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All Tutorials (3076 Tutorials)

Imagineer mocha AE 3.1 and mocha Pro 3.1 Lens Distortion Tips, Calibration Clips, Using Grids

Imagineer mocha AE 3.1 and mocha Pro 3.1 Lens Distortion Tips, Calibration Clips, Using Grids

November 15, 2012

Martin Brennand takes you through how to calibrate a lens with the mocha Lens Module and use it with the new mocha Lens plug-in supported with mocha AE 3.1 and mocha Pro 3.1 – Also covered- using a calibration clip when you do not have enough information in your shot to define the warp of the lens.

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Coremelt Slice X for Final Cut Pro X

Coremelt Slice X for Final Cut Pro X

November 15, 2012

“…now that I have you interested let me really explain Slice X. Unlike a lot of the other masking tools for Final Cut Pro X, Slice X does not limit you to the amount of points for the mask, it also doesn’t force extra points on you. The default mask in Final Cut Pro X, only has 4 points. The one from Ripple Training is an 8-point Garbage Matte. There are others with 10-points, 20-points, or 30-points, but what if you needed say 11 or 13 points, or maybe 5 points. You would be stuck using one that had more points than you needed or trying to make due with a matte that had too few points. “

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Avid Media Composer 6.5 ‒ Product Designer Series on Advanced Audio Keyframes

October 22, 2012

A new feature on manipulating audio keyframes using Volume control in Avid Media Composer 6.5

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Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations

Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations

October 12, 2012

Post at Red Giant TV: Aharon Rabinowitz shows you how to take Trapcode Mir in a whole new direction using Amplitude Layers. You'll learn to create looping animation, cityscapes, audio-triggered displacement and more. 

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Create Complex Particle Effects in Avid- BCC AVX

Create Complex Particle Effects in Avid- BCC AVX

October 10, 2012

Kevin P. McAuliffe harnesses the power of Boris Continuum Complete v8 AVX's Particle Emitter 3D filter to create engaging particle effects directly from within Media Composer, giving his Avid titles a “particle overhaul”.

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Cinema 4D R14 Quick Start Tutorial: Light Colors, Camera Morph, And Filters

Cinema 4D R14 Quick Start Tutorial: Light Colors, Camera Morph, And Filters

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Cinema 4D R14 Quick Start Tutorial: Plastic Deformation

Cinema 4D R14 Quick Start Tutorial: Plastic Deformation

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Cinema 4D R14 Quick Start Tutorial: Setup Your Interface

Cinema 4D R14 Quick Start Tutorial: Setup Your Interface

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Cinema 4D R14 Quick Start Tutorial: Camera Calibration

Cinema 4D R14 Quick Start Tutorial: Camera Calibration

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Sculpting Tools

Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Sculpting Tools

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Aerodynamics

Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Aerodynamics

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Shift-C

Cinema 4D R14 Quick Start Tutorial: Camera Calibration: Shift-C

September 25, 2012

Nick Campbell from GreyscaleGorilla produced several tutorials last week on Getting Started with CINEMA 4D R14 tutorials.

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Creating Faux Shadows in Adobe After Effects by Eran Stern

Creating Faux Shadows in Adobe After Effects by Eran Stern

September 25, 2012

Shadows sell the illusion that we are really in 3D space. This lesson demonstrates how to add depth to our scene with shadow effects. You'll also learn how to save the effects as an animation preset so they can be reused and matched to each element.

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Alien Surface Set Extensions with Video Copilot Element 3D and Roto Brush Tool

Alien Surface Set Extensions with Video Copilot Element 3D and Roto Brush Tool

September 4, 2012

Post by Andrew Kramer/ Video Copilot: “In this tutorial we will create a realistic set extension for the surface of a far away alien planet. With the help of the Matte Painting challenge we will be compositing the background along with adding 3D rocks with Element 3D and pulling out the Roto Brush tool.”

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Iron Man Interface Battle Widget – Parts 1 – 5

Iron Man Interface Battle Widget – Parts 1 – 5

August 14, 2012

Post by Stefan Surmabojov at AEtuts+: “In this tutorial series we are going to go beyond basics using the true power of shape layers inside After Effects. As you can see we are going to dive into the magic of creating this Iron Man battle widget inspired from The Avengers movie. We are going to recreate the element from start to finish using various different techniques and learning some pretty cool workflow tips as well.”

Parts 1 & 2

Parts 3, 4 & 5

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