Compositing (125 Tutorials)
November 29, 2013
This tutorial shows how you can generate and use Vue OpenEXR files in Nuke for advanced compositing. Learn how to generate individual rendering components, masks and render info passes and how to use them inside of Nuke.
November 5, 2013
We had fun with this one! We were just shooting a test and this spontaneously happened. It includes a few greenscreen tips for your learning pleasure.
August 6, 2013
In this live demo from Siggraph 2013, imagineer systems product specialist, Mary Poplin, shows you how to cut your roto time in half using mocha AE inside of Adobe After Effects. Simply go to animation>track in mocha AE and follow along with a shot of your choice at home.
July 3, 2013
As we continue with Tutorial Tuesday at Toolfarm, here are 5 Useful effects that every AE artist can pull from their arsenal time and time again!
July 2, 2013
In this video from Layer’s Magazine, Daniel Bryant creates a space-themed movie poster from scratch with After Effects. His compositing techniques include layer masking, blending modes, text animation, lens flares and particle effects.
June 30, 2013
An advanced tutorial covering mocha v3’s 3D camera solver and Adobe after Effects. Mary Poplin creates a HUD style graphic in 3D space.
June 26, 2013
Greenscreen has become an essential tool in modern video, film, and photo workflows. To succeed, it needs to be the perfect combination of production and post.
June 24, 2013
Another for Tutorial Tuesday! In this tutorial, Ian Stark entertains while giving a brief tour of three plugins from the NewBlue Video Essentials VI collection: Cut Away, Picture in Shape and Garbage Matte.
June 21, 2013
Steve Wright explains how to pull keys using the IBK, A Keyer designed to cope with non-uniform blue or greenscreen backgrounds.
June 21, 2013
In a series of three tutorials, Steve Wright explains how to pull keys with KEYLIGHT.
February 4, 2013
SliceX lets you create instant Shape Masks to cut out layers or isolate effects directly in Final Cut Pro X without having to go into Motion or create the masks with an external program. SliceX includes nine motion templates for common tasks and you can also use the Shape Masks with built in effects, the built in color corrector or with third party plugins. In the latest free update you can now keyframe animate the shapes as well as the shapes position, rotation and scaling.
November 26, 2012
Generates a beautiful glow with an extremely realistic falloff, using Authority FX Glow plug-in for Adobe After Effects and Eyeon Fusion. Default settings work on almost all shots and applications from lightsabers, to subtle light wrap.
November 26, 2012
Toolfarm just started carrying the Authority FX products in November 2012. Ryan P. Wilson of Authority FX has put together a tutorial for their Chroma Key plug-in for After Effects
November 15, 2012
“…now that I have you interested let me really explain Slice X. Unlike a lot of the other masking tools for Final Cut Pro X, Slice X does not limit you to the amount of points for the mask, it also doesn’t force extra points on you. The default mask in Final Cut Pro X, only has 4 points. The one from Ripple Training is an 8-point Garbage Matte. There are others with 10-points, 20-points, or 30-points, but what if you needed say 11 or 13 points, or maybe 5 points. You would be stuck using one that had more points than you needed or trying to make due with a matte that had too few points. “
September 25, 2012
Check out this tutorial from AE Templates about creating Object buffers and Depth mattes in CINEMA 4D and using them within AE.