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v17 Blackmagic Design DaVinci Resolve Studio

Review:

Blackmagic Design DaVinci Resolve Studio
   

Professional Editing, Color, Effects and Audio Post!

DaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy enough for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!

Available with Download Delivery when you purchase from Toolfarm!

Please Note: Does NOT include Speed Editor.

 

Davinci resolve 17 hollywood

Hollywood’s #1 Post Solution

High end professionals working on feature films and television shows use DaVinci Resolve more than any other solution! That’s because it’s known for incredible quality and creative tools that are light years beyond the competition. You get DaVinci’s Emmy™ award winning image technology with 32‑bit float processing, patented YRGB color science and a massive wide gamut color space for the latest HDR workflows. You also get the legendary quality of Fairlight audio processing for the best sound in the industry! With DaVinci Resolve, you get the same exact tools professional colorists, editors, VFX artists and sound engineers use every day to finish your favorite films and streaming television shows!

Resolve Studio is also the only solution designed for multi-user collaboration so editors, assistants, colorists, VFX artists, and sound designers. Everyone can all work live on the same project at the same time! Whether you’re an individual artist or part of a large collaborative team, it’s easy to see why DaVinci Resolve is the standard for high-end post-production. Resolve Studio is involved in finishing on more Hollywood feature films, television shows, and commercials than any other software.

davinci resolve 17 hero

DaVinci Resolve Studio

The free version of DaVinci Resolve is packed with more features than most paid software applications! You can use it to edit and finish up to 60 fps in resolutions as high as Ultra HD 3840 x 2160. You get extensive color grading tools including luma, HSL and 3D keyers, color warper and HDR tools, video collage, elastic wave audio retiming and more. Plus it now also enables collaboration so multiple people can work on the same project, all at the same time! Once you’ve learned how to use DaVinci Resolve and gain more experience, you can move up to DaVinci Resolve Studio. With over 50 advanced features, Studio includes DaVinci Neural Engine, additional Resolve FX, stereoscopic 3D and more!


What’s New in Blackmagic Design DaVinci Resolve Studio 17

DaVinci Resolve 17 features new image processing for the latest wide gamut HDR, a powerful audio engine, immersive 3D audio workflows and more! Colorists get new HDR grading tools, AI based magic mask and more. Fairlight upgrades mouse and keyboard based edit selection tools along with Fairlight audio core, a high performance audio engine that supports 2,000 tracks on a single system! Editors get a new metadata based “slate” view with bin dividers to organize and find footage faster, zoomed waveforms for audio editing, smart reframing, proxies, live effect previews and more. In addition, effects, titles or transitions created on the Fusion page can be used on the edit and cut pages!

davinci resolve color

Color

DaVinci Resolve 17 features incredible new creative tools for colorists! The new HDR palette lets you create custom color wheels for targeted corrections, primary controls have a new design that makes them easier to use, magic mask uses the DaVinci Neural Engine to automatically isolate and track objects, and the new mesh and grid based color warper lets you push and morph colors in creative new ways! Power Window drawing has been improved, there are new split screen wipe options, an additional Sat vs Lum curve, improved scopes, support for 17 point 3D LUTs and more. Plus, the massive new DaVinci wide gamut color space enables even higher quality image processing and color management!

Next Generation HDR Grading Tools

The HDR grading palette lets you create new color wheels with custom roll off for specific tonal ranges, giving you more creative control to make fine adjustments. The wheels include exposure and saturation controls for each zone. They’re color space aware so you get perceptually uniform results.

Color Warper for Refined Grading

The mesh based warping tool lets you adjust two color parameters at once. You can adjust both hue and saturation or chroma and luma. Adjustments are made by dragging control points, with smooth falloff for clean, natural looking adjustments. It’s an entirely new way to transform color in your images!

Targeted Grading with Magic Mask

Selecting and tracking people for targeted correction has never been easier! Magic mask uses the DaVinci Neural Engine to automatically create masks for an entire person or specific features such as face or arms. You get matte finesse tools, the ability to add and remove strokes and automatic tracking!

Advanced Color Management

DaVinci Resolve color management adds features to simplify your workflow and improve image quality. You get wide gamut image processing, new input and output tone mapping and color space aware tools that provide for a more consistent response while grading and greatly improved image quality!

DaVinci Wide Gamut Color Space

DaVinci wide gamut and DaVinci intermediate are timeline color space and gamma settings that provide a universal internal working color space. It’s larger than what cameras can capture, or BT.2020, ARRI wide gamut and even ACES AP1. You’ll never lose image data, no matter where it comes from!

Updated 3D Professional Scopes

You can now open multiple versions of a same scope, set customizable waveform scales, create 3×3 layouts and open a separate scope window on a second display. You could open 3 vectorscopes, set to different tonal and zoom ranges, allowing you to simultaneously see shadows, midtones, and highlights.

Additional LUT Support

DaVinci Resolve 17 lets you generate 17 point 3D LUTs directly from the timeline, which are great for monitoring on set. There’s also support for video range LUT metadata, as well as the ability to set your own custom LUT paths either on local or to a network volume for sharing LUTs in a facility.

New Viewer Wipe Modes

New diagonal, venetian blind and checkerboard wipes provide additional flexibility for comparing images in different ways. A new split screen mode for comparing up to four playheads from the timeline is useful for comparing multiple clips or for comparing different frames within the same clip.

 

davinci resolve fairlight

Fairlight

DaVinci Resolve 17 is the biggest update in Fairlight history with new features, tools and core improvements that make it the world’s fastest and highest quality solution for audio post production! If you’ve been thinking about switching to Fairlight from another system, the context sensitive edit selection mode with updated keyboard shortcuts makes it faster than ever. A new high performance audio engine, Fairlight Audio Core, along with the revolutionary new FlexBus busing architecture give you support for over 2,000 tracks! You can now reverse audio clips, analyze loudness, view and navigate transients, preview video while editing, move automation, export multi channel files and more.

Fast Editing with Mouse and Keyboard

Edit selection mode with new keyboard shortcuts unlocks functionality previously available on the Fairlight Audio Editor. These context sensitive tools make editing incredibly fast! If you’re switching over to Fairlight, these intuitive and familiar tools will help you get up and running quickly.

Mix 2,000 Tracks in Realtime!

Fairlight Audio Core is a low latency, next generation audio engine that intelligently manages workload by using all CPU cores and threads, as well as the optional Fairlight Audio Accelerator card. You get up to 2,000 tracks, each with real time EQ, dynamics and 6 plug-ins, all on a single system!

Revolutionary FlexBus Architecture

FlexBus is a flexible bus architecture that uses up to 26 channel wide multi purpose buses instead of fixed buses. You can send tracks to buses, buses to tracks, and buses to buses in as many cascade layers deep as needed to create massive sessions. Route anything to anything without limitations!

Instantly Detect and Display Transients!

The new transient analysis tool automatically detects individual words, beats, or sound effects! Transient markers are displayed as vertical lines in the waveform. You can navigate between them using the arrow keys. Transient markers make it easy to identify specific parts of a sound for editing!

Automation Follows Edit

Automation lets you record virtually any parameter change over time. There’s a new option that allows automation to follow edit changes. That means when you trim, move or edit any clip, the automation you’ve recorded will follow it. You can make last minute edits while still maintaining your mix!

Live Video Previews

The viewer now tracks your movements around the timeline, scrolling as you slide clips and markers or drawing ranges which allow you to use the video as a reference. Additionally, you can draw ranges and drag clips and markers out of the viewable range with the timeline scrolling intelligently with you.

New Analysis and Metering Options

DaVinci Resolve 17 now supports offline loudness analysis so you can see the loudness characteristics of a clip before adding it to your project or playing it back. The new surround sound analyzer provides a graphical spatial image of the sound. Meters can also be double stacked for large projects.

Supports Massive Projects

Fairlight Audio Core and FlexBus enable large projects with thousands of tracks on a single system! Previously this required “chase” computers to be sync’d with a primary system. Plus DaVinci Resolve’s multi user collaboration lets multiple sound editors work on the entire project at the same time!

 

davinci resolve cut

Cut

DaVinci Resolve 17 makes the cut page even smarter with great new features designed to help you finish quick turn around projects even faster! The new metadata slate view with bin dividers is a revolutionary new way to visually view, sort and find shots quickly. Audio trim mode displays larger waveforms for more precise trimming. Smart reframing automatically re-frames images so you can export projects in vertical, square, or other aspect ratios without having to manually reposition every shot. New icon view in the library lets you preview effects, transitions and titles. You can import and edit projects from ATEM Mini Pro ISO, there’s a new clip inspector, fast timeline switching and more!

Metadata View and Clip Sorting

Metadata slate view with bin dividers makes it easy to sort and find clips based on scene, shot, camera and more! You get cards with thumbnail and metadata, which is determined by sort order. When used with source tape, it’s the fastest way to jump in and out of scenes or groups of shots.

Trimming Against Audio Waveforms

You can now see larger audio waveforms while trimming! When you click the audio trim button, large waveforms will replace the filmstrip in the lower timeline. This makes it incredibly easy to see where dialog starts and stops so you can trim exactly where you want without wasting time!

Smart Reframe for Social Media

Now you can edit in 16:9 HD or Ultra HD and quickly create square or vertical versions for posting to Instagram and other apps! The DaVinci Neural Engine automatically identifies faces and repositions them inside the new frame so you don’t have to do it manually. You can even fine tune the results!

Fast Effects Search and Live Preview

Finding the right effect, transition or title is faster and easier than ever! The elegant, new multi column view lets you see more and scroll less. Descriptive icons also help you quickly find what you need. Plus, you can hover scrub the mouse across any item to see a live preview in the viewer!

Import ATEM Mini Projects

Live production projects from ATEM Mini Pro ISO can be opened as a video edit. The sync bin with multiview lets you fine tune edits from the original live production or even replace shots. You can use the HD ISO recordings from ATEM or relink to Blackmagic RAW camera files for finishing in Ultra HD!

Updated Clip Inspector

While the viewer tool strip is great for quick adjustments, the inspector lets you access virtually all audio and video settings, metadata, RAW image controls and more! You can quickly switch between groups of settings using the tabs at the top. Settings can be animated using the diamond keyframe buttons!

 

davinic resolve edit

Edit

The edit page adds dozens of time saving new features that professional editors have asked for! New proxy workflows dramatically improve performance and make it easy to move projects between systems. You can now sync clips on the timeline and convert them to a multicam group, make source side adjustments before editing a clip into a project, share individual timelines and bins, remove 3:2 pulldown in realtime, and more. The edit page also supports mattes and keying for composites, motion blur on certain transitions, and the ability to render effects heavy portions of the timeline to a new file. The DaVinci Neural Engine also gives you scene cut detection, de-interlacing and smart reframing.

Proxy Media Workflows

Now you can create easily managed, independent proxy media that dramatically improves system performance and makes projects portable! Proxies can be as small as 1/16th resolution and saved as H.264, H.265, ProRes or DNxHR. They can even be generated internally or externally by third party tools.

Easily Sync Multicam Clips

It’s now easier to create synchronized multicam clips! Simply stack clips on the timeline and use the new “auto align” tool to sync based on timecode or waveform. You can also manually move clips into position to create a sync map. Timelines can be converted into a multicam clip or a compound clip!

Keying and Compositing

New Resolve FX 3D, HSL and luma keyer plug-ins let you pull keys directly in the timeline on both the edit and cut pages! In addition, alpha channels from Resolve FX and Open FX plug-ins are now supported, as are embedded alpha channels and external matte files giving you even more compositing options!

