All Tutorials (3078 Tutorials)
New Keyframe Look For Maxon CINEMA R14: What Are Those New Triangle Icons?
November 21, 2012
Nick Campbell at Greyscalegorilla talks about the new triangle keyframe things in Maxon CINEMA 4D R14.
Create Cool Lighting Effects in Avid with BCC Lens Flare 3D
November 21, 2012
Using Boris Continuum Complete’s powerful Lens Flare 3D filter, Kevin P. McAuliffe shows you how to set up lighting effects in your favorite Avid video editing system. First, Kevin demonstrates how to create multiple lights that blink automatically. Then, he combines BCC Extruded Text with BCC Lens Flare 3D to create a starting title sequence.
Imagineer mocha AE 3.1 and mocha Pro 3.1 Lens Distortion Tips, Calibration Clips, Using Grids
November 15, 2012
Martin Brennand takes you through how to calibrate a lens with the mocha Lens Module and use it with the new mocha Lens plug-in supported with mocha AE 3.1 and mocha Pro 3.1 – Also covered- using a calibration clip when you do not have enough information in your shot to define the warp of the lens.
Coremelt Slice X for Final Cut Pro X
November 15, 2012
“…now that I have you interested let me really explain Slice X. Unlike a lot of the other masking tools for Final Cut Pro X, Slice X does not limit you to the amount of points for the mask, it also doesn’t force extra points on you. The default mask in Final Cut Pro X, only has 4 points. The one from Ripple Training is an 8-point Garbage Matte. There are others with 10-points, 20-points, or 30-points, but what if you needed say 11 or 13 points, or maybe 5 points. You would be stuck using one that had more points than you needed or trying to make due with a matte that had too few points. “
Avid Media Composer 6.5 ‒ Product Designer Series on Advanced Audio Keyframes
October 22, 2012
A new feature on manipulating audio keyframes using Volume control in Avid Media Composer 6.5
Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations
October 12, 2012
Post at Red Giant TV: Aharon Rabinowitz shows you how to take Trapcode Mir in a whole new direction using Amplitude Layers. You'll learn to create looping animation, cityscapes, audio-triggered displacement and more.
Create Complex Particle Effects in Avid- BCC AVX
October 10, 2012
Kevin P. McAuliffe harnesses the power of Boris Continuum Complete v8 AVX's Particle Emitter 3D filter to create engaging particle effects directly from within Media Composer, giving his Avid titles a “particle overhaul”.
Cinema 4D R14 Quick Start Tutorial: Light Colors, Camera Morph, And Filters
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Cinema 4D R14 Quick Start Tutorial: Plastic Deformation
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Cinema 4D R14 Quick Start Tutorial: Setup Your Interface
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Cinema 4D R14 Quick Start Tutorial: Camera Calibration
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Sculpting Tools
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Aerodynamics
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Shift-C
September 25, 2012
Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.
Creating Faux Shadows in Adobe After Effects by Eran Stern
September 25, 2012
Shadows sell the illusion that we are really in 3D space. This lesson demonstrates how to add depth to our scene with shadow effects. You'll also learn how to save the effects as an animation preset so they can be reused and matched to each element.
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