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The Future of Mastering
As the industry’s most comprehensive mastering suite, Ozone 8 adds to its legacy by introducing new intelligent signal processing like Master Assistant, track referencing, and more. Enhanced to meet demands of the modern mastering workflow, Ozone 8 is your one stop for a competitive, professional master.
Master your audio with over fifteen years of audio industry firsts at your fingertips. Enhanced to meet demands of the modern mastering workflow, Ozone 8 is your one stop for a competitive, professional master. With seven essential mastering processors, it’s the smartest version of Ozone yet.
Assistance with control
Master Assistant uses the sonic profile of your audio to help you get to a logical starting point. Because your time is better spent adding your sonic signature, Master Assistant will suggest targets and signal chain and processor settings, so you can get back to what’s most important—adding that personal touch.
Intelligent track referencing
A/B your master against reference tracks directly within any instance of Ozone or its standalone application. Now an integrated process, track referencing is easy, intelligent, and incorporated into Ozone’s workflow. Track referencing in Ozone allows you to load up to 10 tracks and will identify sections of your reference for easy playback like Verse or Chorus, so you can spend less time finding and more time mastering.
Perfect for audio engineers, music producers, and hobbyists, Ozone 8 Standard will help you:
Create a custom preset with Master Assistant and get your audio to an optimal starting point
Create a loud, full master with seven multiband mastering processors: Imager, Maximizer, EQ, Dynamic EQ, Dynamics, Exciter, and Vintage Limiter
Have deeper control in Ozone’s Maximizer with new low latency IRC mode, Transient/Sustain Stereo Independence, and Learn Threshold.
Apply any saturation mode (Warm, Retro, Tape, Tube, Triode or Dual Triode) to any individual frequency band in the Exciter.
Reference tracks and A/B directly within the Ozone workflow, never needing to leave the app
Work within your preferred host as a single plug-in, or use Ozone’s standalone application
Professionally designed presets for genre, delivery formats, and more
Redesigned user interface for an improved mastering experience
What's new in version 8.1?
Improved gain trace drawing in Vintage Limiter module.
Improved Master Assistant EQ results to be less subtle.
Improved threshold meters in Maximizer to show more accurate, independent L/R channel gain reductions.
Added Japanese translations to the Ozone 8 help documentation.
Input level meter will display a different color for reference levels when the "Replace input with reference" option is selected.
Added support for Nuendo 8 and Reason 10.
Fixed slow session loading when opening sessions that contained several instances of Ozone 8.
Fixed issue where Matching EQ processing was not being applied properly during export from the Ozone 8 application.
Fixed persistent tooltip box that would appear in some host applications.
Fixed Search function in the help documentation.
Fixed gain reduction drawing in the threshold meters when working with mono files.
Fixed possible crash when closing and re-opening the Ozone interface when certain I/O meter types selected.
Fixed overlapping text labels in the Options menu.
Fixed installer and help documentation path issues.
Fixed issue with signal chain updating in the Ozone application when using the same third-party plug-in in multiple track tabs.
Mac: OS X 10.8.5 (Pro Tools 10 only), OS X 10.9 - macOS 10.13 (High Sierra)
Windows: 7, 8 & 10
AAX (64-bit Real-time)
AAX-AS (64-bit AudioSuite)
RTAS (32-bit Real-time)
DPM (32-bit AudioSuite)
Pro Tools 10-12, Logic Pro X, Ableton Live 9, Cubase 9, FL Studio 12, REAPER 5, Reason 9.5, Bitwig Studio 2, Studio One 3, Nuendo 7, Sonar, Digital Performer
Reviews & Comments
5.00 1 review
100% of reviewers recommend this product
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Earns the Microfilmmaker Magazine's Award of Superiority
iZotope Ozone is a killer mastering plug-in, and the value of six mastering effects in one plug-in continues to amaze me. It would be well worth your money to buy this program just for the presets, especially if you simply cannot afford to pay an audio engineer to master your film. Simply using the presets with minimal tweaking will place your film in front of so many other independent films. This plug-in would benefit any filmmaker looking to make their work a step above of the rest.
Read the full review at Microfilmmaker magazine.
Would you recommend this product to a colleague? Yes
iZotope offered a free, five-part online Audio Mixing Masterclass earlier this year. The videos are still available for anyone to view and are loaded with great info to help you create better audio mixes.