Render in Place

The render in place command lets you generate render files for any portion of the timeline. Once rendered, you can move, edit and trim without having to re-render. Render files can be created in any format and saved wherever you want. Unlike cache files, render files are easy to manage and portable!

Source Clip Adjustments

Source side adjustments let you change a clip before editing it into the timeline. All instances of the clip are edited in with the changes. For example, you can adjust RAW controls, add a LUT, remap audio tracks, change sizing, playback frame rate and more, all before editing a clip into the timeline!

Sharing Timelines and Bins

You can now import and export individual timelines or bins, giving you more ways to collaborate! You don’t have to share entire projects and you no longer have to copy and paste timelines or bins from one project into another! Timeline and bin files are easy to share and small enough to email!

Improved Editing with Interlaced Material

New support for native processing of interlaced timelines results in higher quality compositing and titling for interlaced deliverables. High quality DaVinci Neural Engine de-interlacing analyzes motion between fields to reconstruct progressive frames. You also get realtime 3:2 pulldown removal!

Enhanced Timeline Organization

DaVinci Resolve 17 features incredibly useful timeline management and organization tools. You can disable unused timelines without deleting them. This removes them from the viewer’s timeline drop down menu, which can also now be organized alphabetically, by creation date, or in order of recent use.

Scene Cut Detection

Scene cut analysis can now be performed on both the cut and edit pages. It’s the fastest way to cut up long clips that you need to re-edit or color grade when you don’t have the original source files. The DaVinci Neural Engine analyzes the images, finds the edit points, and cuts up the clip for you!

 

davinci resolve fusion

Fusion

Compositions you create on the Fusion page can now be saved as a template and used on the edit or cut page! New animation curve modifiers can be used to automatically retime animations when you change their duration in an edit. Audio playback with waveform display makes it easier to create precisely timed animations, there are shared markers with the edit page and more. In addition, 27 GPU accelerated Resolve FX have been added to the Fusion page, including the noise reduction and sharpening tools from the color page! New node view bookmarks make it easy to navigate large comps, the toolbar can be customized with your favorite tools, and vertical layouts are supported in the node editor.

Build Your Own Effects with Customizable Templates

Fusion effect templates let you create any effect imaginable and apply them to clips on the edit and cut pages! Simply build a composition, save it as a macro, define the parameters you want to make visible, and save it in the correct location. Just drag Fusion effect from the library onto any clip!

Automatically Retime Animations

Animation curve modifiers let you easily stretch or squish keyframes and add bounce, mirror or loop animations that automatically change when the duration of the composition changes. When you drop Fusion titles or effects onto the timeline and change its duration, the animation adjusts accordingly!

Sync Audio Animations

The Fusion page can now playback audio from the edit or cut page timeline. You can choose a mix down from the timeline, or you can listen to the source clip’s audio. Waveforms are displayed in the keyframe editor, allowing you to create precisely timed animations that are in sync with the audio!

Custom Vector Shapes

Vector shape tools make it easier to create motion graphics! You get ellipsis, rectangles, polygons and stars, along with boolean operators for combining shapes to create intricate designs. Grid, jitter, offset and transform, let you customize animations. Shapes can also be used as particle sources!

GPU Accelerated Resolve FX

The Fusion page has 27 new GPU accelerated Resolve FX. This includes the color page’s noise reduction and sharpening tools, along with lens blur, light effects, color effects, revival image restoration tools and more. You also get texture and stylize, temporal effects, warping and beauty tools.

Personalize Your Workflow

Node tree bookmarks let you quickly navigate to any part of the node tree in a large composition. Customizable toolbars let you quickly switch toolbars based on the current task. Vertical node tree layouts give you more room to view the spline and keyframe editors when creating animations, and more.

More Great Features

DaVinci Resolve 17 includes user interface and workflow improvements across the entire app! You’ll find new and improved format support on the media page, new delivery options, and a unified inspector design on the media, cut, edit, and Fairlight pages. DaVinci Resolve 17 also features consistent timeline navigation across all pages, better metadata support, new image scaling algorithms, the ability to share smart bins, smart filters and optimized media across all projects on a system, and even more GPU and CPU accelerated Resolve FX. Plus, there’s a new workflow integration API so third party developers can integrate their asset management systems and other tools with DaVinci Resolve!

Free Multi User Collaboration!

Now anyone can build their own post production studio! The free version of DaVinci Resolve now includes the revolutionary multi user collaboration tools previously available in DaVinci Resolve Studio. That means you can have multiple users all working on the same project at the same time, for free!

New and Improved Resolve FX

The 11 brand new Resolve FX in DaVinci Resolve 17 are texture pop, detail recover, video collage, 3D keyer, HSL keyer, luma keyer, smear, motion trails, noise reduction, transform and false color. The object removal, dead pixel fixer, dust buster, blur and film grain plug-ins have also been improved.

Updated Inspector Layout

A new unified inspector design can be found on the cut and edit pages. This makes DaVinci Resolve easier to learn because adjusting and animating clip settings is now done the same way on every page. There are tabs for video, audio, effects, metadata, RAW controls and more.

Additional Format Support

Support for growing files in the media pool lets you start editing while files are still being recorded! There’s decoding support for QuickTime PNG, uncompressed RGB 8-bit and YUV 10-bit AVI, and spanned Panasonic 8K SHV clips. There’s improved GoPro CineForm support, mp3 on Linux and HTJ2K.

Increased Video Metadata Support

DaVinci Resolve 17 support for frame based metadata from Blackmagic RAW, ARRI, RED and Sony camera files, along with decoding and rendering per frame EXR metadata. There’s also improved metadata support for Sony MXF, IMF MCA audio and non HDR DCP export, and HDR tags in DCP workflows.

New Integration and Encoding APIs

In addition to existing Python and LUA scripting, DaVinci Resolve 17 adds a new workflow integration API and a new encoding API. These APIs allow third party developers to create integrated asset and workflow management solutions for DaVinci Resolve, as well as encoder plug-ins for custom output options.


All In One Solution for Post Production

DaVinci Resolve is divided into “pages,” each of which gives you a dedicated workspace and tools for a specific task. Editing is done on the cut and edit pages, visual effects and motion graphics on the Fusion page, color correction on the color page, audio on the Fairlight page, and media organization and output on the media and deliver pages. All it takes is a single click to switch between tasks!

davinci resolve 17 pages

Edit

The world’s fastest and most advanced professional NLE.

The edit page is the world’s most advanced professional non-linear editor. The familiar track layout, dual monitor design and traditional workflow makes it easy for new users to learn while still being powerful enough for professional editors. It’s perfect for larger projects such as feature films, television shows, streaming, commercials, documentaries and more. The edit page features drag and drop editing, context sensitive automatic trimming tools, fully customizable keyboard shortcuts so you can work faster, and a library full of hundreds of titles, transitions, and effects that you can add and animate. You also get complete media management, organization and timeline management tools.

Cut

Designed for editors to turn around work fast!

The cut page is perfect for projects with tight deadlines that you have to turn around quickly. It’s also great for documentary work. The cut page has a streamlined interface that’s fast to learn for new users and designed for speed. Features such as source tape, dual timelines, fast review, and smart editing tools help you work faster than ever. The sync bin and source overwrite tools are the fastest way to edit multicam programs, making it easy to create perfectly synchronized cut aways! Everything on the cut page is action based so every click does something. That means you’ll spend more time editing and less time hunting for commands. Plus, the scalable interface is great for portable editing!

Color

Hollywood’s favorite color corrector!

The DaVinci Resolve color page is Hollywood’s most advanced color corrector and has been used to color and finish more high end feature films and television shows than any other system! It’s also approachable with exciting new features designed to make it easier for new users to get great results while they continue to learn the advanced tools. For example, new primary control sliders will be familiar to anyone that’s used image editing software, making it easy to adjust contrast, temperature, midtone detail, saturation and more. The color page has an incredible range of primary and secondary color grading features including PowerWindows™, qualifiers, tracking, advanced HDR grading tools and more!

Fusion

Cinematic quality visual effects and motion graphics!

The Fusion page lets you create cinematic visual effects and broadcast quality motion graphics right inside of DaVinci Resolve! Fusion features a node based workflow that makes it faster and easier to create sophisticated effects and animations than you could ever create using a layer based approach. You get hundreds of 2D and 3D tools for visual effects and motion graphics, along with advanced animation curve and keyframe editors that allow you to create incredibly organic and realistic animations. Fusion has everything from point, planar and 3D camera tracking to rotoscope and keying tool for creating photorealistic composites, stunning animated titles, 3D particle systems and more!

Fairlight

Professional tools designed for audio post production.

The Fairlight page features hundreds of pro tools for audio post production. It’s like having a professional digital audio workstation (DAW) built into your editing and color system! Familiar keyboard based editing tools let you work extremely fast, especially if you’re moving to Fairlight from another system. The incredible new Fairlight Audio Core lets you work with up to 2,000 tracks at a time with realtime effects, EQ, and dynamics processing! You get sample accurate editing tools, advanced ADR and Foley, and Fairlight FX such as reverb, de-esser, hum remover and more. You can mix and master stereo, 5.1, 7.1, and even the latest immersive 3D audio formats, all within the same project!

 

davinci resolve media

Media and Delivery

Incredibly wide format support, finishing and mastering!

The media and delivery pages have everything you need to import, manage and deliver final projects. While you can import and organize footage into bins on both the cut and edit pages, the media page gives you a dedicated full screen workspace so you can focus on preparing footage, syncing clips, organizing footage into bins and adding metadata before you start editing. The media page also lets you clone camera media cards for backup purposes. The quick export tool lets you output and upload files to YouTube, Vimeo and Twitter from anywhere in the software, but the deliver page gives you total control over all encoding options and formats, along with a render queue for exporting multiple jobs!

 

davinci resolve 17 fx

Resolve FX

DaVinci Resolve Studio 17 features over 100 GPU and CPU accelerated Resolve FX in categories such as blurs, light effects, noise, image restoration, beauty enhancement, stylize and more! Version 17 adds 11 new plugins for texture pop, detail recovery, creating video collages, 3D keyer, HSL keyer, luma keyer, smear, motion trails, noise reduction, image transforms and false color. The video collage plug-in is perfect for picture in picture zoom style videos, virtual choirs and more! There are also improvements to the object removal, dead pixel fixer, dust buster, blur and film grain plug‑ins. All Resolve FX can be animated using the new unified inspector on the cut, edit and Fusion pages!

 

davinci resolve neural engine

DaVinci Neural Engine

The DaVinci Neural Engine uses state of the art deep neural networks and machine learning, along with artificial intelligence to power features such as facial recognition, object detection, smart reframing, speed warp retiming, super scale up‑scaling, auto color and color matching and more! The DaVinci Neural Engine is entirely cross platform, using the latest GPU innovations for AI and deep learning to provide unparalleled performance and quality. The DaVinci Neural Engine provides simple tools to solve complex, repetitive and time consuming problems. For example, it enables facial recognition to sort and organize clips into bins based on people in the shot, to reframe shots and more.

 

davinci resolve 17 3rd party

Works with 3rd Party Plug‑Ins and Storage

With all of the different workflows and systems available, you need a post production solution that’s compatible and open enough to handle anything! DaVinci Resolve can be used with any type of storage ranging from direct attached hard drives to NAS and SAN systems. You can extend DaVinci Resolve with third party Open FX and VST plug-ins, or add third party title and motion graphics templates. New workflow integration and encoding APIs let developers integrate workflow and asset management systems with DaVinci Resolve. Plus, it works with all major file formats and post production software, making it easy to move files between DaVinci Resolve, Final Cut Pro X, Media Composer, and Premiere Pro.

