All Tutorials (3078 Tutorials)
Comic Book Graphics in Sony Vegas Pro
February 11, 2014
It’s a bird! It’s a plane! It’s John Rofranom, a VASST trainer, explaining how to make a comic book 3D logo straight out of Marvel, with Boris Continuum Complete Extruded EPS in Sony Vegas Pro. He uses BCC Particle Array 3D to blow the logo onto the screen like a tornado of particles, then shows how to create and save custom transitions.
Text Animators in After Effects
February 11, 2014
Trent Armstrong explains his secret formula for getting started with the Text Animation tools in After Effects. It’s short and sweet and you’ll learn a lot!
Making Ken Burns Obey in FCP X
February 11, 2014
Steve Martin and Mark Spencer talk about the Ken Burns Effect to do a move on a still image in FCP X… and improve upon the effect.
Tutorial: Advanced 3D Light Rays in After Effects by Andrew Kramer
February 11, 2014
Video Copilot has a new tutorial up today showing a cool volumetric light effect that Andrew used on his Star Trek: Into Darkness title sequence. No third-party plug-ins required.
Adobe After Effects Tilt Shift Tutorial
February 11, 2014
Tilt shift makes your video and images look miniature, like toys. In this project, they use Posterize time, Camera Lens Blur, CC Light Sweep and Fast Blur to create the effect.
3 NewBlueFX Titler Pro Basics for Media Composer
February 11, 2014
NewBlueFX Titler Pro is available for a multitude of host applications, but this post focuses on Avid Media Composer.
Use CINEMA 4D as Poor Man’s Chrono Sculptor
February 11, 2014
Yader (aka Derya Öztürk) explains how to get a ChronoSculpt like workflow in CINEMA 4D. Very clever! LightWave ChronoSculpt from NewTek is a new standalone product that “revolutionizes working with animation and dynamic simulation cache files from any application by allowing you to use sculpting and transformation tools over time. ChronoSculpt also introduces a radical new geometry engine based on our 'Hydra' technology which allows the deformation and manipulation of 8 to 10 million polygon objects with ease.”
Yader gives a short demo on how you can bring this type of feature into CINEMA 4D using the Rate option on the Matrix Object and the Morph Motion Effect on the Inheritance Object. There's more to it but you'll have to watch the tutorial!
Puppet Tool Tips from Video Copilot
February 11, 2014
Andrew Kramer animates the Twitter logo with the Puppet Tool in Adobe After Effects.
Avid Media Composer Interface Windows
February 11, 2014
Thinking of switching to Avid? New to Avid? Just want to check it out? John Lynn gives a basic and clear introduction to the Avid Media Composer Interface Windows.
Creating a Fireball in HitFilm 2 Ultimate
February 11, 2014
Simon shows users how to create a fireball in this very detailed tutorial on HitFilm 2 Ultimate! HitFilm Ultimate – All your essential editing tools. A revolutionary workflow. Everything you need at your fingertips, in a single product. HitFilm Ultimate NLE/Compositor makes some major strides in their v2 release- New direct in-application 3D model import, bundled HitFilm mocha camera solver by Imagineer Systems, and updated particle system.
Waxy Shader in CINEMA 4D
February 11, 2014
Tim Clapham at HelloLuxx has a new tutorial on making waxy looking elements with metaball typography in CINEMA 4D with lights and shaders.
After Effects Expression Debugging Techniques
February 11, 2014
Felt Tips at AE Tuts+ has a fantastic, in depth 50 minute tutorial on fixing issues with Expressions.
Create Your Own HDR Day to Night Timelapse
February 11, 2014
Stefan Surmabojov shows how to create a groovy HDR timelapse image sequence with a day for night effect. You'll need a DSLR with a kit lens, a large memory card, a tripod and more. He clearly explains how to set up the camera so that you don't end up with exposure problems and flicker. He takes care of the post production of the HDR sequence in Adobe Lightroom 5, which is now included in Adobe Creative Cloud.
Driving Plates Composite in Premiere Pro
February 11, 2014
Artbeats and Eran Stern bring you a tutorial showing how to key and composite greenscreen driving plates with scenery in Premiere Pro using Ultra Key and a Track Matte Key.
AE & C4D – AE & C4D – Abstract Particles Using Trapcode Form and OBJs
February 11, 2014
VinhSon Nguyen shows a cool, basic technique that you can use to create unique and interesting forms for titles, background elements and more.