Color Grading / Color Correction (124 Tutorials)
Magic Bullet Suite 13 Tutorials
November 22, 2016
Stu Maschwitz, Creative Director for Red Giant’s Magic Bullet line, has made many walkthrough tutorials on the new Magic Bullet Suite 13. Here he goes a bit more in depth on several different features.
Premiere Pro: Advanced Color Correction
November 1, 2016
Tobias Gleissenberger shows you how to utilize some of the tools built into Premiere Pro, such as the waveform monitor, the RGB parade and the vectorscope, to analyze the color in your video and adjust them accordingly.
In Depth: 8 Plug-ins for White Balancing Footage in Final Cut Pro X
August 31, 2016
White should look white, not peach, pink, or baby blue. White balancing footage will help your video look natural by looking at the color temperature in your shot and setting an accurate white, removing any unnatural color cast. Here are 8 tools for white balancing your footage in Final Cut Pro.
Adobe Premiere Pro: Limitations in the Lumetri Color Panel
August 9, 2016
“This video tutorial is about some limitations and illogical behaviors in the Lumetri Color Panel (within Premiere Pro) that you need to be aware of to use it correctly and get the best image quality.”
X-Particles Explosions in Cinema 4D
July 20, 2016
Noah Witchell has a tutorial on making a fiery explosion using the FLIP Solver, which is built into X-Particles.
Easy Color Grading Using Magic Bullet Looks
July 20, 2016
This tutorial by Tom J. McCoy explains how Magic Bullet Looks works to create professional color grades.
Avid Media Composer: Color Correction and Color Grading
June 28, 2016
Learn about color grading and/or color correction in Avid Media Composer. Here are many resources with advice from professional colorists.
DaVinci Resolve and BCC 10 – Light Leaks and Video Glitch
May 17, 2016
Colorist Dan Harvey shows DaVinci Resolve users how to quickly apply new style effects & transitions from Boris FX with BCC 10.
Transcode and Color Grading Tips 8 bit vs. 10 bit In Premiere Pro
May 10, 2016
Should you transcode before Color Grading in Adobe Premiere? Jarle Leirpoll puts that question to the test and lays to rest some misconceptions.
Anatomy of a DaVinci Resolve Composite
April 26, 2016
“In this video, I show you how I pushed DaVinci Resolve further than I have yet. A project came in that needed a bit of compositing, and I tackled in right in DaVinci Resolve. And with a little help from Boris Continuum Complete, it all came together beautifully.” –
Mike Wolf
How to Convert Color Video to Monochrome in DaVinci Resolve
March 22, 2016
“Carver Moore shows us how to convert footage to Black and White in DaVinci Resolve.” – WolfCrow
How to Use External Scopes with Video vs Data Levels in DaVinci Resolve
March 15, 2016
How to Use External Scopes (and Where to Set Your Black and White Levels). A follow-up to understanding Video Levels and Data Levels in DaVinci Resolve
Using Offline Reference Clips in DaVinci Resolve
February 23, 2016
Using offline clips is important when establishing yourself as a serious colorist. Learn how in this DaVinci Resolve Tutorial.
Grading, Compositing, and Editing in Resolve
February 9, 2016
Having Fun With Post! Creating and Finessing with Alexis Van Hurkman.
Exploring Color Correction with Hawaiki Auto Grade
February 5, 2016
Follow along with Larry Jordan as he examines “Auto Grade” from Hawaiki, a fully automatic image and color correction plug-in.