 

davinci resolve collarboration

Multi User Collaboration

DaVinci Resolve is the only solution that lets you grow and build your own multi user post production studio! It’s designed for collaboration so as you get more work or larger jobs, you can add users and all work on the same projects at the same time. Everything is managed by a powerful multi user database and universal timeline so editors, colorists, VFX artists, animators and sound engineers can all work together. Best of all, you no longer have to import and export files, translate projects, lose work, or conform and manage changes. DaVinci Resolve is the only application in the world that lets everyone work together in parallel on the same project and at the same time! Learn More
Multi User Collaboration

 

 

Pre-installation Notes

  • DaVinci Resolve 16 requires a database upgrade from DaVinci Resolve 15.3.1 and previous versions. We strongly recommend that you backup your existing database (both DiskDB and PostgreSQL) before performing an upgrade.
  • DaVinci Resolve 16 introduces support for operating system user-level configurations and preferences. When starting DaVinci Resolve 16 for the first time, your system level global configuration files, layouts, logs and other preferences will be copied into your user folder. The existing system level files will be left untouched and will continue to work with older versions. Any changes made to your system or user level preferences in DaVinci Resolve 16 will not be reflected in older versions.

DaVinci Resolve 16.0 requires a graphics card with at least 2GB of VRAM which supports Metal, OpenCL 1.2 or CUDA 10. This applies to both the compute and display graphics cards. Please also install the latest graphics drivers on Windows and Linux recommended by your graphics card vendor.

Minimum system requirements for macOS

  • macOS 10.14.6 Mojave
  • 16 GB of system memory. 32 GB when using Fusion
  • Blackmagic Design Desktop Video version 10.4.1 or later
  • Integrated GPU or discrete GPU with at least 2GB of VRAM.
  • GPU which supports Metal or OpenCL 1.2.

Minimum system requirements for Windows

  • Windows 10 Update
  • 16 GB of system memory. 32 GB when using Fusion
  • Blackmagic Design Desktop Video version 10.4.1 or later
  • Integrated GPU or discrete GPU with at least 2GB of VRAM
  • GPU which supports OpenCL 1.2 or CUDA 10
  • NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
  • A minimum NVIDIA driver version of 451.82 is recommended.

Minimum system requirements for Linux

  • CentOS 7.3
  • 32 GB of system memory
  • Blackmagic Design Desktop Video version 10.4.1 or later
  • Discrete GPU with at least 2GB of VRAM
  • GPU which supports OpenCL 1.2 or CUDA 10
  • NVIDIA/AMD Driver version – As required by your GPU
  • A minimum NVIDIA driver version of 450.51.06 is recommended.

Installing DaVinci Resolve Software on Mac

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, double-click the Uninstall Resolve icon.

Installing DaVinci Resolve Software on Windows

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts.

Migrating Legacy Fairlight projects to DaVinci Resolve on Windows

In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system: downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to “Import Fairlight Project” in the Fairlight menu in DaVinci Resolve.

Installing DaVinci Resolve Software on Linux

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, select the uninstall option after running the installer.

 

Upgrading your PostgreSQL database server on Mac

Until DaVinci Resolve 12.5.2, the Mac installer used to ship with PostgreSQL version 8.4.2. Starting from macOS Sierra 10.12, PostgreSQL version 8.4 is no longer supported. If you intend to upgrade to the latest OS, you will need to upgrade your PostgreSQL database server to version 9.5.4 prior to upgrading macOS. Once your PostgreSQL installation has been upgraded and your data has been ported, you can then proceed with your macOS upgrade.

We have provided apps to simplify upgrading your PostgreSQL version on your Mac. The apps along with instructions can be found in the:

/Library/Application Support/Blackmagic Design/DaVinci Resolve/Upgrade PostgreSQL

folder. Starting from DaVinci Resolve 12.5.3, new installations will include PostgreSQL version 9.5.4.

Open a Terminal shell, login as root and run the command:

# DaVinci_Resolve_Studio_<version>_Linux.sh

For the legacy DVD environment, double-click the Resolve installer icon and follow the onscreen instructions.

Removing DaVinci Resolve Software from Mac

To remove DaVinci Resolve from your system, double-click the Uninstall Resolve icon.

Removing DaVinci Resolve Software from Windows

To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts.

Additional Information

Please refer to the latest DaVinci Resolve Configuration Guide for your platform detailing support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support.

You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support.

DaVinci Resolve 16.2.7 Update

This software update adds support for NVIDIA Ampere GPUs on Windows and improved reliability when importing ATEM Mini Pro ISO projects with 23.976 fps media. This version requires a DaVinci Resolve Studio license dongle or software activation code.

What’s new in DaVinci Resolve 16.2.7

Support for NVIDIA Ampere GPUs on Linux and Windows systems.
Addressed an issue with importing 23.976 fps ATEM ISO projects.
General performance and stability improvements.


DaVinci Resolve 16.2.6 Update

This update adds support for Blackmagic RAW 1.8.1, Final Cut Pro X XML v1.9, as well as general performance and stability improvements. This version requires a DaVinci Resolve Studio license dongle or software activation code.

What’s new in DaVinci Resolve 16.2.6

  • Support for Blackmagic RAW SDK 1.8.1.
  • Support for Final Cut Pro X XML Version 1.9.
  • Multiple performance and stability improvements.

DaVinci Resolve 16.2.5

This update adds support for importing projects from ATEM switchers into DaVinci Resolve, improves the listing of numbered still frames in the media pool, addresses offline frame issues for some H.264 clips on Windows and makes relinking AAF clips in different folders more reliable. This version requires a DaVinci Resolve license dongle or software activation code.

What’s new in DaVinci Resolve 16.2.5

  • Support for importing ATEM Mini Pro ISO projects in DaVinci Resolve.
  • Improved listing of numbered still frames in the media pool.
  • Addressed flashing offline frame issues for some H.264 clips on Windows.
  • Addressed an issue with relinking AAF clips in different folders.
  • Addressed issues with syncing playhead in the sync bin and timeline.
  • Multiple performance and stability improvements.

DaVinci Resolve 16.2.4

Date: July 15, 2020

This software update features improved debayering support for RAW clips from EOS-1D X Mark III and EOS R5 cameras, more accurate playhead syncing on the cut page, better tone mapping in HDR projects, and faster Kakadu JPEG 2000 decode performance on Linux and Windows. DaVinci Resolve 16.2.4 also addresses an issue that affected project saving after editing audio keyframes, improves custom Fusion tool performance, adds support for Blackmagic RAW 1.8 and more. This version requires a DaVinci Resolve Studio license dongle or software activation code.

What’s new in DaVinci Resolve 16.2.4

      • Support for Blackmagic RAW SDK 1.8.
      • Improved debayering support for EOS-1D X Mark III and EOS R5 raw clips.
      • Improved syncing of playhead between timeline and viewer in the sync bin.
      • Improved tone mapping behavior when performing wipes in HDR projects.
      • Improved Kakadu JPEG 2000 decode performance on Linux and Windows.
      • Addressed an issue with cropping the upper track in some scenarios.
      • Addressed an issue with removing freeze frames in retimed clips.
      • Addressed an issue with adjusting volume on a multi-track audio clip.
      • Addressed an issue with saving the project after moving audio keyframes.
      • Addressed an issue with waveform displays when scrolling the timeline.
      • Addressed issues with audio waveforms in sync bin and sync clip window.
      • Addressed an issue with resetting the MediaIn node in the inspector.
      • Addressed an issue with trimming still images in the Fusion page.
      • Addressed an issue with flashing alpha on EXR clips with Fusion comps.
      • Addressed a preview issue with aux channels and combiner nodes.
      • Addressed an issue with slow renders for Fusion custom tools.
      • Addressed an issue with gradient modifiers applied on color controls.
      • Multiple performance and stability improvements.

DaVinci Resolve 16.2.3

Date: June 18, 2020

To summarize, version 16.2.3 adds support for version 4.1 of the Dolby Vision CM algorithm and provides the ability to generate v2.9 trims from v4. In addition, you can now export a Dolby Vision v2.9 XML from a v4 project. DaVinci Resolve 16.2.3 also improves performance with Canon EOS-1D X Mark III and EOS R5 clips using Apple Metal, addresses ARRIRAW playback performance, and ACES IDTs with ARRI MXF clips. This update also improves audio trimming, fixes Fairlight index display issues, layering with cloned audio clips, and now correctly moves tracks over linked audio tracks. DaVinci Resolve 16.2.3 update also includes improvements to Fusion Text+ shading, gradients, Fusion previews, and more. This version requires a DaVinci Resolve Studio license dongle or software activation code.

What’s new in DaVinci Resolve 16.2.3

      • Support for Dolby Vision 4.1 CM algorithm to generate v2.9 trims from v4.
      • Option to export a Dolby Vision v2.9 XML from a v4 project.
      • Support for RED SDK 7.3.2.
      • Faster Metal decoding for Canon EOS-1D X Mark III and EOS R5 clips.
      • Addressed incorrect playback for some ARRIRAW clips.
      • Addressed an issue with ACES IDTs for some ARRI MXF clips.
      • Likewise, it addressed a focus and text entry issue for editable media pool fields.
      • Addressed an issue rippling audio extend edits in trim mode.
      • Addressed display issues with track and edit index in the Fairlight page.
      • Equally, addressed a layered editing issue when cloning audio clips.
      • Addressed incorrect behavior moving tracks over linked audio tracks.
      • Fixed incorrect masking in Text+ when using image shading.
      • Addressed incorrect behavior deleting gradient points in the inspector.
      • Addressed multiple issues with blank Fusion previews.
      • Similarly, they took care of an issue persisting viewer LUTs with comps in the Fusion page.
      • Addressed an issue with offline reference wipe sizing in the viewer.
      • Multiple performance and stability improvements.

About DaVinci Resolve 16.2.2 Update

This DaVinci Resolve Studio 16.2.2 Update adds support for hardware-accelerated H.265 Main10 renders on Mac, Blackmagic RAW LUT name viewing in clip metadata, and custom output frame rates for YouTube, Vimeo, and frame.io. DaVinci Resolve 16.2.2 update also supports frame.io task status markers, Rec. 709-A gamma for QuickTime player, level shifts with H.264 playback on Mac, and better handling of audio transitions when trimming clips in the timeline. This version requires a DaVinci Resolve Studio license dongle or software activation code.

What’s new in DaVinci Resolve 16.2.2

      • Hardware-accelerated H.265 Main10 renders on supported Macs.
      • Blackmagic RAW clip LUT name can now be viewed in clip metadata.
      • Ability to assign a frame rate in YouTube, Vimeo, and Frame.io renders.
      • Support for marking Frame.io comments in markers as complete.
      • Nudge keyboard actions can be used in the sync clip dialog.
      • Support for exporting .srt files without formatting.
      • Support for RED 7.3.1 SDK.
      • Support for the Rec.709-A gamma option for QuickTime player compatibility.
      • Preference to automatically tag Rec.709 clips as Rec.709-A.
      • Addressed level shifts playing some short H.264 clips on Mac systems.
      • Addressed loss of audio transition when trimming clips in the timeline.
      • Addressed issues with stabilization not being available in the inspector.
      • Addressed issues with incorrect channel order for audio waveform display.
      • Addressed an issue with previewing in Fusion when in proxies mode.
      • Addressed an issue with using reference sizing with timeline wipe.
      • Addressed an issue with aspect ratio metadata in some MXF renders.
      • Multiple performance and stability improvements.

