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Red Giant Complete (160 Tutorials)

Stranger Things – “Upside Down” World Look

Stranger Things – “Upside Down” World Look

August 9, 2016

The popular new Netflix Series Stranger Things is a nod to Spielberg classics, such as ET and Goonies. Learn how to recreate the “Upside Down” world Look – from Red Giant's Seth Worley.

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Recreating the Stranger Things Opening Title

Recreating the Stranger Things Opening Title

August 9, 2016

The popular new Netflix Series Stranger Things is a nod to Spielberg classics, such as ET and Goonies. Learn how to recreate the 80's-styled opening sequence in After Effects –  from Red Giant's Seth Worley.

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Easy Color Grading Using Magic Bullet Looks

Easy Color Grading Using Magic Bullet Looks

July 20, 2016

This tutorial by Tom J. McCoy explains how Magic Bullet Looks works to create professional color grades.

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In Depth: Skin Retouching Part 5: Some New Tools and Tutorials

In Depth: Skin Retouching Part 5: Some New Tools and Tutorials

March 2, 2016

Since I started this series, there have been a couple of new tools on the market for skin touch-up and smoothing, as well as a couple of useful tutorials on the topic. I’ll talk about Sheffield Makeup Artist III, which came out in February, and Boris Continuum Complete Beauty Studio.

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Premiere PRO Audio Tutorials

Premiere PRO Audio Tutorials

February 5, 2016

Here's a compilation of several PPRO audio tutorials, from syncing audio to video, to converting stereo tracks to dual mono, and lots in-between.

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How to Create a Realistic Nebula in After Effects

How to Create a Realistic Nebula in After Effects

January 12, 2016

Get inspired by images from NASA and build a realistic 3D nebula in After Effects using both Trapcode and HitFilm.

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Logo Reveal with Trapcode Tao

Logo Reveal with Trapcode Tao

December 23, 2015

“In this tutorial, Peder Norrby covers a simple technique to reveal a logo or text with Trapcode Tao using paths from masks, offset and moving the camera.” – CG Terminal

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Low poly Cupcake Christmas tree with Trapcode Tao

Low poly Cupcake Christmas tree with Trapcode Tao

December 8, 2015

Dominic Pons explains how to create a low-poly Christmas tree scene in After Effects using Trapcode Tao.

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Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

Replace a Bland, Overcast Sky with a Gorgeous Sky in After Effects

December 4, 2015

Take a bland, colorless sky and make it into a vault of heaven! Create an alluring azure sky with fluffy clouds, a sublime sunset or an moody moonlight scene. I’ll give several options, utilizing plug-ins from CoreMelt, Video Copilot, Boris FX, Red Giant, SUGARfx and Imagineer.

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Compositing Tips from Greenscreen Made Easy by Michele Yamazaki

Compositing Tips from Greenscreen Made Easy by Michele Yamazaki

December 4, 2015

This one is from a while back but Michele Yamazaki has some great compositing tips from the book  “Greenscreen Made Easy!” There's a new edition coming out in 2016!

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Overview/Review: Red Giant PluralEyes

Overview/Review: Red Giant PluralEyes

November 30, 2015

Michele from Toolfarm walks users through how to use PluralEyes and gives a few workflow tips to simplify the job.

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Red Giant Colorista III in FCPX

Red Giant Colorista III in FCPX

June 25, 2015

Red Giant worked hard to get Colorista III to work seemlessly with Final Cut Pro X.  Here Stu Maschwitz shows you just how beautifully they work together.

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Premiere PRO Audio

Premiere PRO Audio

June 25, 2015

Here's a compilation of several PPRO audio tutorials:

  1. Automatically Syncing Audio to Video
  2. Multichannel Audio in Premiere Pro
  3. Using Premiere Pro’s Audio Automation Modes
  4. Converting stereo tracks to dual mono

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Magic Bullet Suite 12

Magic Bullet Suite 12

May 4, 2015

With the release of the new Magic Bullet Suite 12, Stu Maschwitz has created tutorials for Looks, Colorista and the new Film, to get you started.

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Re-creating the Lost Smoke Monster

Re-creating the Lost Smoke Monster

December 19, 2014

In this Episode of Red Giant TV, Filmmaker/Motion Graphics artist Seth Worley will show you how to re-create the look of the Lost Smoke monster. Covered: Compositing, Masking, 3D tracking, Color Correction and some really cool Trapcode Particular techniques.

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