Compositing (124 Tutorials)
Creating the Star Wars Force Push with Red Giant & Trapcode Tools
September 6, 2019
Seth Worley creates Star Wars Force Push effect with VFX Supercomp, Optical Glow, Trapcode Particular, Universe Camera Shake, Magic Bullet Suite.
Webinar Replay: Pulling the Perfect Key with Boris Continuum Primatte Studio
August 27, 2019
In case you missed the webinar, Boris FX has posted this informative webinar replay so you can learn how to use Primatte Studio to easily chromakey and composite green screen footage.
Game of Thrones VFX Parts 1 & 2: Cheap Tricks with with Hashi
August 22, 2019
Red Giant has a fun new tutorial from Hashi of Action Movie Kid. Parts 1 and 2 walk you through several great tricks to make your VFX look spectacular.
Black Veins Effect From Stranger Things (After Effects Tutorial)
August 13, 2019
Yannick and Jordy at Cinecom.net have a super fun copycat tutorial explaining how to make the black veins on Billy in Stranger Things. There’s a lot of tracking and null objects involved in this process. He uses the Advanced Lightning Effect to make the veins and masks them on. These are attached to the actor’s…
Burning Question: What is Reverse Stabilization?
August 5, 2019
Reverse Stabilization is a compositing workflow where you stabilize the shot, then composite, and finally, you bring the motion back into your shot.
Recreating the Mind Flayer from Stranger Things
August 1, 2019
Seth Worley shows you how to recreate the scary Mind Flayer from Season 2 of Stranger Things. Below that, check out his previous tutorial for recreating the Upside Down. This is a super fun tutorial that uses Red Giant’s VFX Suite, Trapcode Tao, Magic Bullet Suite, and Universe Camera Shake. There are links to all…
FXHome Imerge Pro: Stylized Fantasy Composites Tutorial #gettingstarted
July 29, 2019
In this tutorial, Javert show you how to use Imerge Pro to create stylized fantasy composites and make some beautiful hyper-real photography.
After Effects: Stranger Things-Inspired “Upside Down” Look + Free Project files
July 9, 2019
In this tutorial from Rocketstock, you will learn how to create a Stranger Things-inspired “Upside Down” look in After Effects. Plus, you can easily follow along with the free project files.
Getting Started with Primatte Keyer 6 #gettingstarted
June 19, 2019
Get started with Primatte Keyer 6, part of the new Red Giant VFX Suite with this tutorial created by Simon Walker.
Red Giant VFX Supercomp Tutorial #gettingstarted
June 19, 2019
Get started with Stu Maschwitz’s tutorial for Supercomp – one of the brand new tools in Red Giant VFX Suite!
Cinema 4D Tutorial Roundup: Tips for Compositing 3D Renders into Live Footage
June 4, 2019
Making your 3D content look natural in a live-action shot can sometimes be challenging. It’s important to match elements in the shot, for example, the focal length, the angle, the lighting, the color grade, the grain, and all the rest.
Changing Day to Night with Sapphire and Mocha
May 31, 2019
Nick Harauz and Ian Robinson show Premiere Pro and After Effects artists how Sapphire and Mocha can accomplish advanced sky replacement.
The Cleansing Hour: Using Mocha Pro & Sapphire for Feature Film VFX
April 30, 2019
Damien LeVeck shows how he used Boris FX Mocha Pro and Sapphire with Avid Media Composer for high-end horror VFX on his film The Cleansing Hour.
6 Tutorials to Improve your Mocha Tracking Workflow
April 23, 2019
Mocha is currently on sale through April 28, 2019, so it seemed like a great time to share some cool Mocha tutorials. Today we’re focusing on Mocha Tracking Workflow Mocha works as a standalone or plug-in for several hosts and works pretty much the same between hosts, so if you see a tutorial for a software that you don’t use, know that it will translate easily to your host.
After Effects: Use The Content Aware Fill Feature to Create 2.5D Parallax Effects
April 23, 2019
The newest update to Adobe brings the content aware fill feature to After Effects. Digi Pro Tips shows you how to use it to create 2.5D or Parallax effects quickly and easily right in AE.