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Color Grading / Color Correction (116 Tutorials)

U.F.Oh Yeah Film Short and The Making Of…

U.F.Oh Yeah Film Short and The Making Of…

November 12, 2015

Film Riot has created a clever short film entitled U.F.Oh Yeah, Directed and written by Ryan Connolly and starring Josh Connolly, the film is about a U.F.O. enthusiast and conspiracy theorist who has an encounter with extraterrestrials that doesn’t go quite as one might expect. After the film, learn about how some of the effects were made. There are a whole series of videos here and they’re fantastic!!

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In Depth: Skin Retouching Part 4: DaVinci Resolve

In Depth: Skin Retouching Part 4: DaVinci Resolve

November 12, 2015

Making skin tones appear natural, yet attractive, in color graded footage can be intimidating to the inexperienced. Here are some tutorials and articles focused on working with skin tones with Blackmagic Design DaVinci Resolve, including smoothing and cosmetic color grading.

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Avid Safe Color Limiter

Avid Safe Color Limiter

November 10, 2015

Tutorial on applying the Safe Color Limiter effect using Avid Media Composer

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In Depth: Working with Night Time Scenes, part 1

In Depth: Working with Night Time Scenes, part 1

November 2, 2015

You really have two choices when shooting scenes that take place at night. Either shoot at night and deal with the low light situation or shoot Day for Night. Shooting at night is easier if your camera is capable of it. Day for Night, which I would recommend under certain circumstances, can be tricky but can look fantastic and undistinguishable when it’s done correctly. Part one of this article will focus on shooting in after dark.

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In Depth: Working with Night Time Scenes, part 2

In Depth: Working with Night Time Scenes, part 2

November 2, 2015

Part 1 of this two part series focused on shooting at night and when and how to accomplish shooting in low light. Part 2 focuses on working with footage shot during the daytime and color grading for night. We'll also talk about adding some night time elements to sell your shot.

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NewBlueFX Filters: ColorFast: Skin and Shape Masks

NewBlueFX Filters: ColorFast: Skin and Shape Masks

September 10, 2015

Shahriar Rahman shows you how to use the skin and shape masks within Filters ColorFast.

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NewBlueFX Filters: ColorFast: Secondary Correction

NewBlueFX Filters: ColorFast: Secondary Correction

September 10, 2015

Shahriar Rahman shows you how to use the secondary correction in ColorFast to change only a portion of a shot.

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NewBlueFX Filters: ColorFast

NewBlueFX Filters: ColorFast

September 10, 2015

Ian Stark shows you how to use the skin preservation feature in ColorFast from the Filters collection.

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NewBlueFX Essentials: Color Fixer Pro

NewBlueFX Essentials: Color Fixer Pro

September 10, 2015

Ian Stark shows you how to use the white balance feature in Color Fixer Pro from the Essentials collection.

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Red Giant Colorista III in FCPX

Red Giant Colorista III in FCPX

June 25, 2015

Red Giant worked hard to get Colorista III to work seemlessly with Final Cut Pro X.  Here Stu Maschwitz shows you just how beautifully they work together.

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Advanced Finishing in Resolve 11

Advanced Finishing in Resolve 11

June 25, 2015

Take your Resolve grading work to the next level of finishing and vfx with BCC and mocha.  Resolve Trainier and colorist Alex Van Hurkman shows us how to use Boris Continuum Complete (BCC) and mocha Pro together inside Resolve to create visual effects and some finishing.  He even explains it in term us NLE editors can understand.

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3 Magic Bullet Looks tutorials

3 Magic Bullet Looks tutorials

May 13, 2015

Here are 3 Magic Bullet Looks tutorials covering Film, LUTs, and Color Grading.

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Magic Bullet Suite 12

Magic Bullet Suite 12

May 4, 2015

With the release of the new Magic Bullet Suite 12, Stu Maschwitz has created tutorials for Looks, Colorista and the new Film, to get you started.

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The Importance of Compositing: A Layer By Layer Breakdown in After Effects

The Importance of Compositing: A Layer By Layer Breakdown in After Effects

January 29, 2015

Learn how important compositing is for your 3D renders, as every shot needs color correction and/or compositing, in this tutorial from Greyscalegorilla.

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Re-creating the Lost Smoke Monster

Re-creating the Lost Smoke Monster

December 19, 2014

In this Episode of Red Giant TV, Filmmaker/Motion Graphics artist Seth Worley will show you how to re-create the look of the Lost Smoke monster. Covered: Compositing, Masking, 3D tracking, Color Correction and some really cool Trapcode Particular techniques.

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