Compositing (141 Tutorials)
June 30, 2013
An advanced tutorial covering mocha v3’s 3D camera solver and Adobe after Effects. Mary Poplin creates a HUD style graphic in 3D space.
February 4, 2013
SliceX lets you create instant Shape Masks to cut out layers or isolate effects directly in Final Cut Pro X without having to go into Motion or create the masks with an external program. SliceX includes nine motion templates for common tasks and you can also use the Shape Masks with built in effects, the built in color corrector or with third party plugins. In the latest free update you can now keyframe animate the shapes as well as the shapes position, rotation and scaling.
November 15, 2012
“…now that I have you interested let me really explain Slice X. Unlike a lot of the other masking tools for Final Cut Pro X, Slice X does not limit you to the amount of points for the mask, it also doesn’t force extra points on you. The default mask in Final Cut Pro X, only has 4 points. The one from Ripple Training is an 8-point Garbage Matte. There are others with 10-points, 20-points, or 30-points, but what if you needed say 11 or 13 points, or maybe 5 points. You would be stuck using one that had more points than you needed or trying to make due with a matte that had too few points. “
August 1, 2012
Check out this great new example and tutorial by Andrew Kramer at Video Copilot: “Here is another fun example using Element 3D with live action footage and 3D Camera tracking… for the explosion, I used some Action Essentials 2 along with some colored lights to create the fire illumination.
December 12, 2011
Matthew Scott is a DP, Editor and Colorist based in Melbourne, Australia, who has been working with Grass Valley to create free online educational resources, designed for both enthusiasts and professionals alike. Matthew takes you through 3 tutorials on keying and transparency for Edius.
October 17, 2011
Posted by Andrew Kramer at Video Copilot. In this tutorial we will go beyond basic keying techniques with new tips to help preserve small details like dirt and reflections. • Key out footage without eliminating the soft reflections • Composite in 32bpc for more realistic blending