About DaVinci Resolve 16.2.1 Software

The free DaVinci Resolve 16.2 includes all of the same high quality processing as DaVinci Resolve 16.2 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 16.2 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.

If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, an external database server and collaboration tools that let multiple users work on the same project at the same time, please upgrade to DaVinci Resolve 16.2 Studio.

We hope you do decide to upgrade as your facility grows and you do more advanced work!
What’s new in DaVinci Resolve 16.2.1

      • Support for decoding H.265 4:4:4 12-bit on supported NVIDIA GPUs.
      • Support for encoding H.265 4:4:4 12-bit on supported NVIDIA GPUs.
      • Support for encoding 32-bit float audio in QuickTime clips.
      • Support for trimming QuickTime audio clips during media management.
      • Support for Metal-based R3D decode with the RED 7.3 RC SDK.
      • Support for double-clicking drp files in Windows and Linux.
      • Support for performing open with on FCP7 XML files on Windows.
      • Improved decode support of H.265 4:4:4 clips up to 10-bit.
      • Improved performance with ProRes clips on high-end CPUs.
      • Improved performance with DNxHR clips on high-end CPUs.
      • Improved playback performance with compressed OpenEXR clips.
      • Improved performance for Dolby Vision analysis.
      • Improved stability on Windows systems with Intel graphics.
      • Addressed an issue with clean feed previews in Mac 10.15.4.
      • Addressed an issue with decoding phone camera clips with AAC audio.
      • Addressed an issue with truncated node labels on some displays.
      • Addressed issues with HDR tone mapping when using adjustment layers.
      • Addressed an issue with the sync bin work working with an empty timeline.
      • Addressed an issue with transitions when dragging clips across timelines.
      • Multiple performance and stability improvements.

About DaVinci Resolve 16.2 Software

The free DaVinci Resolve 16.2 includes all of the same high-quality processing as DaVinci Resolve 16.2 Studio and can handle unlimited resolution media files. However, it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 16.2 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.

If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, an external database server and collaboration tools that let multiple users work on the same project at the same time, please upgrade to DaVinci Resolve 16.2 Studio.

We hope you do decide to upgrade as your facility grows and you do more advanced work!

What’s new in DaVinci Resolve 16.2

Fairlight timeline editing toolset improvements.

      • New mouse and keyboard based editing toolset.
      • User adjustable per track scalable waveform display.
      • Keyboard shortcut editing actions now include fade, cut, select and move.
      • Support for alt/option dragging clips to create a clip copy.
      • Support for pasting clips across timelines.
      • Support for bouncing individual audio clips to files.
      • Support for dragging audio clips to separate tracks using modifiers.
      • Support for dragging audio clips to specific positions using modifiers.
      • Support for converting multichannel tracks into linked groups.
      • Support for a user preference to align audio edits to frame boundaries.
      • Support for an action to trim all audio edits to frame boundaries.

Fairlight sound library.

      • Release of the Fairlight sound library installer for foley effects.
      • Support for searching and displaying sound library description metadata.

Effects and plugin management improvements.

      • Automatic sorting of AU and VST audio effects into types and categories.
      • Favorite audio plugins are now displayed at the top of the mixer plugin list.

Additional immersive audio support.

      • Support for MPEG-H bussing and monitoring in DaVinci Resolve Studio.
      • Improved pan and balance including the ability to constrain panning.

Track Index improvements.

      • Support for the edit index in the Fairlight page.
      • Drag selection of tracks, mute, solo and record controls in the track index.
      • Drag and drop reordering of audio tracks in the track index.

AAF import/export improvements.

      • Support for importing AAF sequences as new tracks in an existing timeline.
      • Support for importing AAF sequences with an offset to an existing timeline.
      • Support for importing multichannel tracks from an AAF as linked groups.
      • Support for broadcast wave files when exporting an embedded AAF.
      • Support for exporting audio cross fades and fade handles in AAF files.

Audio mixing improvements.

      • Support for additional notch filters in clip EQ.
      • Support for new FairlightFX Meters.
      • Support for new FairlightFX LFE Filter.

Fairlight Audio Editor improvements.

      • Support for dedicated controls for panning up and down.
      • Support for editing clip EQ.
      • Support for copying and pasting clip EQ.
      • Support for creating and applying presets for clip EQ.
      • Support for adding, managing and custom mapping of plugin parameters.
      • Support for changing relative clip levels.
      • Support for resetting clip levels to unity.
      • Support for editing fade shapes and deleting fades.
      • Support for saving and recalling user defined track view presets.
      • Support for enabling layered audio editing from the desktop audio editor.
      • Support for choosing automation curves from the editor panel or console.
      • Improved behavior when moving track selection with no tracks selected.
      • Support for improved timecode entry and high frame rate timecode.
      • Support for entering relative timecode values.
      • Support for inserting 00 in timecode entry by using the colon key.
      • Support for master spill on console faders.
      • Support for finer adjustment of controls using the mouse or audio editor.
      • Support for media left and media right selection keys.
      • Support for a text-only labels mode.
      • Support for a traditional Fairlight keyboard layout.

Improved support for legacy Fairlight project import.

      • Improved import of EQ, automation and fade from legacy Fairlight projects.
      • Improved speed when importing large legacy Fairlight projects.

Editing improvements.

      • Improved performance when switching to large timelines with many tracks.
      • Support for creating a compound clip from an in-out range in the timeline.
      • Support for previewing timeline audio during live overwrites of video edits.
      • Support for editing individual angles to the timeline from a multi-cam viewer.
      • Support for updating clip duration display while editing in the cut page.
      • Support for a change transition duration dialog.
      • Support for viewing duration in frames or timecode format in the viewers.
      • Support for Fusion transition templates in the edit page.
      • Support for Fusion generator templates in the edit page.
      • Support for timeline view options per system in collaborative projects.

Media Pool improvements.

      • Improved audio track metadata support with support for up to 24 tracks.
      • Support for duplicated clips and timelines being placed in the source bin.
      • Support for sorting media pool clips by date added.
      • Support for showing synced audio filenames in the media pool list view.
      • Support for revealing the media pool location of a clip from a smart bin.
      • Support for a media pool context menu to duplicate clips and timelines.
      • Support for only additional files when repeating media management copies.

Color grading improvements.

      • Multiple stability and usability improvements for collaborative projects.
      • Support for smart filters based on keywords and people metadata tags.
      • Support for modifying primary grade values using numerical values.
      • Support for retaining out of range data when monitoring at video levels.
      • Support for Fusion MediaOut name tooltips on the node graph inputs.
      • Support for feet and frames data burn-in options.
      • Support for disabling output sizing and blanking for individual clip renders.

Scopes improvements.

      • Support option for showing scopes at video level and data level.
      • Support for HLG gamma when using HDR scopes.
      • Support for highlighting the color viewer qualifier position in the scopes.

Codec improvements.

      • Support for Blackmagic RAW SDK 1.7.
      • Support for rendering audio only timelines.
      • Support for decoding 32 bit floating point audio.
      • Improved support for color space and gamma when decoding H.265 clips.
      • Support for displaying EXR codec name based on compression method.
      • Support for overriding the color space and gamma tags in render settings.
      • Support for RED SDK 7.2.1 and decoding clips from the Komodo camera.
      • Support for two new parameters in the RED camera raw settings.
      • Support for REDWideGamut Log3G10 IDT for ACES projects.
      • Support for the Canon EOS-1D X Mark III camera.
      • Support for decoding u-Law Audio in QuickTime clips.
      • Support for alpha channel clips with the bypass re-encode option.

Scripting, API and general improvements.

      • Support for running the primary screen as a window in dual screen mode.
      • Improved scripting API with the ability to close an open project.
      • Improved scripting API to set frame rate for media pool clips.
      • Support for new scripting functions to return ordered lists.
      • Support for video monitoring advance and delay on the Fairlight page.
      • Support for GPI/GPO control on the Fairlight Audio Interface.
      • Multiple performance and stability improvements.

 

DaVinci Resolve Studio 16.1.2

This update adds new audio and video editing buttons and mark in and out buttons to the cut page, along with improved smart edit indicators. DaVinci Resolve 16.1.2 supports audio playback while trimming, new timeline zoom indicators on the edit page and improved responsiveness when using the DaVinci Resolve Editor Keyboard. This update also improves DCP and IMF support, adds support for CUDA based R3D on Windows and Linux, improves performance in collaborative projects, supports monitor names in the workspace menu, copying and pasting Dolby Vision midtone offset values, adds new scripting APIs and more. Read more

What’s new in DaVinci Resolve 16.1.2

  • Support for additional audio track formats for IMF and DCP renders
  • Improved decode and encode performance for Kakadu DCP and IMF formats
  • Support for CUDA based R3D with the latest RED SDK on Windows and Linux
  • Adds Blackmagic RAW support for latest Blackmagic URSA Broadcast update
  • Support for new audio-only and video only editing modes on the cut page
  • Added in and out buttons in the user interface on the cut page
  • Support for audio playback when trimming on the cut and edit pages
  • Improved zoom buttons for the timeline on the edit page
  • Improved smart indicator in the cut page for when using in and out points
  • Viewer resize icon on the cut page now correctly resizes the whole viewer
  • Cut page divider between timeline and viewer can now be moved via the divider
  • Close up edits in the cut page now vary the close up from 20% to 40% randomly
  • Search dial is more responsive when using the DaVinci Resolve Editor Keyboard
  • Removed auto jog mode on scroll with the DaVinci Resolve Editor Keyboard
  • Better responsiveness using shuttle with the DaVinci Resolve Editor Keyboard
  • Double press to clear in and out on the DaVinci Resolve Editor Keyboard
  • Improved performance in collaborative projects with multiple DaVinci systems
  • Support for monitor name in the workspace menu display options
  • Support for copy/paste in Dolby Vision mid tone offset values between clips
  • New scripting APIs to move media items, LUTs, markers, copy grades and more
  • Now uses 2 up view in sync bin when using live overwrite editing
  • Fixes a bug that caused the clip dividers in the source tape to scroll with audio
  • Opening the media folder in the cut page will re-sync to that folder contents
  • Multiple performance and stability improvements

What’s new in DaVinci Resolve 16.1.1

      • Improved behavior when navigating to previous or next multicam angles by looping around to the last or first angle
      • Addressed an issue where performing a replace with a multicam clip in the source viewer would not select the correct angle
      • Addressed an issue where shift-dragging a gain keyframe in an audio clip would not work correctly on the edit timeline
      • Addressed an issue where H.264 clips would be rendered incorrectly if network optimization was enabled
      • Addressed an issue where render jobs would sometimes fail on some systems
      • Addressed an issue where archived projects would not include mattes for stereoscopic 3D clips
      • Addressed an issue where playback for 4K DNG clips would be slow
      • Addressed an issue where some DNG clips would be decoded with an incorrect color science
      • Addressed an issue where rendering to MXF XDCAM formats would sometimes show artefacts
      • Addressed an issue where minimizing the application would not hide the video clean feed
      • Addressed an issue where setting in and out points from a timeline duration marker would sometimes not work correctly in the edit page
      • Addressed an issue where the show picker RGB value context option in the color viewer could not be toggled off
      • Addressed an issue where AAFs with multiple embedded audio channels would be decoded incorrectly
      • Addressed an issue related to decoding Blackmagic RAW on macOS Catalina
      • General performance and stability improvements

Minimum system requirements for macOS

      • macOS 10.14.6 Mojave
      • 16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion
      • Blackmagic Design Desktop Video version 10.4.1 or later
      • RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
      • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later

Minimum system requirements for Windows

      • Windows 10 Update
      • 16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion
      • Blackmagic Design Desktop Video version 10.4.1 or later
      • NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
      • RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
      • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later

Minimum system requirements for Linux

      • CentOS 7.3
      • 32 GB of system memory is recommended minimum
      • Blackmagic Design Desktop Video version 10.4.1 or later
      • NVIDIA/AMD Driver version – As required by your GPU
      • RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
      • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later

Upgrading your PostgreSQL database server on Mac

Until DaVinci Resolve 12.5.2, the Mac installer used to ship with PostgreSQL version 8.4.2. Starting from macOS Sierra 10.12, PostgreSQL version 8.4 is no longer supported. If you intend to upgrade to the latest OS, you will need to upgrade your PostgreSQL database server to version 9.5.4 prior to upgrading macOS. Once your PostgreSQL installation has been upgraded and your data has been ported, you can then proceed with your macOS upgrade.

