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Blackmagic Design (82 Tutorials)

Using Offline Reference Clips in DaVinci Resolve

Using Offline Reference Clips in DaVinci Resolve

February 23, 2016

Using offline clips is important when establishing yourself as a serious colorist. Learn how in this DaVinci Resolve Tutorial.

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MochaBlend C4D Basics #4: Creating a camera solve from a mocha perspective track

MochaBlend C4D Basics #4: Creating a camera solve from a mocha perspective track

February 16, 2016

In this tutorial, you’ll learn how to use MochaBlend C4D to turn a perspective track in mocha into an object solve in C4D. You’ll learn the best way to track a plane in mocha for MochaBlend’s Perspective-Solver, and how to identify some common problems when working with the solver.

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Grading, Compositing, and Editing in Resolve

Grading, Compositing, and Editing in Resolve

February 9, 2016

Having Fun With Post! Creating and Finessing with Alexis Van Hurkman.

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DaVinci Resolve Tip: Create a Duotone Look in 2 Steps

DaVinci Resolve Tip: Create a Duotone Look in 2 Steps

January 26, 2016

This tutorial from Noam Kroll, with Premium Beat, shows us how to achieve great results with the duotone color style with only two simple steps in DaVinci Resolve.

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Introduction to Fusion 8 for Motion Graphics

Introduction to Fusion 8 for Motion Graphics

January 19, 2016

Rob Redman offers a look into the 3D environment in Fusion 8 for Motion Graphics Artists.

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The Video Editors Guide to Color Grading

The Video Editors Guide to Color Grading

January 12, 2016

ncreasingly, color grading is being handled by video editors working on laptops and desktops instead of calibrated displays. Here are some ways to make this reality work for you.

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13 Fusion Tutorials Every Motion Designer Should Watch

13 Fusion Tutorials Every Motion Designer Should Watch

January 5, 2016

New to Blackmagic Fusion? Get inspired and level up your skills with these must-watch Fusion tutorials.

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The Art Of Predicting The Metadata Match of Three

The Art Of Predicting The Metadata Match of Three

December 1, 2015

One piece of the metadata puzzle for both external and internal relinking with Resolve & Avid!

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Burning Question: How do I get started with Blackmagic Design DaVinci Resolve?

Burning Question: How do I get started with Blackmagic Design DaVinci Resolve?

November 16, 2015

DaVinci Resolve is on my list of software to learn this year, too. You’re in luck. I’ve been collecting tutorials together in a list that either look like I’d learn a lot from them or have an interesting outcome. Here are some that will hopefully get you started.

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Retro Film Effects with BCC OFX

Retro Film Effects with BCC OFX

November 16, 2015

Learn how to recreate the look of a silent film using BCC Film Styles using BCC for OFX in DaVinci Resolve. Trainer Andrew Devis shows also explains when to apply a filter to a clip versus your timeline.

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Avid MC/Resolve Round-Trip Workflow

Avid MC/Resolve Round-Trip Workflow

November 16, 2015

Scott Freeman has a tutorial up at Creative Cow named “3 Fields for Flawless Conform. Every File. Every Time.” Scott explains the three metadata fields to watch for seamless Avid-Resolve roundtripping.

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Mucho mocha!

Mucho mocha!

November 10, 2015

We’ve compiled several Imagineer Systems mocha Pro tutorials in one blog to help make it easier for you to learn mocha, including roto painting, adjusting a track, how/when to manual track and more.

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Lens Correction

Fast Lens Correction in Resolve with Boris Continuum Lens Correction

June 25, 2015

Want to get rid of that fish-eye from your GoPro footage directly in DaVinci Resolve? BCC Lens Correction will allow you to fix the problem by changing the distortion amount,  the vertical perspective, adjust pan and lens center, and scale your footage.

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Advanced Finishing in Resolve 11

Advanced Finishing in Resolve 11

June 25, 2015

Take your Resolve grading work to the next level of finishing and vfx with BCC and mocha.  Resolve Trainier and colorist Alex Van Hurkman shows us how to use Boris Continuum Complete (BCC) and mocha Pro together inside Resolve to create visual effects and some finishing.  He even explains it in term us NLE editors can understand.

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Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

December 10, 2014

Take a bland, colorless sky and make it into a vault of heaven! Create an alluring azure sky with fluffy clouds, a sublime sunset or an moody moonlight scene. I’ll give several options, utilizing plug-ins from CoreMelt, Video Copilot, Boris FX, Red Giant, SUGARfx and Imagineer.

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