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Boris Continuum (123 Tutorials)

Webinar Replay: Advanced Tips & Techniques with mocha & AE

Webinar Replay: Advanced Tips & Techniques with mocha & AE

November 12, 2015

Join Ben Brownlee of Curious Turtle as he gives some great advice on using Imagineer mocha with After Effects. Ben really knows his mocha.

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Recreate the Sin City Look in After Effects

Recreate the Sin City Look in After Effects

November 12, 2015

Paul Ezzy shows you how to mimic the film noir, graphic novel stylized of Robert Rodriguez’s “Sin City: Dame To Kill” with Boris Continuum Complete 9 in Adobe AE.

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Image Restoration and Touch Up in After Effects Seminar

Image Restoration and Touch Up in After Effects Seminar

November 12, 2015

Here is the archived video of the event, in case you missed it, and more information on links mentioned in the session. 

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In Depth: Skin Retouching Part 4: DaVinci Resolve

In Depth: Skin Retouching Part 4: DaVinci Resolve

November 12, 2015

Making skin tones appear natural, yet attractive, in color graded footage can be intimidating to the inexperienced. Here are some tutorials and articles focused on working with skin tones with Blackmagic Design DaVinci Resolve, including smoothing and cosmetic color grading.

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In Depth: Working with Night Time Scenes, part 1

In Depth: Working with Night Time Scenes, part 1

November 2, 2015

You really have two choices when shooting scenes that take place at night. Either shoot at night and deal with the low light situation or shoot Day for Night. Shooting at night is easier if your camera is capable of it. Day for Night, which I would recommend under certain circumstances, can be tricky but can look fantastic and undistinguishable when it’s done correctly. Part one of this article will focus on shooting in after dark.

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In Depth: Working with Night Time Scenes, part 2

In Depth: Working with Night Time Scenes, part 2

November 2, 2015

Part 1 of this two part series focused on shooting at night and when and how to accomplish shooting in low light. Part 2 focuses on working with footage shot during the daytime and color grading for night. We'll also talk about adding some night time elements to sell your shot.

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BCC: Up Rez in FCP X & Motion 5

BCC: Up Rez in FCP X & Motion 5

August 10, 2015

Learn how to UpRez SD footage to HD using BCC UpRez from Image Restoration, in FCPX and Motion 5.

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BCC Magic Sharp in Resolve 11

BCC Magic Sharp in Resolve 11

August 10, 2015

Learn how to manipulate the different parameters, including channel sharpening, detail tuning, and channel tuning, to make your footage pop.

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Save the Shot with Boris Continuum Complete and Sony Vegas Pro

Save the Shot with Boris Continuum Complete and Sony Vegas Pro

August 10, 2015

John Rofrano shows you how to save otherwise-unusable shots using two image restoration tools from Boris Continuum Complete: BCC Smooth Tone and BCC Noise Reduction. BCC Smooth Tone smooths or softens an image while preserving the important detail contrast areas while BCC Noise Reduction eliminates unwanted video noise from image clips.

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Make Bad Pixels Disappear

Make Bad Pixels Disappear

August 10, 2015

Dead pixels can spell big trouble that can potentially ruin a show, but not if you have Boris Continuum Complete’s Pixel Fixer in your toolbox…part of the Boris Continuum Unit: Image Restoration

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Repair Video with BCC Flicker Fixer

Repair Video with BCC Flicker Fixer

August 10, 2015

Repair video affected by uneven shutter exposure or a flickering light source with Boris Continuum Complete v8 AE’s Flicker Fixer filter, part of Boris Continuum Unit: Image Restoration.

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Lens Correction

Fast Lens Correction in Resolve with Boris Continuum Lens Correction

June 25, 2015

Want to get rid of that fish-eye from your GoPro footage directly in DaVinci Resolve? BCC Lens Correction will allow you to fix the problem by changing the distortion amount,  the vertical perspective, adjust pan and lens center, and scale your footage.

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Advanced Finishing in Resolve 11

Advanced Finishing in Resolve 11

June 25, 2015

Take your Resolve grading work to the next level of finishing and vfx with BCC and mocha.  Resolve Trainier and colorist Alex Van Hurkman shows us how to use Boris Continuum Complete (BCC) and mocha Pro together inside Resolve to create visual effects and some finishing.  He even explains it in term us NLE editors can understand.

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Boris Continuum Match Move in Vegas Pro

Boris Continuum Match Move in Vegas Pro

June 24, 2015

John Rofrano explains how to use BCC’s Match Move plug-in for OFX in Sony Vegas Pro to match text to movement on screen.

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Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

December 10, 2014

Take a bland, colorless sky and make it into a vault of heaven! Create an alluring azure sky with fluffy clouds, a sublime sunset or an moody moonlight scene. I’ll give several options, utilizing plug-ins from CoreMelt, Video Copilot, Boris FX, Red Giant, SUGARfx and Imagineer.

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