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All Tutorials (3073 Tutorials)

Model, Light And Animate A Pin Sculpture In Cinema 4D

Model, Light And Animate A Pin Sculpture In Cinema 4D

February 18, 2013

Post by Chris Schmidt at Greyscalegorilla: “In this two part tutorial, we show you how to model, rig, animate, light and render this Pin Sculpture Toy in Cinema 4D. Follow along as Chris shows you how to build the model and set up the Mograph and Shader Effectors to drive the pins using a depth pass. Then, in part 2, I will show you how to animate the pins using a video depth pass. Finally, we will light, texture, and render the sculpture for output to your compositing program.”

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Create a Valentine’s Day Themed Animation in Cinema 4D & After Effects

Create a Valentine’s Day Themed Animation in Cinema 4D & After Effects

February 14, 2013

Post by Stefan Surmabojov at CGtuts+ :  “In this tutorial we are going to create a Valentine’s Day themed animation in Cinema 4D and After Effects…. Use particles and forces in Cinema 4D, as well as MoDynamics and Effectors to put everything together to create our final animation. Finally we’ll add materials, light and render the scene before finishing it up in After Effects with some compositing and post effects.”

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Cinema 4D Scene OBJ Export to Trapcode Form

Cinema 4D Scene OBJ Export to Trapcode Form

February 12, 2013

Posted by Peder Norrby. Tutorial showing how to create a scene in Cinema 4D and export an OBJ and Cinema’s camera. And import all this in Adobe After Effects so the Cinema render perfectly matches Trapcode Form.

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Disintigration and Reintigration in Maxon Cinema 4D

Disintigration and Reintigration in Maxon Cinema 4D

February 12, 2013

Post by Rob Redman/ Pariah Studios. How to destroy object in Cinema 4D without plug-ins or external tools.

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Red Giant Holomatrix- Create a Holographic Look in After Effects

Red Giant Holomatrix- Create a Holographic Look in After Effects

February 12, 2013

In this episode, Aharon Rabinowitz shows you how to create the look of a holographic interface, using Red Giant Software’s Holomatrix. He’ll also use Magic Bullet Looks for color grading, and footage from Digital Juice’s Motion Designer’s Toolkit.

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Web Line Escape: Spider-Man Web-Slinging Effect

Web Line Escape: Spider-Man Web-Slinging Effect

February 12, 2013

In this episode of Red Giant TV, director Seth Worley shows you how to create a Spider-Man Web Slinging Effect with Trapcode Particular.

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Element 3D: Beyond Basics; Importing Objects & Building Materials, Extruding Masks & Text

Element 3D: Beyond Basics; Importing Objects & Building Materials, Extruding Masks & Text

February 12, 2013

New Video Copilot Element 3D Tutorials: Beyond the Basics: Everything you need to know to get started! Importing Objects & Building Materials: C4D tips, OBJ exporting and more!

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Introduction to Trapcode Mir, Getting Started Parts 1 & 2

Introduction to Trapcode Mir, Getting Started Parts 1 & 2

February 12, 2013

Check out these new tutorials on Trapcode Mir at Red Giant TV. Quick Walkthrough Introduction to Mir, and Getting Started Parts 1 & 2 by Peder Norrby of Trapcode. Trapcode Mir was released today, along with the new Trapcode Suite 12.

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How to use 3rd Party Transition Plug-ins in Adobe Premiere Pro

How to use 3rd Party Transition Plug-ins in Adobe Premiere Pro

February 12, 2013

Have you ever wondered why your third party transition plug-ins for Premiere Pro don’t show up under Video Transitions, like the native Transitions effects do? I have a work around for you, using an Adjustment Layer.

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CoreMelt SliceX Now with Shape Keyframing

CoreMelt SliceX Now with Shape Keyframing

February 4, 2013

SliceX lets you create instant Shape Masks to cut out layers or isolate effects directly in Final Cut Pro X without having to go into Motion or create the masks with an external program. SliceX includes nine motion templates for common tasks and you can also use the Shape Masks with built in effects, the built in color corrector or with third party plugins. In the latest free update you can now keyframe animate the shapes as well as the shapes position, rotation and scaling. 

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In Depth: Motion Stabilization Options, Part 2 of 2

January 31, 2013

Sometimes using a tripod is not an option and you’re forced to shoot hand-held. Maybe you’re shooting in an amusement park, botanical gardens, or a concert and tripods are not allowed in. Unless you have the ability to stand perfectly still, you will likely need to stabilize the footage in postproduction. Motion stabilization is used to smooth footage and remove camera shake.

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How to Automate a Stop Motion Photo Slideshow in After Effects

How to Automate a Stop Motion Photo Slideshow in After Effects

January 25, 2013

By Emanuele Fiorito at AEtuts+: “In this tutorial we will see how to work some expressions to create your own preset that you can apply to achieve a stop motion effect for hundreds of photos.”

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Use Video Copilot Metropolitan with Element 3D to Create a Realistic City Title

Use Video Copilot Metropolitan with Element 3D to Create a Realistic City Title

January 24, 2013

By Andrew Kramer/ Video Copilot: Use the new Metropolitan with Element 3D to create a realistic city title, Use Randomize Angle feature to distribute buildings into the scene

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In Depth: Noise and Grain Plug-ins for After Effects, Final Cut and Other NLEs, Part 2 of 2

January 10, 2013

Here is the rundown of noise and grain reduction plug-ins on the market for After Effects and other NLE’s, rated on speed, accuracy and quality, and ROI.

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Model, Light, And Render A Coffee Pot In Cinema 4D

Model, Light, And Render A Coffee Pot In Cinema 4D

January 8, 2013

Post by Nick Campbell/ Greyscalegorilla: “In this two part tutorial, Chris and I show you how to model, texture, light, render, and composite this 3D Scene. First, Chris will show you how to model the coffee pot using some traditional modeling techniques and loft nurbs. In the second video below, I will take over where chris left and show you how to light the scene using HDRI Studio Pack. Then I will tweak some textures and render using the Physical Renderer. Finally, we will head in to Photoshop and do a bit of final color correction and compositing.”

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