates how he uses Redshift’s New Custom AOVs to save loads of time in production. Chad breaks down his workflow, where he goes from Redshift in Cinema 4D and then into Blackmagic Design Fusion.