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Workflow (401 Tutorials)

Design a Broadcast Motion Graphics Opener

Design a Broadcast Motion Graphics Opener

April 19, 2016

Join Eran Stern of SternFX, popular After Effects trainer and motion graphics artist, as he takes Boris Continuum Complete After Effects and Premiere Pro users through a two-step process that is becoming more and more commonplace – creating a broadcast opener, then compositing that opener onto an iPad.

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Effex 2.70.70 Foam & Spray

Effex 2.70.70 Foam & Spray

April 19, 2016

“In this new video tutorial, I show the whole process of creating, simulating and (simple) rendering of foam & spray in a liquid simulation setup with the latest version of Effex 2.7.” – Navié

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Professional Vocal Mix Techniques

Professional Vocal Mix Techniques

April 12, 2016

Nothing can elevate a beat to sound like a catchy real song faster than a good vocal. But on the other hand, nothing can sabotage an otherwise great beat to sound like an amateur mess than a bad vocal. And sometimes, all that stands between one thing and the other is mix technique.

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What Renderer is Right for You?

What Renderer is Right for You?

March 30, 2016

In this video I examine my three favorite renderers at the moment, Physical, Arnold, and Octane. One of the most common questions I get asked by C4D artists these days is, “What renderer should I use?” Well, hopefully this video and it’s clever analogy will help clear that up for you. This video runs through some of my favorite (and not so favorite) features of these renderers.

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Tao Flowing Ribbons

Tao Flowing Ribbons

March 22, 2016

“New tutorial on creating seamlessly looping flowing ribbons with Trapcode Tao in Adobe After Effects.” – Peder Norrby

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Create a Fast Dynamic Particle System Using X-Particles

Create a Fast Dynamic Particle System Using X-Particles

March 22, 2016

“In this tutorial, I will show you how to make this dynamic animation using X-Particles and Cinema 4D.” – Nick Campbell

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Make Clip Replacements and Revisions Faster Than Ever

Make Clip Replacements and Revisions Faster Than Ever

March 15, 2016

Learn three commands that will make your revisions faster and easier with this Premiere Pro tip!

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Paul White Delivers a Crash Course in Instant Mixing

Paul White Delivers a Crash Course in Instant Mixing

March 15, 2016

The vocals sound great, the drums are really kicking and the guitars are exceptional but put it all together and what have you got? A mess! Sound familiar? Until you’ve gained plenty of experience in mixing music, the process can seem very frustrating.

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Tao Maelstrom and Plastic Vortex

Tao Maelstrom and Plastic Vortex

March 15, 2016

Peder Norrby has published a couple quick tutorials pertaining to some questions that he received on the Trapcode Instagram account.

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How to Use External Scopes with Video vs Data Levels in DaVinci Resolve

How to Use External Scopes with Video vs Data Levels in DaVinci Resolve

March 15, 2016

How to Use External Scopes (and Where to Set Your Black and White Levels). A follow-up to understanding Video Levels and Data Levels in DaVinci Resolve

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Using Offline Reference Clips in DaVinci Resolve

Using Offline Reference Clips in DaVinci Resolve

February 23, 2016

Using offline clips is important when establishing yourself as a serious colorist. Learn how in this DaVinci Resolve Tutorial.

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A Faster Render

A Faster Render

February 17, 2016

“After I posted my Danny’s Dream short a few weeks ago, a few people wrote to ask about the V-Ray settings I’d used to render the sequences in about 5 minutes per frame. Instead of answering individually, I thought I’d post and discuss my settings here.” – Bertrand Benoit | BB3viz

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The Comprehensive PBR Guide from Substance

The Comprehensive PBR Guide from Substance

February 5, 2016

Here's something a little different for a tutorial Tuesday: this FREE 2 book series on Physically-Based Rendering and PBR texturing, in downloadable PDF format.

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Exploring Color Correction with Hawaiki Auto Grade

Exploring Color Correction with Hawaiki Auto Grade

February 5, 2016

Follow along with Larry Jordan as he examines “Auto Grade” from Hawaiki, a fully automatic image and color correction plug-in.

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Creating Octopus Tentacles

Creating Octopus Tentacles

February 5, 2016

In this tutorial, Eric Keller shows us how to quickly add suction cups to a tentacle mesh using the new ZModeler Brush and NanoMesh in ZBrush 4R7.

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