Event: Maxon 3D & Motion Design Show Lineup for July 20
Don’t miss the next Maxon 3D & Motion Design Show on July 20. The show begins at 8:30 AM PDT and features several talented 3D artists and animators.
Wednesday, July 20 Schedule
- 08:30 “Maxon News and Announcements” with Paul Babb
- 09:00 “Creating a 3D Animation From Scratch” with Kris Theorin
- 10:30 “Cinematic Stereoscopic” with Sarah Gibson
- 12:00 “Stylized 3D with Cinema 4D and Redshift” with Tatiana Shchekina
- 13:30 “Creature Feature | Bringing Monsters to Life” with Luis Miranda
Maxon 3D & Motion Design Show July 20 Presenter Bios
Kris Theorin
Creative Director at Something’s Awry Productions
Kris Theorin is a creative director, animator, compositor, and editor at Something’s Awry Productions. He specializes in vibrant, cinematic animated shorts that place an emphasis on stylized art direction and motion capture technology.
Sarah Gibson
Freelancer
Sarah is a freelance artist with over nine years of experience. For over five years she has been working in motion design and animation. She specializes in both 2D and 3D as well as character animation. She has been freelance for just over 2 years now and has had the honor to work with the team at Perception on the end titles for Marvel’s Moon Knight & Pixar’s Lightyear.
Tatiana Shchekina
Motion Designer at TSmotion, Amazon
Tatiana is a motion designer and animator currently living in New York City. She worked on projects for Television, advertising agencies, and big companies like Microsoft, AT&T, and Amazon. She loves using Cinema 4D for her day-to-day work, and for personal projects. When not designing or animating she can be found traveling and exploring the world, or rocking out at metal concerts.
Luis Miranda
Luis Miranda is a 3D Artist based out of Denver, CO. He has an obsession with horror and the color purple. When he isn’t making animations for brands such as the NFL or Oculus, he is at random bookstores adding to his enamel pin collection or at a salon getting his nails done.
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Cinema 4D 2024 is better than ever – with massive performance improvements in interactive playback, enhancements to Rigid Body simulations, and a more “art-directable” Pyro workflow. With Trapcode 2024, artists can now create realistic thermal dynamics with the new Combustion feature and create particle tracks with Stroke from Parent. VFX 2024 opens up a new dimension in lighting control and includes several enhancements to the popular Real Lens Flares. With Magic Bullet 2024, color correction is easier than ever – plus a host of new presets give artists more creative freedom. Universe 2024 also sees numerous workflow improvements and offers new presets. Redshift offers more creative freedom when using the MatCap and Distorter shaders as well as performance improvements on multi-core CPUs.
Posted by Michele Yamazaki
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