We have provided apps to simplify upgrading your PostgreSQL version on your Mac.The apps along with instructions can be found in the:

/Library/Application Support/Blackmagic Design/DaVinci Resolve/Upgrade PostgreSQL

folder. Starting from DaVinci Resolve 12.5.3, new installations will include PostgreSQL version 9.5.4.

Installing DaVinci Resolve Software on Mac

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions.

Installing DaVinci Resolve Software on Windows

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions.

Installing DaVinci Resolve Software on Linux

Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions.

Removing DaVinci Resolve Software from Mac

To remove DaVinci Resolve from your system, double-click the Uninstall Resolve icon.

Removing DaVinci Resolve Software from Windows

To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts.

Removing DaVinci Resolve Software from Linux

To remove DaVinci Resolve from your system, select the uninstall option after running the installer.

Migrating Legacy Fairlight projects to DaVinci Resolve on Windows

In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system: downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to “Import Fairlight Project” in the Fairlight menu in DaVinci Resolve.

Additional Information

Please refer to the latest DaVinci Resolve Configuration Guide for your platform detailing support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support.

You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support.

© 2001-2019 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and “Leading the creative video revolution” are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro have registered trademarks of Apple Computer.

Some applications use the QT UI framework (http://www.qt.io) under the terms of the LGPL version 2.1. The QT dynamic libraries, built from the unmodified sources are included in the application bundle. A copy of the LGPL is included in the Blackmagic application support directory. The support note at http://www.blackmagicdesign/support provides further details including how to obtain the QT source.

About DaVinci Resolve 16.1 Software

The free DaVinci Resolve 16.1 includes all of the same high-quality processing as DaVinci Resolve 16.1 Studio and can handle unlimited resolution media files. However, it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 16.1 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.

If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, an external database server and collaboration tools that let multiple users work on the same project at the same time, please upgrade to DaVinci Resolve 16.1 Studio.

We hope you do decide to upgrade as your facility grows and you do more advanced work!

About DaVinci Resolve Studio 16.1 Software

What’s new in DaVinci Resolve 16.1

Cut

      • Sync Bin view which shows synced clip cutaways for the current shot on the timeline in a live multi-view for up to 9 cameras
      • Sync Clip window to perform timecode based, audio waveform based and in or out point-based syncing for clips
      • Live overwrite from the Sync Bin multi-view where the desired camera number can be pressed on the keyboard and the cut away length can be adjusted live with the scroll dial
      • Support for automatically grouping shots from one camera by analyzing timecode and camera number metadata
      • Close Up is now powered by the DaVinci Neural Engine to automatically identify multiple faces in the clip and reframe and zoom in on the subjects
      • Ability to extend the timeline from the Sync Bin view to easily find the next edit for your timeline
      • Smart Indicators on the timeline which show where the closest edit points are based on the playhead position
      • Boring detector with timeline indicators to detect edits which are running too long
      • Jumpcut detector with timeline indicators for flash frames and jump cuts
      • Support for a new transition dialog to quickly find and apply the desired transition to the closest edit point using the scroll dial on the DaVinci Resolve Editor Keyboard
      • Support for a new picture in picture mode to quickly apply a picture in picture edit by easily selecting the image quadrant using the scroll dial in the DaVinci Resolve Editor Keyboard
      • Support for a new blended scroll mode in the DaVinci Resolve Editor Keyboard that dynamically toggles between scroll and jog transport
      • Support for a split clip action in the toolbar
      • Support for performing a slide edit by Alt/Option + dragging the timeline clip overlay
      • Support for adding bins and moving clips between bins in the media pool
      • Improved representation of small cuts on the top timeline
      • Improved thumbnail clip hover behavior when selecting and previewing source media in the viewer
      • Improved responsiveness when scrubbing the in and out points for long clips in range editor

Edit

      • Support for using embedded timecode for clip-based formats when the project setting is set to use frame count timecode
      • Ability to copy and paste transitions across multiple edit points in the timeline
      • Support for switching between clip and edit point selections on the timeline
      • Support for temporarily toggling between selection and trim edit mode during an edit action
      • Support for track name and track number burn-in and render tags
      • Support for previewing audio when dynamic trimming at greater than 1x speeds
      • Support for dragging adjustment clips to the media pool
      • Support for renaming adjustment clips in the inspector
      • Support for showing or hiding individual panels using keyboard shortcuts
      • Improved default multicam naming behavior
      • Ability to name angles after clip names or file names when creating a multi-cam clip
      • Support for matching a multicam edit frame to the underlying source clip
      • Support for switching to the correct multicam angle when performing a multicam match frame
      • Improved graticule and timecode display on timeline rulers
      • Support for opening Final Cut Pro 7 XML files from Finder to import media or timelines on macOS systems
      • Alt/Option-clicking on a track destination selector on the edit timeline will now exclusively select that track
      • Support for tooltips to show track names in the mini track view
      • Support for automatically selecting the newly added take in the take selector
      • Improved dual screen behavior for the edit page with support for single viewer and full height metadata and effects library
      • Improved performance when analyzing clips for detecting and classifying people
      • Improved easing behavior when applying smoothness to position keyframes
      • Improved blade behavior when there is a clip selection
      • Improved behavior when navigating between clips and edit points on the edit timeline when subtitles are present

Fusion

      • Support for reading media with super scale applied in the media pool
      • Support for Blackmagic Pocket Cinema Camera presets in the Camera3D and CameraTracker tools
      • Improved memory management on compositions with multiple input layers
      • Improved memory management on multi-GPU systems
      • Improved viewer interactivity and playback performance on single GPU systems
      • Improved render all savers status display
      • Support for ACEScg as a gamut option

ResolveFX

      • ResolveFX Stop Motion
      • ResolveFX and OpenFX plugins can now process and modify the alpha channel
      • Support for additive compositing for ResolveFX Light Rays and ResolveFX Glow
      • Support for automatically enabling usage of OFX alpha for ResolveFX Match Move and ResolveFX Drop Shadow

Color

      • Support for viewing flags applied on the current clip on the video monitoring output
      • Support for limiting viewer overlays in HDR mode to 100 nits
      • Support for an option to update the shared node grade from a version stored in a gallery still
      • Support for stereoscopic controls in the Blackmagic DaVinci Resolve Mini panel
      • Support for OpenFX controls in the Blackmagic DaVinci Resolve Mini panel
      • Support for generating high resolution 65-point cube LUTs from color page thumbnails
      • Ability to paste a power window by appending to the existing windows from the Power Windows option menu
      • Support for a user preference under color to restrict node navigation to color corrector nodes and avoid mixer nodes and splitter and combiner nodes
      • Improved CIE scopes with a 1976 u’v’ view and the ability to show an additional reference gamut
      • Improved color match processing powered by the DaVinci Neural Engine
      • Ability to step the timeline wipe frame forward and back from the view menu and using the relevant shortcuts
      • Support for previewing timeline clip grades from the gallery when live preview is enabled
      • Support for a 2.0:1 output blanking preset in the timeline menu
      • Support for Fujifilm F-Log colorspace
      • Restored menu entries for half step printer lights in the color application menu

Fairlight

      • Support for 96 KHz and 192 KHz sample rates at a project level for DaVinci Resolve Studio
      • Support for clipping indicator for main buses on the Fairlight mixer
      • Improved sound library search with support for binary and wildcard searches
      • Support for enabling extended bounce tail durations from the option menu for audio clips with reverb and other tail effects
      • Support for customizing the tail duration threshold for reverb and other tail effects
      • Support for automatically enabling Insert In for an audio track when manually patching track inputs
      • Improved performance when loading and switching timelines
      • Improved performance when generating waveform profiles for nested timelines
      • Improved peak hold and decay behavior for meters in FairlightFX plugins
      • Support for displaying and persisting individual audio effect windows on top of other windows

Media and Delivery

      • Ability to preserve video essence for faster rendering of uncompressed clips without content changes
      • Support for decoding and encoding ProRes IMFs
      • Support for decoding and encoding DNxUncompressed half float formats
      • Support for decoding IMA4 format audio in QuickTime clips
      • Support for decoding floating point audio in QuickTime clips
      • Support for a preference to stop renders when a frame or clip cannot be processed
      • Support for decoding floating point TIFF images
      • Support for decoding DPX 10-bit RGBA files
      • Support for encoding AVC Intra 50, 100 and 200 on DaVinci Resolve Studio
      • Support for user selectable audio sample rates for timeline renders
      • Improved performance when decoding H.264 and H.265 clips using GPU acceleration on AMD graphics cards
      • Improved encoding to Panasonic SHV 8K with support for 50fps in DaVinci Resolve Studio
      • Improved support for reading QuickTime container metadata
      • Ability to disable video on Pro Tools and audio only exports
      • Support for exporting EDLs with multiple audio tracks
      • Ability to render adaptive audio tracks as discrete mono channels
      • Ability to export subtitles when exporting a timeline to Pro Tools using the deliver page preset
      • Support for rendering embedded audio timecode for synced audio clips when using the Pro Tools export preset
      • Support for GPU accelerated debayering on CUDA systems when decoding ARRIRAW clips using the ARRI SDK Full Res debayer
      • Improved Vimeo render settings with options for setting description, visibility and password for the uploaded video
      • Support for a warning when exporting an IMF or DCP package with an incorrect audio track setup
      • Support for decoding spanned AVCHD MTS clips
      • Improved playback speed when decoding JPEG 2000 clips
      • Improved performance when media managing long wav files
      • Improved performance when rendering QuickTime clips to network mounted drives
      • Improved performance when switching to bins that contain a large number of clips
      • Improved performance when deleting a large number of media pool clips
      • Improved behavior when rendering a single multi-channel audio track as individual wav files
      • Improved ProRes 4444 playback performance
      • Support for identifying and importing multiple Panasonic P2 shots in a single folder as separate clips

General

      • Support for a Clean Feed viewer mode on an additional display on DaVinci Resolve Studio
      • Ability to halve the current playback speed as well as playback at half, quarter and 1/8th speed using the Play Slow command
      • Support for additional flag and marker colors
      • Support for resolving the good take tag to # instead of 1
      • Ability to repeat alternate frames for 48fps clips in Clip Attributes to emulate 24fps capture and playback
      • Support for retaining the original creation date metadata when restoring or importing projects
      • Improved behavior when editing parameter values using Wacom tablets
      • Improved playback performance in the media, edit and cut pages
      • Improved performance when live saving projects
      • Improved performance when saving projects in collaboration workflows
      • Improved playback quality for variable frame rate QuickTime files
      • Improved scripting API with support for deleting a project
      • Improved scripting API when getting and setting frame rate and super scale properties from project settings and clip attributes
      • Support for disabling unbuffered I/O for any media storage location on macOS systems
      • Support for decoding ALAC files on Windows and Linux systems
      • Support for an option to optimize projects in disk databases by Option/Alt right clicking a project in the project manager
      • Support for accessing and editing project notes from the File menu
      • Support for choosing the preferred network interface from the project server application when sharing databases and generating access keys
      • General performance and stability improvements

Pre-installation Notes

DaVinci Resolve Studio 16.1 requires a firmware update for the DaVinci Resolve Micro and Mini Panels.


