Discover perfect EQ space with powerful sonic sculpting
SEQ-S delivers sculpting power beyond any other EQ. The resizable direct-draw interface makes it easy to quickly fine-tune your audio, with incredible resolution that you can’t get with a traditional parametric interface. The 3 independent EQ curves can be individually assigned to channels across the surround panorama, giving complete control over your spatial environment, with access to stereo, mid/side, 5.1 and 7.1 surround sound operation.
Linear phase spline EQ
Curve scaling and smoothing
Zoomable and resizable interface
No phase smearing
Dynamic EQ morphs
Frequency node locking
Match EQ presets
Fluid EQ morphing
SEQ-S is capable of fluid filter morphs, introducing a wealth of new options ranging from controlled scene transitions up to groundbreaking creative sound design.
Seamless transitions between different environments, creative morphs and tempo-locked effects are easily achieved, with full dynamic visual feedback.
Intuitive EQ matching
Use SEQ-S to capture the flavour of a piece of source audio and match it to your current work – great for restoration work, and as a reference for mastering. Or use this match technique on individual tracks to unify different takes, microphone positions, and more.
Plus, by inverting the match EQ curve, you can achieve a minimally invasive technique for carving out space in a complex mix where traditional EQs won’t cut it.
For music production
Fine tune and correct your sound with flexible, detailed envelopes difficult to achieve with a traditional parametric EQ. Plus, take advantage of independent left/right and mid/side operation, even within the same plug-in instance.
Use EQ matching to gently push your sound toward reference material or dive into new creative spheres with filter morphing and tempo locked effects. Ideal for both corrective mix work and gentle mastering polish.
For post and broadcast
Precise corrections which would be very time consuming with a traditional parametric interface are a breeze with SEQ-S’s flexible nodes and direct draw interface.
Match ‘invert’ makes it quick and easy to find space for dialogue in a busy soundtrack, avoiding heavy-handed EQ or intrusive ducking.
Flexible to suit your needs
Mono and stereo audio production
Surround compatibility up to 7.1 for post & movie production
Independent control of left/right, mid/side & surround channels
Note: This manual covers both SEQ-S (full surround plug-in) and SEQ-ST (stereo version). The only difference between the two versions is the surround capability of SEQ-S. In general, SEQ-S is referred to and illustrated with screen shots, and where surround functionality is discussed, this is not available in SEQ-ST. Other operational aspects are the same for both versions.
This product supports 64-bit AAX, VST3, AudioUnit, and AudioSuite plug-in formats.
Minimum System Specification
Mac OSX 10.9.x / 512 MB RAM
Windows (64 bit) Vista or above / 512 MB RAM
v126.96.36.199 – 21 January 2020
Added support for using EQ state as a source, allowing presets to be used for matching.
Increased maximum record time to 3 mins.
Fully notarized for Mac OS 10.15 Catalina support.
Added limits for matching to avoid turning up noise.
Fixed several graphical issues.
Fixed several stability issues.
Minimum spec is now Mac OS 10.9 and Windows Vista 64-bit.
Only 64-bit versions are available, 32-bit support has been removed.
Only VST3, AAX and AU formats are supported, VST2 and RTAS have been removed.
v1.3 – 13 January 2020
Added resizeable interface.
v1.2 – 12 July 2016
New filter-morph mode added.
Preset handling system updated.
Changes to empty snapshot match EQ implemented.
Scroll/zoom lock option added.
EQ dB range extended to +/- 60dB, dB safety cap introduced.