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Everything you need for high-end 3D

Cinema 4D Studio is the very best that MAXON has to offer for professional 3D artists. If you want to create advanced 3D graphics but need a helping hand to ensure you create jaw-dropping graphics quickly and easily, then this is the choice for you.


Maxon Product Comparison Chart

Learn the differences between Studio, Visualize, Broadcast, and Prime versions of Cinema 4D. BodyPaint 3D and Cinema 4D Lite are also included on the comparison chart.

Maxon Comparison Chart

Cinema 4D is the professional 3D package for your needs. If you want to create advanced 3D graphics and need a helping hand to ensure you create jaw-dropping graphics quickly and easily, then Cinema 4D is the choice for you. It comes in four different flavors for everyone's taste.

Why Cinema 4D?

Easy to learn and extremely powerful: Cinema 4D is the perfect package for all 3D artists who want to achieve breathtaking results fast and hassle-free. Beginners and seasoned professionals alike can take advantage of Cinema 4D’s wide range of tools and features to quickly achieve stunning results. Cinema 4D’s legendary reliability also makes it the perfect application for demanding, fast-paced 3D production, and a range of attractively priced software packages is available to fit any artist’s needs.

Ease of Use

Getting started in the world of 3D is a blast when you can quickly create great-looking results! Cinema 4D’s intuitive and easy to understand operation and logically arranged interface makes it easy for beginners to jump right in and take control. And it never ceases to amaze professional users just how easy Cinema 4D is to use. Countless tutorials and a global, highly-skilled community play an important role in bringing beginners to a professional level of use.

Intuitive Interface

Cinema 4D is a pillar in our users’ everyday workflow. This is why we make sure from the start that new functions work intuitively and are exactly where users will expect to find them. The Cinema 4D layout can also be easily customized to precisely fit a user’s needs and saved for later use.


Cinema 4D’s stability is renowned throughout the 3D community and beyond. All new features and functions are thoroughly put through their paces by our QA and beta testers before being released. Our free service packs, which are released on a regular basis, further optimize Cinema 4D and let us rapidly respond to changes in operating systems and drivers!

Powerful System Help

Any questions about a specific function can be quickly answered by right-clicking on it and jumping straight to the integrated software documentation.

Procedural Workflows

Stay flexible from beginning to end! Staying flexible for last-minute changes is important no matter which project you’re working on. Cinema 4D offers numerous options for working non-destructively: parametric modeling, procedural shaders, textures and more. And the Cinema 4D Take System lets you save and manage multiple versions of a scene in a single file!

CINEMA 4D RELEASE 20 - Welcome to the Deep End

Cinema 4D Release 20 marks a huge leap in technology, introducing massive new frameworks that put tremendous power in your creative hands. The possibilities are endless, your creativity is unleashed - it’s time to jump in the deep end.

Node-Based Materials

From simple references to complex shaders, you can build extraordinary materials in a node-based overview. Complex effects created via nodes can be wrapped as assets and delivered as simple materials, with just the necessary parameters exposed. Release 20’s node-based materials have the power to change the way you work, whether you directly create amazing shaders through nodes or simply make use of assets shared by those who do.

MoGraph Fields

Use more than just simple shapes to control effectors, deformers, weights and more. Fields will revolutionize the MoGraph feature set, making it easy to create complex effects by combining falloffs. You’ll never use Cinema 4D the same way again.

CAD Data Import

Say goodbye to conversion woes - most popular CAD formats can be imported with a simple drag-and-drop. Get the models you need, with the quality you want thanks to the robust and flexible import of STEP, Solidworks, JT, Catia and IGES files.

Volume Modeling

powered by OpenVDB

Better Booleans are only the beginning - create models by combining shapes, splines, particles and noises. It’s all thanks the power of voxels and OpenVDB. Import and export VDB and even use volumes to control MoGraph effects.

ProRender Enhancements

The next generation of native GPU rendering is here - and it’s packed with production-level features to help you get the job done. Render sub-surface scattering, motion blur and multi-passes on your super-charged Nvidia PC or your state-of-the-art iMac.

But wait, there's more!

