In Depth: 8 Plug-ins for White Balancing Footage in Final Cut Pro X

Aug 31, 2016

White should look white, not peach, pink, or baby blue. White balancing footage will help your video look natural by looking at the color temperature in your shot and setting an accurate white, removing any unnatural color cast. Here are 8 tools for white balancing your footage in Final Cut Pro.

Of course, it's always best to white balance your footage as your shooting, but sometimes you forget, or your client doesn't do it, or your camera may not even have the option to white balance. Here are a 8 great tools, in no particular order, for white balancing footage in Final Cut Pro X.

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How to Convert Color Video to Monochrome in DaVinci Resolve

Mar 22, 2016

“Carver Moore shows us how to convert footage to Black and White in DaVinci Resolve.” - WolfCrow

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Grading, Compositing, and Editing in Resolve

Feb 09, 2016

Having Fun With Post! Creating and Finessing with Alexis Van Hurkman.

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Achieving a Super 16mm Film Look when Shooting Digitally

Jan 27, 2016

Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the S16 look when shooting on a digital cinema camera.

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The Video Editors Guide to Color Grading

Jan 12, 2016

ncreasingly, color grading is being handled by video editors working on laptops and desktops instead of calibrated displays. Here are some ways to make this reality work for you.

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