FilterBank is a high-end equalizer plug-in designed to emulate the sounds of vintage and modern equalizers and filters.
FilterBank gives you the most power and flexibility to emulate any other EQ or create your own custom EQ. We give the maximum independent controls available to the user to define the EQ response curve.
FilterBank is 3 plug-ins:
E606 – parametric, high and low shelving EQ, high and low pass filters
F202 – steep high and low pass filtering with resonant Q control
P606 – parametric EQ with variable Q modes
Since it’s debut in 1998, FilterBank has become a legend within the audio community. With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.
Shelving and Parametric EQ
High and Low pass filters with resonance control
Unique Peak-Slope-Dip Shelving EQ parameters
Variable parametric Q modes
Analog Saturation Modeling
Double Precision Processing
Ultra Low Latency
Mono and Stereo versions
The FilterBank presets are inspired by EQs such as the Neve 1084™*, Avalon 2055™, GML 8200™*, Manley™* and Pultec™*.
This one engineering tool can easily replace thousands of dollars of expensive and hard to find hardware.
The McDSP FilterBank v5 plug-in is a collection of 3 different EQ and filter configurations. Of these configurations, the E606 has an unique shelving EQ control set called Peak, Slope and Dip. These controls allow the user to customize the shelving EQ in a way only previously available to the EQ designers.
This issue focuses on the shelving EQ Peak, Slope, and Dip (PSD) control set and how they can be used in audio production.
Peak Slope and Dip Basics
Peak is the over shoot in the boost/cut portion of the shelving EQ frequency response. Peak is useful in adding ‘punch’ to the shelving EQ. A little bit of overshoot in the shelved band really helps the effect of the shelving EQ come through a mix. A judicious amount of Peak might offset the need for more shelving gain, and can allow the user to combine a shelf and nearly parametric response into a single band of EQ.
Dip is the under shoot in the non-boost/cut (i.e. the flat unaffected portion) of the shelving EQ frequency response. Dip works well to mask away the non-shelved portion of the frequency spectrum just above a low shelf boost (or just below a high shelf boost). As you increase the presence of some frequencies, it’s a good idea to reduce the amount of signal content just above/below the shelving response. This allows you to boost less because you are also cutting away some portion of the frequency spectrum – almost like an intelligent EQ!
Slope is the transition between the shelved and non-shelved portion of the frequency response. A more gradual Slope setting (50% or less) gives a smoother response – nice for boosting the high end of a piano track. Steeper Slope settings (75% and greater) provide a tighter response – good for bringing out kick drums or hi-hats. Note that the effect of the Peak and Dip controls is reduced as the Slope becomes more gradual. Peak and Dip have no effect on the shelving EQ shape when the Slope control is at its minimum setting (0%).
Peak Slope and Dip Applications
FilterBank is still, nearly 8 years after its release, the only EQ in hardware of software to offer the user complete control over the basic design elements of any shelving EQ with its unique Peak, Slope, and Dip controls. What does this mean for audio production? Here are some examples.
Kick and Snare separation
Typical music styles call for a good ‘thud’ from the kick drum. A good solution for such sounds is a low shelf EQ. But as the kick is being boosted, the snare sound should not get the same treatment. For that matter, the ‘thud’ of the kick should not compete with the ‘thwack’ of the snare. Using the low shelf, the kick is boosted for a nice ‘thud’.
The Peak, Slope, and Dip controls are not only good for getting surgical as in the above example. These controls can allow the same shelving EQ gain and frequency settings to have a variety of tones. In the examples below the same drum kit is processed with some high shelf EQ, but with different variations of Peak, Slope, and Dip.
Classical Guitar Air
Some folks refer to the high shelf boost as adding ‘air’ to a track. As shown with the Hi-hat and Cymbals example above, a variety of tones are obtained using the Peak, Slope, and Dip controls in FilterBank.
McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.
McDSP Native plug-ins support AAX Native, AU, VST, and VST3 plug-in formats. McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, VST, and VST3 plug-in formats. McDSP plug-ins support 10.13.x (High Sierra), 10.14.x (Mojave), 10.15.x (Catalina), 11 (Big Sur), and Windows 7, 8, and 10.
Note: Earlier Mac OS versions 10.10.x (Yosemite), 10.11.x (El Capitan), 10.12.x (Sierra) may work but are not officially supported.
McDSP plug-ins require an iLok2 or iLok3 USB Smart Key, or an iLok License Manager account and an iLok Cloud session for authorization.
McDSP AAX plug-ins support Pro Tools 12.x, 2018.x, 2019.x, and 2020.x or later.
McDSP AU plug-ins support Logic X, Digital Performer, Ableton Live, and other AU compatible DAWs.
McDSP VST and VST3 plug-ins support Cubase 8.x, 9.x, 10.x or later, Nuendo 6.5.x or later, and other VST and VST3 compatible DAWs.
McDSP HD plug-ins also support the VENUE S6L systems.
Note: McDSP is also no longer supporting the VST plug-in format. VST versions of v6 McDSP plug-ins will no longer be updated but remain installed on users’ systems. McDSP VST plug-ins will be removed in a later release.
McDSP plug-ins require an iLok2 or iLok3 USB Smart Key, or an iLok License Manager account and an iLok Cloud session for authorization. Latest iLok drivers recommended. iLok Cloud support requires v6.5 or later.
Note: Big Sur Support
McDSP is pleased to announce support for Big Sur (Mac OS 11.x) as a free update in 2021 for all v6 customers and APB hardware customers. McDSP’s latest release of AAX Native, AAX DSP, AU, and VST3 plug-ins (v6.8), and APB plug-ins (v1.3), are being qualified on Big Sur, and are available for download at mcdsp.com now.
Note both McDSP plug-in v6.8 and APB plug-in v1.3 releases still support High Sierra (Mac OS 10.13.x), Mojave (Mac OS 10.14.x), and Catalina (Mac OS 10.15.x). Earlier Mac OS versions 10.10.x (Yosemite), 10.11.x (El Capitan), 10.12.x (Sierra) may work but are not officially supported.
McDSP is also no longer supporting the VST plug-in format. VST versions of v6 McDSP plug-ins will no longer be updated but remain installed on users’ systems. McDSP VST plug-ins will be removed in a later release.
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