Motion Tracking

Integrating 3D elements with 2D footage has never been easier thanks to some great workflow improvements to Motion Tracking in Cinema 4D Release 20. The Motion Tracking toolset has consistently matured since it was introduced in Release 16, supporting camera and object tracking, distortion correction and scene reconstruction. Release 20 focuses on refining the overall workflow, making these fantastic features even easier to use.

TRACK VIEW - The Track View magnifies and focuses on a specific 2D track so you can easily monitor and tweak its position. With the Tracker View, you can see the luminance values used internally to track the footage, making it easy to adjust the color filter for the best contrast and automatic tracking.

INTUITIVE LAYOUT - The entire Motion Tracker layout has been redesigned around the new Track View window and provides an ideal workflow with easy access to key managers and commands.

ENHANCED 2D TRACK LIST - It’s easy to manage user tracks in a new list view. You can easily rename, reorder and organize tracks into folders, as well as adjust key parameters like the track size and shape directly in the list.

VIRTUAL KEYFRAMES - Placing keyframes dramatically improves the automatic tracking of manual features, but it’s tedious. The new Virtual Keyframes option automatically adds virtual keyframes based on the error threshold or frame interval.


Cinema 4D’s MoGraph tools make it easy to create lots of objects and the new Multi-Instances feature makes it easier to manage them. With Multi-Instances, your cloned objects are handled more efficiently and you get drastically better performance in the viewport. Speed things up even more by simplifying the display of each clone to its bounding box, matrix box or axis point. Multi-Instances do support MoGraph Color - even in the viewport!

ADDITIVE MULTI-PASSES - With new purely-additive passes in Cinema 4D’s Standard and Physical Render, you can easily composite the direct and indirect lighting to match the beauty render. This makes it easy to apply denoising on the indirect lighting without losing texture and shadow detail.

TEXTURE GIZMO - Placing textures in Cinema 4D has never been easier! Simply switch into the Texture Mode (flipping the axis mode isn’t necessary anymore) and choose from three display modes in each Texture tag - a simple display of the projection axes, the classic grid, or a new UV pattern display.

SCRIPTING AND PLUG-IN ENHANCEMENTS - As part of the transition to a more modern Cinema 4D core, there are lots of API changes with Release 20. Unfortunately, that requires third-party developers to adapt and recompile their plug-ins but it comes with more power and sets the stage for things to come. There’s also an all-new Console that makes it much easier to debug and develop scripts, and a standalone Python interpreter to support auto-complete and debugging in popular code editors.

MODELING CORE ENHANCEMENTS - Thanks to ongoing efforts to enhance the modeling core, you’ll see improved interpolation of UVs, Vertex Maps and SDS Weights when using the Extrude, Extrude Inner and Matrix Extrude tools. There are new, improved default UV maps for the Pyramid and Platonic objects. Plus, the Structure Window now automatically switches to match the active component mode and points are now optionally deleted at the same time as their related polygons.

CINEMA 4D Release 20 Complete Feature List


  • Faster Picture Viewer playback
  • Speed and memory optimizations
  • Installer Command Line Interface (CLI) mode


  • SketchUp
    • Update to SketchUp 2018 SDK
    •  Null objects with only one child polygon object now create one combined object instead
  • Alembic
    • Update to Alembic 1.7.7 SDK
    • Performance improvements by caching matrices
    • Users can now bake selected objects to Alembic
    • New animation retiming controls
      • Set Frame (for manual animation control via keyframes)
      • Offset Animation
      • Playback modes (Play, Loop, Ping Pong)
      • Speed setting
      • Time Remap Curve Interface
  • FBX
    • Update to FBX 2018.1.1
    • Support for instances
    • Axis preferences: 
      • Flip Z Axis
      • Up Axis (Default, X, Y, Z)
  • New CAD imports (CATIA V5, JT, Solidworks, STEP, IGES)
  • Houdini upgrade to 16.5.536
  • AI importer: Illustrator splines now load in at the correct scale


