Color Grading / Color Correction (126 Tutorials)
Sky Replacement/Fake HDR – Davinci Resolve Tutorial
February 21, 2017
MiesnerMedia explains a “party trick” about how to replace a sky in Resolve. He recommends using a compositor like After Effects instead so this is why he calls it a party trick. It's an informative tutorial covering a complex technique, hopping into the topic of dynamic range of cameras.
Enhance Your Sky in Under Five Minutes in DaVinci Resolve
February 21, 2017
It's not always easy when contrast is a concern. It's important to get your exposure right and know which filters to use. Here are some tips from Lewis McGregor at Premium Beat on enhancing your sky in DaVinci Resolve.
In Depth: Keying and Background Removal in Photoshop, Part 2: Primatte Chromakey
February 14, 2017
Part 2 of this series on background removal covers Digital Anarchy’s Primatte Chromakey and how to use it with Photoshop for the best workflow possible.
Re:Vision Effects Re:Match – Intro to Re:Match Color
December 31, 2016
This tutorial covers the basic concepts and use for RE:Match Color. After Effects and Premiere are used in this tutorial, although the controls are similar for all host applications.
Tutorials: Colour Grading Tutorials for DaVinci Resolve
December 20, 2016
Get coloring tips from professional colorists, troubleshoot common Resolve problems, learn FCPX/Premiere Pro workflows, and more, with this DaVinci Resolve color grading tutorial compilation from film editor Danny Elwin.
How to – Muted Cinematic Look in Davinci Resolve 12.5 + Free LUT
December 2, 2016
Alex Jordan from LearnColorGrading.com has a tutorial that shows how to create a muted film look in Davinci Resolve and is offering the Film Emulation LUTs based on that look for free.
Magic Bullet Suite 13 Tutorials
November 22, 2016
Stu Maschwitz, Creative Director for Red Giant’s Magic Bullet line, has made many walkthrough tutorials on the new Magic Bullet Suite 13. Here he goes a bit more in depth on several different features.
Premiere Pro: Advanced Color Correction
November 1, 2016
Tobias Gleissenberger shows you how to utilize some of the tools built into Premiere Pro, such as the waveform monitor, the RGB parade and the vectorscope, to analyze the color in your video and adjust them accordingly.
In Depth: 8 Plug-ins for White Balancing Footage in Final Cut Pro X
August 31, 2016
White should look white, not peach, pink, or baby blue. White balancing footage will help your video look natural by looking at the color temperature in your shot and setting an accurate white, removing any unnatural color cast. Here are 8 tools for white balancing your footage in Final Cut Pro.
Adobe Premiere Pro: Limitations in the Lumetri Color Panel
August 9, 2016
“This video tutorial is about some limitations and illogical behaviors in the Lumetri Color Panel (within Premiere Pro) that you need to be aware of to use it correctly and get the best image quality.”
X-Particles Explosions in Cinema 4D
July 20, 2016
Noah Witchell has a tutorial on making a fiery explosion using the FLIP Solver, which is built into X-Particles.
Easy Color Grading Using Magic Bullet Looks
July 20, 2016
This tutorial by Tom J. McCoy explains how Magic Bullet Looks works to create professional color grades.
Avid Media Composer: Color Correction and Color Grading
June 28, 2016
Learn about color grading and/or color correction in Avid Media Composer. Here are many resources with advice from professional colorists.
DaVinci Resolve and BCC 10 – Light Leaks and Video Glitch
May 17, 2016
Colorist Dan Harvey shows DaVinci Resolve users how to quickly apply new style effects & transitions from Boris FX with BCC 10.
Transcode and Color Grading Tips 8 bit vs. 10 bit In Premiere Pro
May 10, 2016
Should you transcode before Color Grading in Adobe Premiere? Jarle Leirpoll puts that question to the test and lays to rest some misconceptions.