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Red Giant Complete (166 Tutorials)

AE & C4D – AE & C4D –  Abstract Particles Using Trapcode Form and OBJs

AE & C4D – AE & C4D –  Abstract Particles Using Trapcode Form and OBJs

February 11, 2014

VinhSon Nguyen shows a cool, basic technique that you can use to create unique and interesting forms for titles, background elements and more.

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In Depth: Optimizing After Effects for the Best Performance

In Depth: Optimizing After Effects for the Best Performance

February 4, 2014

If you've been using Adobe After Effects since early versions, as I have, you are familiar with the idea of optimizing your machine and settings for premium performance. Here are some tips and resources to help you create the fastest and most solid After Effects you can. If you don't have a big budget for optimizing your system, where do you put the money for upgrades? That's for you to decide, but here are some suggestions on how to optimize what you have, and about other ways to optimize. If this article can't help you with the speed of After Effects, it will hopefully explain why things aren't running as fast as you would like them to.

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Apple FCP X 10.1, Plug-in Compatibility and Resources

Apple FCP X 10.1, Plug-in Compatibility and Resources

February 4, 2014

FxPlug 3 is new with this release, and it allows custom plug-in interfaces and dual-GPU support. We will let you know if we learn of any incompatibility issues with plug-ins. We are requesting that you let us know if you encounter any problems with plug-in incompatiblity with the new version of FCP X 10.1 or Motion too. We can put together a nifty list if it's needed.Thanks!

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In Depth: Keying: Pre-Processing Greenscreen Footage for Keying

In Depth: Keying: Pre-Processing Greenscreen Footage for Keying

February 4, 2014

If your greenscreen footage didn’t turn out as perfectly as you had hoped, here are some things that you can do to fix problems and not create new ones.

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Crumpled Paper in After Effects

Crumpled Paper in After Effects

February 4, 2014

You know the open for the sitcom “Community”, with the crumpled paper? Trevor Penner explains how to do this effect.

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Sparkler for Trapcode Particular with Motion Sketch Tutorial

Sparkler for Trapcode Particular with Motion Sketch Tutorial

July 3, 2013

Sticking with our July 4th Independence Day theme, check out this free preset from Greyscalegorilla’s Nick Campbell.

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Paint Drips with Trapcode Particular + Free Preset

Paint Drips with Trapcode Particular + Free Preset

May 7, 2013

In this QuickTip, Harry Frank shows you how to create a spray paint effect with paint drips.

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Cinema 4D Scene OBJ Export to Trapcode Form

Cinema 4D Scene OBJ Export to Trapcode Form

February 12, 2013

Posted by Peder Norrby. Tutorial showing how to create a scene in Cinema 4D and export an OBJ and Cinema’s camera. And import all this in Adobe After Effects so the Cinema render perfectly matches Trapcode Form.

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Red Giant Holomatrix- Create a Holographic Look in After Effects

Red Giant Holomatrix- Create a Holographic Look in After Effects

February 12, 2013

In this episode, Aharon Rabinowitz shows you how to create the look of a holographic interface, using Red Giant Software’s Holomatrix. He’ll also use Magic Bullet Looks for color grading, and footage from Digital Juice’s Motion Designer’s Toolkit.

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Web Line Escape: Spider-Man Web-Slinging Effect

Web Line Escape: Spider-Man Web-Slinging Effect

February 12, 2013

In this episode of Red Giant TV, director Seth Worley shows you how to create a Spider-Man Web Slinging Effect with Trapcode Particular.

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Introduction to Trapcode Mir, Getting Started Parts 1 & 2

Introduction to Trapcode Mir, Getting Started Parts 1 & 2

February 12, 2013

Check out these new tutorials on Trapcode Mir at Red Giant TV. Quick Walkthrough Introduction to Mir, and Getting Started Parts 1 & 2 by Peder Norrby of Trapcode. Trapcode Mir was released today, along with the new Trapcode Suite 12.

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Tempo: Up in Flames – Realistic & Slow-Motion Fire Effects

Tempo: Up in Flames – Realistic & Slow-Motion Fire Effects

December 18, 2012

In this episode of Red Giant TV, Aharon Rabinowitz walks you through the workflow used to create realistic fire for the film Tempo. He’ll be using a combination of real fire footage, Trapcode Particular, and some 3rd Party plug-ins from RE:Vision Effects.

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Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations

Trapcode Mir – Amplitude Mapping, Creating City Scapes, Audio-Triggered Animations

October 12, 2012

Post at Red Giant TV: Aharon Rabinowitz shows you how to take Trapcode Mir in a whole new direction using Amplitude Layers. You'll learn to create looping animation, cityscapes, audio-triggered displacement and more. 

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Depth of Field with Trapcode Mir

Depth of Field with Trapcode Mir

August 9, 2012

In this QuickTip, Learn how to simulate stunning depth of field effects with a few great tips from Dino Muhic. Check out Dino's work at DinoMuhic.com

 

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Color Isolation Effect with Magic Bullet Colorista II

Color Isolation Effect with Magic Bullet Colorista II

July 2, 2012

Michele Yamazaki from Toolfarm explains a couple of cool tricks that you can do with color in Red Giant Software Magic Bullet Colorista II, a robust tool made for color correcting footage.&nbsp;</p>

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