All Tutorials (3070 Tutorials)
Introduction to the X-Particles Skinner
June 23, 2014
Mike Batchelor's quick start guide to the Skinner. The skinner features a powerful mesher object that can use several particle sources: X-Particles, standard CINEMA 4D emitter, Thinking Particles. It can also use scene objects, completely replacing the CINEMA 4D metaball, to work in conjunction with the fluid system.
X-Particles 2.5 Fluids and Foam
June 23, 2014
Here's a look at the new fluids system in v2.5 of X-Particles and how they use the core SPH fluids.
Intro to the X-Particles Emitter
June 23, 2014
The screaming fast emitter in X-Particles allows for an unbelievable maximum particle count of 1 billion particles! Some of the features are covered in tutorials below are:
- fluid simulation with wet map generation
- multiphysics constraints
- collision engine
Mike Batchelor of slouchcorp.com is an expert in X-Particles so you'll be seeing his name here a lot. He does tutorials on his own and for INSYDIUM LTD, the maker of X-Particles. He put together six basic quick start guides on some of the X-Particles features to get you started with X-Particles.
Offloading Clips with Silverstack
June 17, 2014
From Pomfort’s Video tutorial series comes a quick tutorial on how to offload clips using Silverstack. Watch it now and get up to speed.
Particle Advection X-Particles With Turbulence FD Fluids
June 16, 2014
Not only did Mike Batchelor teach me how to create a beautiful particle animation with X-Particles for CINEMA 4D by using fluid created with Jawset Turbulence FD to drive their motion, but I learned what the word ‘advection’ means!
3D CAMERATRACKER Plug-in Tutorial by The Pixel Lab
June 10, 2014
Joren from The Pixel Lab shows the workflow of working with footage tracked with The Foundry’s CAMERATRACKER in After Effects and then bringing that footage into MAXON CINEMA 4D.
Export and Import External Mattes in mocha
June 10, 2014
In this tutorial Imagineer Systems will show you how to use mocha to import and export external mattes.
MotionMonkey and Slice It Up Tutorial
June 10, 2014
In this tutorial Orrin Zucker will teach you how to create a cool effect with sliced up images by using MotionMonkey and Slice It Up in Adobe After Effects!
Creating Custom Bevels in Zaxwerks 3D ProAnimator and 3D Invigorator Pro
June 9, 2014
From the creative minds at Zaxwerks comes a wonderful tutorial showing how easy it is to create your own custom bevels in 3D ProAnimator and 3D Invigorator Pro. This tutorial teaches you how to utilize the Profile Editor to create and edit bevels. You will also learn how to customize 3D Text and vector shapes.
The Art of Flight Plexus Matte Tutorials
June 3, 2014
Gardner Raymond explains how to create a cool magnified effect and the titles from the film The Art of Flight, using Rowbyte Plexus in After Effects.
Quick Edit, Normal Maps, Elastic Timeline Features in NewBlueFX Titler Pro
June 3, 2014
NewBlueFX has kicked off a new :60 series of quick tips for Titler Pro. Learn about the new Quick Edit feature, using Normal Maps, and Elastic Timeline, all new in version 3. Titler Pro delivers the video titling solution that works the way you work! For After Effects and your favorite NLE.
After Effects Shape Layers
June 3, 2014
This tutorial will step you through shape layers like nobody else’s business. if you are just getting started in shape layers for after effects, this will be the video you need to watch, also, you can make a cool final piece. Also we will cover a bit about expressions.
Model A Microphone with A Wire Mesh Texture in Cinema 4D
June 3, 2014
In this Greyscalegorilla tutorial by Chris Schmidt, he will show you how to uses dynamics, modeling, and texturing to create a 3D microphone in Maxon Cinema 4D.
Video Copilot Sci-Fi Weapon!
May 27, 2014
Andrew Kramer stars in his own video showing how he took a Nerf gun and converted it into a dangerous intergalactic weapon, then added effects in post.
Using the Spline Shader to Create Text as a Material in CINEMA 4D
May 27, 2014
EJ Hassenfranz explains how to skip Photoshop and use the Spline Shader and text (or any spline shape!) as a 2D resolution independent material. He goes deeper, explaining how to use a bump or displacement channels of a material for embossed or stamped metal looks.
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