What’s new in CaVinci Resolve 15.3 – March 2019

      • Support for the Blackmagic Design URSA Mini Pro G2 camera
      • Support for the latest Blackmagic RAW SDK 1.3
      • Improved support for audio metadata in AAF exports including clip volume, pan data, track volume and automation
      • Improved performance when selecting clips in the Edit timeline
      • Improved responsiveness when using Wacom tablets on Windows
      • Improved playback behavior on the Edit page
      • Improved timecode support for high frame rate EXR clips
      • Improved handling of AAC audio on Windows
      • General performance and stability improvements

What’s new in DaVinci Resolve 15.2 – November 2018

Key new features

      • Improved Edit timeline performance and responsiveness
      • Support for improved visual animations when editing the timeline on the Edit page
      • Support for a visual keyboard customization utility to find, add and modify shortcuts
      • Support for per-module customizable shortcuts, including module specific actions and context menus
      • Support for showing the currently focused module in the user interface
      • Support for displaying duplicate frame ranges for clips on the timeline on the Edit page
      • Support for cleaning up and flattening video tracks on the Edit timeline
      • Support for adding, editing and exporting custom keyword sets from the keyword dictionary in the Workspace menu
      • Support for option to export gallery stills using the still label name
      • Support for ResolveFX Beauty in DaVinci Resolve Studio
      • Support for ResolveFX Blanking Fill for portrait videos
      • Support for VCA groups
      • Support for FairlightFX Multiband Compressor
      • Support for FairlightFX Stereo Fixer
      • Support for decoding Panasonic 8K SHV clips in DaVinci Resolve Studio

Edit

      • Improved Edit timeline performance and responsiveness
      • Support for improved visual animations when editing the timeline on the Edit page
      • Support for displaying duplicate frame ranges for clips on the timeline on the Edit page
      • Support for viewing inspector properties for the highest visible clip under the playhead in the Edit timeline when there is no active selection
      • Support for viewer overlay controls for the highest visible clip under the playhead in the Edit timeline when there is no active selection
      • Support for marking a clip within a compound clip or a timeline in the source viewer
      • Support for cleaning up and flattening video tracks on the Edit timeline
      • Support for resizing audio transitions to sub-frame boundaries
      • Support for setting ease-in and ease-out on keyframes from the keyframe context menu in the Edit and Fairlight page inspectors
      • Support for setting ease-in and ease-out on keyframes from the keyframe context menu in the Edit timeline
      • Support for temporarily toggling snapping while scrubbing the playhead by invoking the snapping shortcut in the Edit timeline
      • Support for defining characters per second thresholds to highlight non-conforming subtitle captions in the inspector
      • Support for automatically enabling dynamic zoom when on-screen controls are modified on the Edit page
      • Support for timeline indicators for clips with updated grades or compositions in collaborative projects
      • Support for toggling the visibility of retime controls and retime curves by invoking the context menu or the shortcut in the Edit timeline
      • Support for fast timecode entry in clip attributes, marker dialog, new timeline, render settings and other timecode widgets
      • Support for quickly accessing recent undo/redo actions from the Edit menu
      • Improved results when performing transitions on clips being composited with other layers
      • Improved behavior when using the Push video transition on a title clip

Fusion

      • Improved scripting API support with ability to import and export Fusion compositions
      • Support for GPU acceleration for the Trails tool in the Fusion page

Color

      • Support for ResolveFX Beauty in DaVinci Resolve Studio
      • Support for ResolveFX Blanking Fill for portrait videos
      • Support for ResolveFX ACES Transform
      • Support for ResolveFX Gamut Limiter
      • Support for bypassing a mixer node input by disabling the node connected to that input
      • Support for option to export gallery stills using the still label name
      • Support for Camera RAW controls for Canon and Panasonic clips from the DaVinci Resolve Advanced and Mini panels
      • Support for clipping output gamut to a different display gamut
      • Support for an ST.2084 3000 nits gamma option in Resolve Color Management
      • Support for improved color matching using color charts
      • Support for OpenFX extension for a plugin to describe itself as not spatially aware

Check Developer Documentation in the Help menu for more details

      • Support for including non-spatially aware OpenFX plugins when generating LUTs on the Color page
      • Support for including the ResolveFX Color Transform plugin when generating LUTs on the Color page
      • Support for importing Dolby Vision metadata for clips in the Color page Dolby Vision option menu
      • Support for previewing tone mapping using embedded, imported or custom metadata for Dolby Vision IMF clips
      • Support for for up to 64 controls when creating DCTLs
      • Updated OpenFX developer documentation with OpenFX 1.4 samples
      • Updated OpenFX developer documentation with temporal frame access samples
      • Updated OpenFX developer documentation with transition sample
      • Improved support for handling aspect ratios for various ResolveFX plugins
      • Improved support for handling UI overlays for projects with output scaling applied
      • Improved behavior when closing Power Curve Windows drawn on the Color page

Fairlight

      • Support for VCA groups
      • Support for FairlightFX Multiband Compressor
      • Support for FairlightFX Stereo Fixer
      • Support for customizable test tones and noise generation from the Fairlight menu
      • Support for selecting and modifying audio transitions
      • Support for navigating the Fairlight timeline using timecode entry
      • Support for setting audio monitoring output delay in system preferences
      • Support for indicating clips with changed inspector properties on the Fairlight timeline
      • Support for applying a FairlightFX plugin to multiple selected audio clips
      • Support for additional Fairlight Audio Accelerator IO settings on Windows
      • Support for Fairlight Audio Interface RS-422 9-Pin serial control on Windows
      • Support for Talkback using the Fairlight Audio Accelerator on Windows
      • Support for Fairlight MADI expander for the Fairlight Audio Accelerator on Windows
      • Support for additional Fairlight edit operations including cut or copy the head or tail of the current clip from the Edit menu
      • Improved playback performance when performing audio automation
      • Improved handling of custom multi-channel format mappings for Audio FX

Media and Deliver

      • Support for decoding Panasonic 8K SHV clips in DaVinci Resolve Studio
      • Support for hardware accelerated encoding of H.264 and H.265 using specific NVIDIA GPUs on DaVinci Resolve Studio; Windows and Linux only
      • Support for hardware accelerated encoding of H.264 and H.265 using Intel Quick Sync on supported hardware on DaVinci Resolve Studio; Windows only
      • Support for decoding Canon RMF clips using the Canon SDK
      • Support for encoding Dolby Vision version 4 metadata in IMF renders
      • Support for creating a subclip from a Media Pool clip marker
      • Support for clip usage indicators in the Media Pool clip thumbnail for the active timeline
      • Support for a clip usage listing in the Media Pool clip context menu for the active timeline
      • Support for showing usage indicators for clips inside a compound clip on the active timeline
      • Support for adding flags to clips when focused on the source viewer
      • Support for duplicating media pool clips and current timelines from the Edit menu
      • Support for a toggle control for switching between single and dual pane mode in Media Pool on the Edit page
      • Support for storing the alpha channel in optimized media for clips with an embedded alpha channel
      • Support for an option to render alpha channel either as straight or premultiplied when rendering individual clips
      • Support for Sony XAVC Long GOP encoding on DaVinci Resolve Studio
      • Support for Episode and Chapter in content metadata options for IMF exports

Cintel

      • Improved sub-pixel stabilization
      • Support for storing Cintel settings with each DaVinci Resolve project
      • Support for single frame captures
      • Addressed an issue with debayering artefacts that would sometimes affect pixel highlights
      • Addressed an issue with incorrect audio sync offsets when using Capture Now

General

      • Support for a visual keyboard shortcut mapping utility to find, add and modify shortcuts
      • Support for per-module customizable shortcuts, including module specific actions and context menus
      • Support for showing the currently focused module in the user interface
      • Support for adding, editing and exporting custom keyword sets from the keyword dictionary in the Workspace menu
      • Support for live save and backups for unsaved projects
      • Support for remembering the last used locations in the file browser for various import and export operations
      • Support for collaborating on projects in a PostgreSQL database with machines across multiple subnets
      • Support for toggling Mute and Dim in all pages from the Fairlight application menu
      • Support for configuring the gallery path during project import by Alt/Option-clicking Import Project
      • Improved organization of System Preferences with a new section for decode options
      • Support for easyDCP on Linux

