Render / Generate (250 Tutorials)
Sky Replacement in FCP X + Other Hosts
July 10, 2018
Steve at Ripple training shows you how to do a Sky Replacement with Final Cut Pro X’s powerful Keyer effect and a few color correction tools.
Create Beautiful Volumetric Lighting in Davinci Resolve with Sapphire EdgeRays
July 6, 2018
Create photorealistic lighting effects with Blackmagic Davinci Resolve and Sapphire Edge Rays. For more cool lighting effects, Check out Boris FX Sapphire for Davinci Resolve, After Effects, Premiere Pro, and other hosts.
Getting Started with Mettle FLUX #gettingstarted
July 6, 2018
Charles Yeager of yeagerfilm.com explains the ins and outs of Mettle FLUX for After Effects and Premiere Pro. Download a free demo to follow along.
New: Mettle Flux for After Effects and Premiere Pro, Updated Mettle Suite + Flux Tutorial
June 28, 2018
Mettle Flux has harnessed the beauty of fractals, made them 3D Volumetric, GPU accelerated, with Ray Marching and Force Fields. Watch the tutorial!
Premiere Pro: Idustrial Revolution Volumetrix and Particlemetrix Tutorial
June 7, 2018
This tutorial shows how to get the volumetric rays, glows, glints and distorts with Volumetrix and also how to convert video into particles with ParticleMetrix. Both the filter and transition versions of the plugins are used.
Wakanda Form-ever! by Action Movie Dad | Red Giant Cheap Tricks
June 6, 2018
The second episode of Cheap Tricks is up at Red Giant! Hashi from Action Movie Kid dives into creating the Vibranium sand effects from the end title sequence of Marvel’s Black Panther, created originally by the team at Perception. He uses Trapcode tools including Form, Particular, and Shine, as well as Red Giant Universe and Magic Bullet Looks. Check it out!
RealFlow | Maya: Working With Spline Emitter
June 6, 2018
This tutorial shows you how to use the spline emitter in Realflow | Maya.
Using Trapcode Particular with Master Properties in After Effects
May 29, 2018
Harry Frank that explains how to use Particular with After Effects new Master Properties feature, which allows you to easily create tons of variations from a single comp.
V-Ray for 3ds Max – Portraying Leaves
May 29, 2018
Creating accurate, realistic leaves in 3D is difficult because of all the subtle differences present in the natural world. TILTPIXEL partner Ramy Hanna explains the best tools and techniques to use in V-Ray for 3ds Max to get “impeccable results.”
Getting Started with RealFlow | Maya Series, part 1 #gettingstarted
May 29, 2018
Here are several videos to help you get going fast with RealFlow | Maya.
After Effects: Large Scale Explosions in AE
May 15, 2018
ActionVFX’s Alan Fire has two tutorials explaining how to create a composite using their explosion stock footage in After Effects.
iToo Software: Making it Snow with Forest Pack
April 10, 2018
Learn how Forest Pack can be used to add a covering of snow to high polygon objects, like trees, really quickly.
Animating Mars with MoGraph in Cinema 4D and After Effects
March 27, 2018
Jeremy Walker creates Mars with realistic planet texture maps, using Cinema 4D’s native MoGraph Effectors. He animates and composites it in After Effects.
Lens Flares in Avid Media Composer with Boris Sapphire
March 26, 2018
Learn to create Lens Flares in Avid Media Composer with Boris Sapphire in these two tutorials, one from Kevin McAuliffe and the other from Nick Harauz.
How Do I Make a Hologram Effect in After Effects?
March 26, 2018
Holograms are a way to show recorded, beamed messages, schematics, 3-dimensional characters, futuristic user interfaces, and they’re now being used in interesting and exciting ways in real life. We’ll start with a few examples, and then some After Effects tutorials dealing with the humble hologram.