NewBlueFX (9 Tutorials)
Burning Question: What in the heck is OFX? Updated #OFX #openfx
March 8, 2022
OpenFX, or OFX, plugins are exploding on the market with hosts like DaVinci Resolve, Vegas, Flame, Baselight, and others. Learn more!
NewBlue Titler Live 5 Multi Entry Tutorial
November 16, 2021
This tutorial shows you how to create multiple iterations of a single graphic from directly inside NewBlue Titler Live 5’s playout interface. This feature is only available in the Broadcast version of Titler Live 5.
NewBlue Titler Live 5 PTZ Cameras Tutorial
November 16, 2021
In this tutorial, you will learn how to control PTZ cameras from directly within the Titler Live 5 interface. This function is only available in the new Broadcast version of Titler Live 5.
In Depth: DaVinci Resolve Studio vs the Free Version
November 3, 2021
Is Blackmagic DaVinci Resolve Studio version worth the investment over the free version? Yes, it is! Read DaVinci Resolve Studio vs Free to learn more.
Modern Frankenstein Classic Horror Film Titles with Titler Pro
June 8, 2021
Need to make some classic horror film style titles? Well, you can with NewBlue using Filters 5 and Titler Pro 7. Try them today!
Burning Question: How Do I Quickly Give My Project a Letterbox Look?
April 20, 2021
Add the look of letterboxing and give your video a film look. Learn about the tools, techniques, and terminology of letterboxing. New Freebies!
Pull the Perfect Key from Green Screen with Vegas Pro
October 16, 2020
Josh from Scrapyard Films explains how to pull a fantastic key from green screen footage using Vegas Pro 18 and NewBlue Chroma Key Pro.
Jonathan Moser Blog Series for NewBlueFX
September 19, 2019
Jonathan Moser has a huge blog series (24 parts and counting) for NewBlueFX products like Titler Pro, Total FX 7, Total FX 360, NewBlueFX Amplify, and more.
Making The Most of Your Editing Time with Titler Pro 7
September 12, 2019
Juan Mejia has a multi-part Titler Pro 7 series called “Making The Most of Your Editing Time with Titler Pro 7” on the NewBlueFX blog.
