Visual Effects (1143 Tutorials)
ZBrush Digital Sculpting, Military Character Assets with Joseph Drust
December 14, 2012
Pixelogic has a tutorials area called ZClassroom and they have a series of Military Character Assets with Joseph Drust, a video game industry veteran who focuses on modeling and sculpting. Below are is a link to all of their tutorials in the series, with more coming soon.
Using Advanced fractures with Pulldownit in MAYA
November 26, 2012
Showing how to control the way an object fractures with pulldownit plugin in MAYA.
Create Cool Lighting Effects in Avid with BCC Lens Flare 3D
November 21, 2012
Using Boris Continuum Complete’s powerful Lens Flare 3D filter, Kevin P. McAuliffe shows you how to set up lighting effects in your favorite Avid video editing system. First, Kevin demonstrates how to create multiple lights that blink automatically. Then, he combines BCC Extruded Text with BCC Lens Flare 3D to create a starting title sequence.
Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations
October 12, 2012
Post at Red Giant TV: Aharon Rabinowitz shows you how to take Trapcode Mir in a whole new direction using Amplitude Layers. You'll learn to create looping animation, cityscapes, audio-triggered displacement and more.
Create Complex Particle Effects in Avid- BCC AVX
October 10, 2012
Kevin P. McAuliffe harnesses the power of Boris Continuum Complete v8 AVX's Particle Emitter 3D filter to create engaging particle effects directly from within Media Composer, giving his Avid titles a “particle overhaul”.
Creating Faux Shadows in Adobe After Effects by Eran Stern
September 25, 2012
Shadows sell the illusion that we are really in 3D space. This lesson demonstrates how to add depth to our scene with shadow effects. You'll also learn how to save the effects as an animation preset so they can be reused and matched to each element.
Tutorial: Creating Depth of Field with Trapcode Mir
August 9, 2012
Red Giant QuickTip- In this QuickTip, Learn how to simulate stunning depth of field effects with a few great tips from Dino Muhic. Check out Dino’s work at DinoMuhic.com
Depth of Field with Trapcode Mir
August 9, 2012
In this QuickTip, Learn how to simulate stunning depth of field effects with a few great tips from Dino Muhic. Check out Dino's work at DinoMuhic.com
Simulating A Campfire With 3D Studio Max, Thinking Particles & FumeFX
August 7, 2012
Madhan at CGTuts+ shows you how to create a campfire with 3ds Max,Thinking Particles,FumeFX, and Adobe After Effects. Who brought the marshmallows?
3D Composite Using Video Copilot Element 3D and Action Essentials II
August 1, 2012
Check out this great new example and tutorial by Andrew Kramer at Video Copilot: “Here is another fun example using Element 3D with live action footage and 3D Camera tracking… for the explosion, I used some Action Essentials 2 along with some colored lights to create the fire illumination.
Luca Visual FX Training Series: Film Leaders
July 30, 2012
Kes Akalaonu / NLE Ninja introduces you to Luca Visual Effects'Film Leaders works in After Effects, Final Cut Pro, and Motion using the Noise Industries FxFactory Engine.
Video Copilot Element 3D Particle Replicator
July 23, 2012
Video Copilot has a new tutorial out about how to use the replicator options in Element 3D.
Create a Parallax Shift Effect Using Timeline and 3D Features of Photoshop CS6
July 5, 2012
Post by Stephen Petrany at PSDtuts+ : “Photoshop CS6 includes several new features that you can use to create 3D and video effects. In this tutorial, we will combine these new tools to simulate 3D depth in a 2D photograph using the new 3D and video timeline features available in Photoshop CS6 Extended.”
Michele Yamazaki’s Particles Webinar Replay -June 27, 2012
June 28, 2012
On Wednesday, June 27, 2012, Michele Yamazaki tapped Boris Continuum Complete v8 AE’s state-of-the-art particle system effects to develop and enhance broadcast graphics in Adobe After Effects CS6. Using BCC Particle Emitter 3D and other Boris Continuum Complete VFX filters in conjunction with After Effects’ native 3D camera and lighting systems, Michele made ordinary graphics and titles pop off the screen in 3D particle bursts.
How is mocha v3’s Camera Solver different than AE CS6 Camera Tracker?
June 13, 2012
Imagineer Systems mocha Camera Solve module uses Planar Tracking to solve 3D space for select planes. This means mocha can get a camera solve on difficult out of focus, blurred or obscured shots. Learn more in these tutorials.
'%3e%3cg id='Final-Copy-2_2_' transform='translate(1275.000000, 200.000000)'%3e%3cpath class='st0' d='M7.4,12.8h6.8l3.1-11.6H7.4C4.2,1.2,1.6,3.8,1.6,7S4.2,12.8,7.4,12.8z'/%3e%3c/g%3e%3c/g%3e%3c/g%3e%3cg id='final---dec.11-2020'%3e%3cg id='_x30_208-our-toggle' transform='translate(-1275.000000, -200.000000)'%3e%3cg id='Final-Copy-2' transform='translate(1275.000000, 200.000000)'%3e%3cpath class='st1' d='M22.6,0H7.4c-3.9,0-7,3.1-7,7s3.1,7,7,7h15.2c3.9,0,7-3.1,7-7S26.4,0,22.6,0z M1.6,7c0-3.2,2.6-5.8,5.8-5.8 h9.9l-3.1,11.6H7.4C4.2,12.8,1.6,10.2,1.6,7z'/%3e%3cpath id='x' class='st2' d='M24.6,4c0.2,0.2,0.2,0.6,0,0.8l0,0L22.5,7l2.2,2.2c0.2,0.2,0.2,0.6,0,0.8c-0.2,0.2-0.6,0.2-0.8,0 l0,0l-2.2-2.2L19.5,10c-0.2,0.2-0.6,0.2-0.8,0c-0.2-0.2-0.2-0.6,0-0.8l0,0L20.8,7l-2.2-2.2c-0.2-0.2-0.2-0.6,0-0.8 c0.2-0.2,0.6-0.2,0.8,0l0,0l2.2,2.2L23.8,4C24,3.8,24.4,3.8,24.6,4z'/%3e%3cpath id='y' class='st3' d='M12.7,4.1c0.2,0.2,0.3,0.6,0.1,0.8l0,0L8.6,9.8C8.5,9.9,8.4,10,8.3,10c-0.2,0.1-0.5,0.1-0.7-0.1l0,0 L5.4,7.7c-0.2-0.2-0.2-0.6,0-0.8c0.2-0.2,0.6-0.2,0.8,0l0,0L8,8.6l3.8-4.5C12,3.9,12.4,3.9,12.7,4.1z'/%3e%3c/g%3e%3c/g%3e%3c/g%3e%3c/g%3e%3c/svg%3e)
Your Privacy Choices