  • Enhanced modeling kernel
    • Several commands migrated to the new modeling kernel provide much better preservation of surface attributes (UV, etc.)
      • Delete Components command with much faster performance and better behavior (e.g., deleting disconnected points)
      • Triangulate command
      • Triangulate N-gons
      • Re-Triangulate N-gons
      • Remove N-gons
      • Align Normals
      • Reverse Normals
    • Several tools migrated to the new modeling kernel
      • Extrude Polygon
      • Extrude Inner
      • Matrix Extrude
    • Primitives now use the new modeling kernel
    • Sphere (Icosahedron, Octahedron mode), Platonic and Pyramid primitives now generate non-overlapping UV coordinates 
      • An option is available to convert legacy primitives from old scenes to use the new behavior
  • The Structure Manager now automatically switches the Component mode (Points, Polygons, ...) to the mode selected in the Structure Manager
  • Custom Data tag
    • A new API allows 3rd-party developers to create custom Data tags, which store surface attributes and can also provide interpolations functions.
    • Commands and tools using the new modeling kernel will respect these surface attributes and use the interpolation functions provided
  • OpenVDB
    • Volume Builder Generator
      • Converts a polygon object, spline object, particle object or a Field into a Volume object
        • Can create Signed Distance Fields and Fog volumes
        • Several parameters of the resulting Volume object can be controlled (e.g., Voxel Size)
      • Filter Objects
        • Smooth Filter / Smooth Layer
          • Different Filter Types 
            • Signed Distance Field: Gaussian, Mean, Median, Mean Curvature, Lablacian Filter
            • Fog: Gaussian, Mean, Median
          • Different Filter Accuracy settings for Signed Distance Fields: First Bias, Second Bias, Third Bias, WENO 5, HJWENO 5
        • Reshape Filter / Reshape Layer
          • Different Filter Types 
            • Signed Distance Field: Dilate / Erode, Close / Open
            • Fog: Offset, Range Map, Curve
          • Different Filter Accuracy settings for Signed Distance Fields: First Bias, Second Bias, Third Bias, WENO 5, HJWENO 5
      • Objects and Filters can be layered using different mix modes 
        • Signed Distance Fields (Union, Substract, Intersect)
        • Fog (Normal, Max, Min, Add, Subtract, Multiply, Divide)
      • Volume objects can be referenced as a Field Layer
    • Volume Mesher Generator
      • Generate a polygon object from a Volume object
        • User can control the Voxel Range Threshold or the Surface Threshold 
        • Meshing can be adaptive
      • Import / Export .vdb
        • Volume objects can be imported and exported from and to the industry standard .vdb file format.
      • Volume Loader object
        • References and loads volume files and volume file sequences
      • Volume Mesh command: Remeshes and combines polygon objects using a volume-based approach.


  • ProRender
    • ProRender now supports:
      • Subsurface Scattering
      • Linear & Angular Motion Blur
      • Sub-frame Motion Blur
      • Out of Core Texture streaming to render textures that exceed the total GPU memory
      • Multi Instances
      • Texture Selection tags on instances
      • MoGraph Color shader
      • Physical Sky
      • Compositing passes
        • Direct Illumination
        • Indirect Illumination
        • Emission
        • Environment
        • World Coordinate
        • Texture Coordinate
        • Geometry Normal
        • Shading Normal
        • Depth
        • Object ID
        • Object Group ID
        • Material ID
      • Anti-Aliasing can be enabled for
        • World Coordinate
        • Texture Coordinate
        • Geometry Normal
        • Shading Normal
        • Depth
        • Object ID
        • Material ID
        • Object Group ID
      • Shadow Catcher
      • 2D Noises: users now can use all 2D noises except 'sparse convolution' in the legacy base shader.
    • New Seed setting: users can now specify a seed that is used for rendering.
    • Ray Depth can now be restricted (Diffuse, Glossy Reflection, Refraction, Glossy Refraction)
    • Shadow Ray Depth can now be set
    • Support for Metal 2
    • Compiling kernels on demand, shaders that introduce a big chunk of GPU kernel code will not be included in the initial kernel compilation. The kernel compilation is triggered when such a shader is added.
    • Scenes are now cached when animations are rendered to the Picture Viewer.
      • New Reload Scene per Frame option to enforce R19 behavior
    • General performance enhancements
  • Physical Renderer
    • Improved progressive rendering performance