Issues Addressed

      • Addressed an issue where reading file and folder paths of more than 200 characters on Windows systems would not work correctly
      • Addressed an issue where project thumbnails would sometimes not be correctly saved
      • Addressed an issue where deleting gallery stills would be slow when Live Save was enabled
      • Addressed an issue where dragging media into a new project to create a timeline would not prompt for setting the project frame rate
      • Addressed an issue where importing older DaVinci Resolve projects would sometimes ignore static keyframes from OpenFX plugins
      • Addressed an issue where opening an older DaVinci Resolve project with a lens flare plugin would cause a crash
      • Addressed an issue where older projects would sometimes show incorrect node cache previews
      • Addressed an issue where importing a Final Cut Pro XML would not preserve audio transitions
      • Addressed an issue where copying a project in collaboration mode would sometimes not work correctly
      • Addressed an issue where clips in locked bins could be replaced in a collaboration project
      • Addressed an issue where in and out points could be modified for clips in locked bins in a collaboration project
      • Addressed an issue where dragging a folder to the media pool would not add any subtitle elements inside the folders
      • Addressed an issue where adding a flag to a media pool clip and undoing would not refresh correctly
      • Addressed an issue when adding clip and marker keywords on Linux
      • Addressed an issue where keyword suggestions would not work correctly in the marker dialog
      • Addressed an issue where the subtitle characters per second count in inspector would not be calculated correctly
      • Addressed an issue where track destination hotkeys would not allow setting the destination to the last track
      • Addressed an issue where disabling freeze frame on an edited clip would restore the clip to a wrong media offset
      • Addressed an issue where selecting clips forward or backward would not work correctly when audio layers are present
      • Addressed an issue where keyframe controls would be shown for ResolveFX and OpenFX controls that did not support keyframes
      • Addressed an issue where holding down the Alt/Option key during playback or trimming would affect performance
      • Addressed an issue where adding markers to adjacent timeline frames would behave incorrectly on the Edit timeline
      • Addressed an issue where adding or removing audio track layers would sometimes not correctly update the track heights
      • Addressed an issue where enabling selection follows playhead and dragging a sound library clip to the timeline would cause a crash
      • Addressed an issue where Text+ titles would not show all typeface options for some fonts
      • Addressed an issue where duration markers created from in/out durations would not align correctly
      • Addressed an issue where decomposing compound clips would not work correctly when the Edit timeline would have in and out marks
      • Addressed an issue where transitions between Fusion clips with an alpha channel would not work correctly
      • Addressed an issue where setting fade in or fade out handles for a clip with an alpha channel would not work correctly
      • Addressed an issue where adding MediaIn nodes to a Fusion composition and deleting the underlying media pool clip would not invalidate the MediaIn node correctly
      • Addressed an issue where previewing Fusion compositions with BSpline nodes would sometimes cause a crash
      • Addressed an issue where some Fusion settings changes would not be reflected correctly on Fusion generators
      • Addressed an issue where some Fusion UI settings changes would not be persisted correctly across application restarts
      • Addressed an issue where playing back PSD files would sometimes cause the application to hang
      • Addressed an issue where adding a mask to a Fusion composition with a background node would show incorrect background colors
      • Addressed an issue where canceling a Saver node render would repeatedly display a confirmation dialog
      • Addressed an issue with monitoring dual HDR/SDR outputs where both outputs would sometimes show the HDR image
      • Addressed an issue where trying to grade a locked node would incorrectly reset node cache
      • Addressed an issue where clip filter controls would sometimes be shown on the clip thumbnails area in the Color page in dual screen mode
      • Addressed an issue where resetting primary controls in Log mode would not correctly refresh some controls
      • Addressed an issue where switching between nodes in the Color page would not correctly refresh the node sizing controls
      • Addressed an issue where applying ResolveFX Color Stabilizer would sometimes result in darkened image frames
      • Addressed an issue where a warp point could not be created when applying ResolveFX Warper on a Fusion composition
      • Addressed an issue where the Camera RAW ISO control for CinemaDNG clips would not reflect the correct value on the DaVinci Resolve Mini panel
      • Addressed an issue where the Camera RAW temperature and tint controls could not be changed from the DaVinci Resolve Mini panel
      • Addressed an issue where older GoPro CineForm clips would sometimes be decoded incorrectly
      • Addressed an issue where ResolveFX and OpenFX plugins used on the timeline node graph would sometimes not be applied
      • Addressed an issue where the Color page thumbnail indicator for clip color would sometimes be inconsistent with the clip color as shown in the Edit timeline
      • Addressed an issue where grades could be reset on a locked node in the Color page
      • Addressed an issue where default trims were incorrectly being applied instead of interpolated trims when using Dolby Vision external CMUs
      • Addressed an issue where copying grades with preserved nodes would incorrectly reset ResolveFX or OpenFX on the preserved nodes
      • Addressed an issue where copying grades with preserved nodes would invalidate the cache for those nodes
      • Addressed an issue where stills captured in proxy mode with center crop would be captured with blanking
      • Addressed an issue where moving a clip with an echo or reverb applied would sometimes result in glitches during playback through its original position
      • Addressed an issue where opening a project with FairlightFX applied to clips would sometimes preview the effect only on the left channel
      • Addressed an issue where the control room monitor gain would not correctly reflect the output
      • Addressed an issue where it was possible to add effects or modify mixer properties for locked audio tracks
      • Addressed an issue where an audio track listening for sidechain changes would behave incorrectly if subsequently included in a linked group
      • Addressed an issue where the effects library would be filtered by transitions and appear blank on the Fairlight page
      • Addressed an issue where recording to multi-channel tracks would produce an audio clip with an incorrect number of channels
      • Addressed an issue where rendering a marked timeline section using the Pro Tools preset would sometimes result in files without audio
      • Addressed an issue where hiding tracks from the Fairlight page track index would sometimes hide the incorrect track
      • Addressed an issue with drawing automation curves when the mouse cursor would go outside the bounds of the clip
      • Addressed an issue where clips with Unicode character names would not display correctly on the Fairlight timeline
      • Addressed an issue where changing the video track color in the Fairlight timeline would not change the color of generators and titles on the track
      • Addressed an issue with selecting clips after switching pages in the sound library
      • Addressed an issue where rendering compound clips in the audio-only mode as individual clips would not work correctly
      • Addressed an issue where setting an in-out range in the Deliver page and switching pages would not correctly honor the range for subsequent render jobs
      • Addressed an issue where linked audio track formats would be shown incorrectly in the render settings
      • Addressed an issue where rendered MXF XAVC clips would not have color space and gamma tagged correctly
      • Addressed an issue where embedded CEA-608 subtitles in H.264 clips would be rendered with incorrect durations
      • Addressed an issue where rendering embedded CEA-608 subtitles would incorrectly show errors for some multiline captions
      • Addressed an issue where switching IMF profile levels on the Deliver page would not always update the bitrate to match
      • General performance and stability improvements

What’s new in DaVinci Resolve 15.1.2

      • Addressed an issue where starting DaVinci Resolve would cause a crash on some CUDA enabled Windows laptops with integrated graphics
      • Addressed an issue where the viewer would flash between video and data levels during playback on some systems running on CUDA
      • Addressed an issue where the Delete Through Edit context menu option would incorrectly be shown for all edit points on the Edit page
      • Addressed an issue where reconforming clips with remote grades would sometimes cause a crash in collaborative projects
      • Addressed an issue where dragging an audio clip into audio track layers would sometimes cause a crash in the Edit page
      • Addressed an issue where dragging an audio clip with no mapped channels into the timeline would cause a crash
      • Addressed an issue where track mute controls would sometimes show an incorrect automation state on the Edit page
      • Addressed an issue where copying clips in the Fairlight page would sometimes cause a crash
      • Addressed an issue where incorrect audio formats would be shown for muted audio tracks in the Deliver page
      • Addressed an issue where Fusion comps with the paint tool applied would sometimes result in the first frame being black
      • Addressed an issue where RGBA images would not be processed premultiplied when using some OpenFX plugins
      • Addressed an issue where applying stabilization on video clips with odd resolutions would cause a crash
      • Addressed an issue where source render cache would not be preserved when applying grades from stills or other clips
      • Addressed an issue where adding a ResolveFX node to a clip during playback in the Color page would display a critical exception
      • Addressed an issue with the DCDM (P3D65 Limited) IDT in ACES 1.1 projects
      • Addressed an issue where trimming some MP4 clips using media management would not succeed
      • Addressed an issue when rendering to QuickTime ProRes 4444 where the output would sometimes have chroma overflow artefacts
      • Addressed an issue where the ISO selection would sometimes incorrectly be hidden when using RAW clips
      • Addressed an issue where playing back some smartphone clips captured in portrait mode would cause a crash
      • Addressed an issue where rendering Sony clips with Japanese file names using source filename would not work correctly on Windows
      • Addressed an issue where the Photon validation options for IMF packages would not be displayed when Java Development Kit version 11 was installed
      • Addressed an issue with stability in remote grading sessions when the client machine had live save enabled
      • Addressed an issue with running DaVinci Resolve on case-sensitive volumes on Mac
      • General performance and stability improvements

Pre-installation Notes

      • Support for decoding and encoding of easyDCP formats is not currently available on Linux

Performing Audio Ducking using Sidechain

DaVinci Resolve now supports automatic audio ducking using sidechain in the Fairlight page Dynamics effect.

Enable “Send” in the track dynamics compression section on one of the multiple tracks where you would like to emphasize or prioritize the audio. Then enable Compression and “Listen” on all the tracks you would like to compress or duck. The threshold and ratio can be adjusted in the compression settings to modify the amount of compression in the signal.

External Audio Processes

DaVinci Resolve now has support for a round-trip mechanism that allows any clip on the timeline to be sent to an external application for audio processing. The updated file created by the external audio process is automatically added to the timeline as a new layer.

External Audio Processes can be added and managed in the Audio Plugins section of System Preferences. The round-trip process can be triggered from the clip context menu on the timeline.

Generating Supplemental IMF Packages
DaVinci Resolve Studio now supports generation of supplemental packages for IMFs when using Resolve’s Kakadu-based J2K decoder and encoder. Please note that you will need to disable the easyDCP decoder option in the Configuration tab of System Preferences to enable this feature.

With an IMF composition in the Media Pool, you can select “Create New Timeline Using Composition Playlist” in the clips context menu to create a new timeline. If the IMF package has any associated Dolby Vision metadata, it can be applied using an option in the creation dialog.

Any portions of the IMF timeline can now be replaced with source clips from the Media Pool. The timeline clip’s context menu has an option for not including the replacement clip for supplemental packages. There is an additional context menu option for selecting either the original or updated Dolby Vision analysis and trim metadata.

In the Deliver page, the “Supplemental Package” option can be enabled in order to generate the supplemental IMF using the new clips and the Dolby Vision metadata.

Performing Photon validation on IMF packages
DaVinci Resolve Studio now supports the validation of IMF packages using Photon. In order to activate this feature, the Java Runtime Environment (JRE) will need to be installed on the machine.

Photon validation can be performed by right-clicking on IMF packages in the Media Pool and selecting “Perform Photon Validation”. Additionally, there is a checkbox in the Deliver page advanced video settings to perform Photon validation after the IMF package is rendered.


What’s new in DaVinci Resolve 15.1.1

      • Support for joining through edits in the Edit timeline from the context menu
      • Improved playback performance when Selection Follows Playhead is enabled in the Edit page
      • Support for scripting API to set output file name for rendering
      • Addressed an issue where decoding some AVI files with lossless JPG content would cause a crash
      • Addressed an issue where pre-clip and post-clip group grades would sometimes not be saved
      • Addressed an issue where output sizing would not be applied to the HDR output when in dual SDI mode in Dolby Vision or HDR10+ projects
      • Addressed an issue where creating stereoscopic 3D clips from stereo CineForm files would not work correctly
      • Addressed an issue where a stereoscopic 3D clip created from clips with partially overlapping timecodes would show offline media frames
      • Addressed an issue where white balance settings for Blackmagic RAW clips would not be saved correctly
      • Addressed an issue where OpenFX keyframes in the timeline node graph in older Resolve projects would not be recalled correctly in the Color page
      • Addressed an issue where duplicating a timeline with a shared node and modifying the shared node would cause a crash
      • Addressed an issue where applying stabilizer could cause a crash on some Nvidia graphics platforms in OpenCL GPU processing mode
      • Addressed an issue where color keyframes in stereoscopic 3D clips would sometimes not be loaded correctly
      • Addressed an issue where appending a node in ripple mode would place the node in an incorrect position
      • Addressed an issue where using OpenFX or ResolveFX plugins in a remote grading session could cause the client viewer to flicker while grading
      • Addressed an issue where applying P3 D65 ST2084 ODTs in ACES 1.1 projects would show incorrect results
      • Addressed an issue where applying certain IDTs and ODTs in ACES 1.1 projects would show black frames when the GPU processing mode was set to CUDA
      • Addressed an issue where upgrading disk databases from Resolve 12.5 would result in loss of Power Grades in some scenarios
      • Addressed an issue where image resolutions for certain ARRI QuickTime clips would not be recognized correctly
      • Addressed an issue where media imported from an XML would be imported twice if it was listed inside a bin in the XML
      • Addressed an issue where subtitles with inconsistent line-endings would not be imported correctly
      • Addressed an issue where exporting a subtitle file on some Windows systems would cause a crash
      • Addressed an issue where selecting subtitles from the Edit inspector would cause a crash in some projects
      • Addressed an issue where Alt/Opt+clicking on an Edit timeline track would sometimes reset its auto-select state
      • Addressed an issue where ripple-overwriting a clip with transitions would behave incorrectly
      • Addressed an issue where dragging to select clips in the Edit timeline would incorrectly scroll through audio tracks
      • Addressed an issue where audio playback for linked clips with smoothened speed change would not work correctly
      • Addressed an issue where toggling Solo Safe on the Fairlight Mixer would sometimes behave inconsistently
      • Addressed an issue where the automation indicators on the Fairlight mixer would sometimes be displayed incorrectly when loading a project
      • Addressed an issue where linked track groups would display incorrect clip counts on the Fairlight page
      • Addressed an issue where rendering timelines from the delivered page would sometimes fail with a timeout error
      • Addressed an issue where the first frame of some Fusion comps could sometimes display a black frame
      • Addressed an issue where canceling a saver node render would repeatedly display confirmation messages to the user
      • Improved chroma subsampling for 4:2:2 renders
      • General performance and stability improvements

Pre-installation Notes

      • Support for decoding and encoding of easyDCP formats is not currently available on Linux

Performing Audio Ducking using Sidechain

DaVinci Resolve now supports automatic audio ducking using sidechain in the Fairlight page Dynamics effect.

