Premiere Pro: A Color Correction Session with Stu Maschwitz - Colorista IV

Oct 02, 2018

This is a slightly different Stu Maschwitz tutorial, in that it is unscripted and he takes you through the process of professional color grading, rather than just talking about the newest features. You’ll learn how to use Colorista IV to balance footage, to relight your foreground elements, to match footage across a timeline, and much more.

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Red Giant Shortcuts: Make your Footage Look Cinematic

Aug 22, 2018

Red Giant is back with another episode of Shortcuts. In this tutorial, Premiere Gal gives you some great tips on how to quickly make your videos or vlogs look cinematic with Red Giant Magic Bullet’s Looks and Colorista, and also, Universe Finisher.

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How do I use Scopes in DaVinci Resolve?

Mar 26, 2018

Scopes are a crucial tool for editors for consistent color correction, for giving skin tones natural color, and for fixing the white balance of footage. It’s not difficult to learn to use scopes either, whether it’s Waveform scopes, Luma, YC and RGB Parade, the Vectorscopes, or the Histogram. Although this series is focused on DaVinci Resolve, much of these tutorials are applicable to scopes in any video software or hardware.. Learn to read these scopes and stop the guestimating!

Here are several tutorials on using Scopes in Resolve.

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In Depth: Color Grading is a LUT Easier with LUTs!

Oct 17, 2017

A LUT, or Look Up Table, is used in the film industry as an easy method of color grading. It’s an array of numbers to control the color of an image, by mapping one color space to another. Simple enough at the surface, but here’s more than you probably want to know about LUTs.

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Red Giant Magic Bullet Suite Tutorial Roundup

Jul 18, 2017

Get up and running quickly with all the products in the Red Giant Magic Bullet Suite, when you watch this batch of Quickstart Guides from director Stu Maschwitz.

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