Enable “Send” in the track dynamics compression section on one of the multiple tracks where you would like to emphasize or prioritize the audio. Then enable Compression and “Listen” on all the tracks you would like to compress or duck. The threshold and ratio can be adjusted in the compression settings to modify the amount of compression in the signal.

External Audio Processes

DaVinci Resolve now has support for a round-trip mechanism that allows any clip on the timeline to be sent to an external application for audio processing. The updated file created by the external audio process is automatically added to the timeline as a new layer.

External Audio Processes can be added and managed in the Audio Plugins section of System Preferences. The round-trip process can be triggered by the clip context menu on the timeline.

Generating Supplemental IMF Packages

DaVinci Resolve Studio now supports a generation of supplemental packages for IMFs when using Resolve’s Kakadu-based J2K decoder and encoder. Please note that you will need to disable the easyDCP decoder option in the Configuration tab of System Preferences to enable this feature.

With an IMF composition in the Media Pool, you can select “Create New Timeline Using Composition Playlist” in the clips context menu to create a new timeline. If the IMF package has any associated Dolby Vision metadata, it can be applied using an option in the creation dialog.

Any portions of the IMF timeline can now be replaced with source clips from the Media Pool. The timeline clip’s context menu has an option for not including the replacement clip for supplemental packages. There is an additional context menu option for selecting either the original or updated Dolby Vision analysis and trim metadata.

In the Deliver page, the “Supplemental Package” option can be enabled in order to generate the supplemental IMF using the new clips and the Dolby Vision metadata.

Performing Photon validation on IMF packages

DaVinci Resolve Studio now supports validation of IMF packages using Photon. In order to activate this feature, the Java Runtime Environment (JRE) will need to be installed on the machine.

Photon validation can be performed by right-clicking on IMF packages in the Media Pool and selecting “Perform Photon Validation”. Additionally, there is a checkbox in the Deliver page advanced video settings to perform Photon validation after the IMF package is rendered.


What’s new in DaVinci Resolve 15.1

Key new features

      • Support for decoding Blackmagic RAW clips from Blackmagic Design cameras
      • Support for audio ducking using sidechain compression in track dynamics in the Fairlight page
      • Support for round-tripping audio clips to third-party audio processing applications from the Fairlight timeline
      • Support for an IMF preset to generate Netflix IMF deliverables
      • Support for creating and delivering supplemental IMF packages
      • Support for Photon validation of IMF packages

Fairlight

      • Support for audio ducking using sidechain compression in track dynamics
      • Support for round-tripping audio clips to third-party audio processing applications from the Fairlight timeline
      • Support for caching clips with FairlightFX and AudioFX
      • Support for bouncing clips with FairlightFX and AudioFX to a new layer
      • Support for sub-bus and aux-bus routing in nested timelines
      • Support for solo-safe for audio tracks by Cmd/Ctrl+Option/Alt-clicking the Solo button in the Fairlight mixer
      • Support for pasting attributes to audio tracks
      • Support for removing attributes from audio tracks
      • Support for Fairlight FX Soft Clipper
      • Support for clip level panning in the Edit and Fairlight page inspector

Fusion

      • Support for creating and opening new Fusion compositions from the Media Pool
      • Support for Fusion composition generators in the Edit page effects library for creating comps without source media
      • Support for Loader nodes in the Fusion node graph
      • Support for automatically scaling the frame range sliders to the edit range

Edit

• Support for showing source timecode overlays for audio and video tracks in the timeline viewer
• Support for displaying clip marker annotations and overlays for the selected clip marker under the playhead
• Support for holding shift while modifying title, transform and dynamic zoom viewer overlays to restrict motion to the vertical or horizontal direction
• Support for an indicator for clips with color grading and Fusion comp updates available in collaborative projects
• Support for actions to update either a single clip or all clips with color grading or Fusion comp updates in collaborative projects
• Support for duplicating multiple selected timelines in the media pool
• Support for displaying the multicam angle name in the timeline, source viewer and the color page clip information
• Support for keywords in clip and timeline markers
• Support for a marker keywords column on the edit index
• Support for exporting subtitle files in project archives
• Support for inserting media pool clips in order of filename when creating a timeline using clips
• Support for importing subclips when importing media from Final Cut Pro 7 XMLs
• Improved freeze-frame behavior to freeze the clip forward from the playhead instead of the whole clip

Color

• Support for ResolveFX and OpenFX static keyframes from the keyframe context menu
• Support for ACES 1.1
• Support for accessing and selecting from multiple inputs for OpenFX nodes
• Support for modifying temperature and tint values in the Camera Raw widget without needing to manually set white balance to custom
• Improved behavior for the ResolveFX Warper plugin

Media and Deliver

• Support for decoding Blackmagic RAW clips from Blackmagic Design cameras
• Support for an IMF preset to generate Netflix IMF deliverables
• Support for creating and delivering supplemental IMF packages
• Support for Photon validation of IMF packages
• Support for stereoscopic 3D multi-view EXR files
• Support for encoding per frame timecode metadata in Grass Valley HQ and HQX clips
• Improved layer metadata support when importing PSD images in Fusion

General

• Improved playback performance on large timelines in a zoomed out state
• Improved performance and interactivity in the Fusion page
• Improved performance of some title templates available in the Effects Library
• Improved thumbnail loading speed when switching bins in the media pool
• Improved scripting support with the ability to import and export Fusion comps
• Support for automatic generation of MD5 media hash lists from Clone Tool operations
• Addressed an issue where searching by marker name or marker notes would not work in thumbnail view
• Addressed an issue where switching multicam angles would not refresh the thumbnails
• Addressed an issue where some edit operations would lead to video transitions being placed outside frame boundaries
• Addressed an issue where turning off stroke for a subtitle would not work correctly
• Addressed an issue where the minimum height for audio tracks in the Edit timeline would not be set correctly
• Addressed an issue where subtitle files with overlapping captions would not be imported correctly
• Addressed an issue where compositing compound clips on top of clips with transitions would not work correctly
• Addressed an issue where middle-clicking to pan the Edit timeline would sometimes deselect clips
• Addressed an issue where Text+ clip thumbnails would sometimes be shown as media offline
• Addressed an issue where adding a Text+ tool to a power bin would sometimes cause a crash
• Addressed an issue where selecting a Fusion comp in a Power Bin would cause a crash
• Addressed an issue where opening or saving a Fusion macro in the macro editor would sometimes cause a crash
• Addressed an issue where channel mapping changes for EXR clips on the Fusion page would not be persisted across application restarts
• Addressed an issue where removing curve in the MediaIn tool in sRGB gamma space would sometimes cause a crash
• Addressed an issue where importing SVG files would incorrectly ignore a user-specified input resolution
• Addressed an issue where the channel chooser would show incorrect labels when multi-channel EXR files were loaded in the Fusion viewer
• Addressed an issue where adding particles would cause the application to hang
• Addressed an issue where enabling motion blur for mask tools in Fusion page would not work correctly
• Addressed an issue where repositioning matte masks of different resolutions in the Fusion viewer would sometimes show incorrect results
• Addressed an issue where some FairlightFX controls with automation would not correctly reflect their automation status
• Addressed an issue where pasting a long clip on the Fairlight timeline would sometimes change the timeline zoom
• Addressed an issue where the Bus format dialog would display the wrong Main bus formats when switching between timelines
• Addressed an issue where adding audio plugins to a linked audio track would behave incorrectly
• Addressed an issue where selecting linked audio tracks for rendering would show the incorrect format
• Addressed an issue where recording audio to linked tracks would record only to the first track in the group
• Addressed an issue where unlinking a linked track group would not retain boom settings
• Addressed an issue where resizing some audio transitions would not work properly
• Addressed an issue where ADR recordings would not be visible when opening older projects
• Addressed an issue where playing back audio files with specific sample rates would result in some artefacts
• Addressed an issue where dragging the scrollbar in the Fairlight timeline in locked playhead mode would cause playback to stop
• Addressed an issue where the mute setting for aux bus sends would not be honored when using the pre-fader option
• Addressed an issue where an audio track would not be automatically disarmed when un-patched
• Addressed an issue where switching to the Fairlight page would sometimes cause an audible pop
• Addressed an issue where adjusting sliders in the CameraRAW palette would not refresh the viewer smoothly
• Addressed an issue where previewing composite modes on a layer mixer node would sometimes cause a crash
• Addressed an issue where viewing clips with handles with backups, and live save enabled would cause a crash
• Addressed an issue where the unmix mode and looped playback states would not be persisted across application restarts
• Addressed an issue where toggling Clip, Timeline, and Unmix from the DaVinci Resolve Advanced panel would cause a crash
• Addressed an issue where the DaVinci Resolve Advanced panel would not work with multiple logins on CentOS 7.3 systems
• Addressed an issue where rippling grades to a group would not work if unmix mode was enabled
• Addressed an issue where performing a flip in Clip Attributes in stereoscopic 3D clips would cause power windows to behave incorrectly
• Addressed an issue where remote grading on clips that have OFX plugins applied would sometimes cause a crash
• Addressed an issue where duplicating a timeline with a shared node would not correctly copy the shared node
• Addressed an issue where Quicktime files rendered with Dolby Vision tone mapping would have incorrect colorspace and gamma tags
• Addressed an issue where Resolve was unable to decode some AAC audio clips
• Addressed an issue where rendered 5.1 and 7.1 Linear PCM audio would not have the correct channel mapping metadata
• Addressed an issue where importing some projects from older versions of DaVinci Resolve would cause a crash
• Addressed an issue where projects inside a folder in Project Manager could not be loaded using scripting API
• General performance and stability improvements

Pre-installation Notes

Support for decoding and encoding of easyDCP formats is not currently available on Linux

Performing Audio Ducking using Sidechain

DaVinci Resolve now supports automatic audio ducking using sidechain in the Fairlight page Dynamics effect.

Enable “Send” in the track dynamics compression section on one of the multiple tracks where you would like to emphasize or prioritize the audio. Then enable Compression and “Listen” on all the tracks you would like to compress or duck. The threshold and ratio can be adjusted in the compression settings to modify the amount of compression in the signal.

External Audio Processes
DaVinci Resolve now has support for a round-trip mechanism that allows any clip on the timeline to be sent to an external application for audio processing. The updated file created by the external audio process is automatically added to the timeline as a new layer.

External Audio Processes can be added and managed in the Audio Plugins section of System Preferences. The round-trip process can be triggered by the clip context menu on the timeline.

Generating Supplemental IMF Packages
DaVinci Resolve Studio now supports a generation of supplemental packages for IMFs when using Resolve’s Kakadu

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