  • General
    • Immediate low-resolution baking for Viewport
    • Improved shader / material baking for the Viewport
    • Updated Material previews
      • Updated scene setup
      • Several new scenes
    • MoGraph Beat Shader now accepts float values for BPM
  •  New node-based materials
    • Over 140 nodes available
    • Projection nodes can be visualized in the Viewport
    • Node networks can be turned into material assets
    • Node based Materials can be edited in the Node Editor, Material Editor and Attributes Manager
  • New Node Editor based on new UI framework
    • Attributes Area, displaying the parameters of the selected nodes
      • A specialized version of the Attribute Manager
      • New connector element showing dependencies within the shading/rendering context
      • The Connector context menu allows to:
        • Connect Nodes
        • Textures
        • Load Textures
        • Replace Nodes
        • Insert Converters
        • Copy
        • Paste (Link)
        • Paste (Duplicate)
        • Remove 
        • Mute Ports
        • Propagate Ports
      • Basic tab
        • Name
        • Asset Version dropdown shows the different versions of a node (if available)
        • Custom Node color
      • Inputs tab
        • The input attributes of the selected node
        • Nodes can have a dynamic number of inputs (e.g., the gradient can have a variable number of Knots)
        • The command Show Sub-channels can switch the layout to also show sub-channels of a parameter (e.g., Color.R, Color.G, Color.B, Color.A for "Color")
      • Context tab
        • Enables users to replace the context of many Nodes, e.g., to change the UV mapping for this node. 
    • Asset area
      • Lists all available assets provided by MAXON or stored by the user
      • The asset list can be filtered by name and keywords
      • A keyword filter can set certain parameters in a node (e.g., a search for "Buya" will show a Basic Noise Node with Buya set as the Noise type)
      • Context menu
        • Create New category
        • Create Node
        • Import Assets
        • Create New Database
        • Mount Database (Folder / Zip File)
        • Unmount Database
        • Export Database
    • Nodes area lists all the Nodes in the current setup
      • The Nodes list can be filtered
      • Nodes can be cut, copied, pasted, deleted and duplicated
    • Info area, displaying information about the selected Node / asset / Wire (name, version, warnings, ...)
    • Nodes commander, allows the user to search for assets by name and keyword
    • Node view
      • Nodes
        • Header (displays the title, preview and node state toggle)
          • Can be colored to give users a way to organized their Node networks
          • Naming of the Node can be changed
        • Body (includes in- / out-port groups, port bars, port slots and port names)
          • The body can display all ports, no ports or only the connected ports 
        • Nodes can have two major states (full and collapsed)
        • Nodes can be displayed in vertical or horizontal layout
        • Ports
          • Node ports can have different states (unconnected, connected, propagated, converted, group ports, error)
          • Node ports are color coded  to make it easy to differentiate between different types of ports.
          • Ports can be renamed
        • Wires
          • Several ways to connect a Wire to a port:
            • Connect a Wire straight to a port
            • Release a Wire on the port name
            • Release a Wire on the group port name. A pop-up will appear with compatible ports of the group the Wire can connect to
            • Release a Wire inside the empty area of the Node. Again a pop-up with all compatible ports will appear
          • Wires can be displayed as Linear or Bezier curves
          • Wires can be muted (displayed as a dotted line)
        • Special Nodes
          • Start Node: the Node's attributes will be displayed in the Material Editor and the Attribute Manager when the Node material is selected
          • Solo Node: allows the system to use the data from this Node to be displayed in the Viewport and previews
          • Group Node: a Node that contains a nodal network
          • Asset Node: Group Nodes can be converted into Assets
      • Users can use different techniques to navigate the Node View, including touch gestures.
      • Navigator mini map shows an overview of the complete Node network, can be used to quickly navigate the Node network
      • Group bars on the left and right sides of the Node View can be used to propagate the ports to the outside of the group.
      • Nodes can snap to the grid when moved
      • Toolbar shows:
        • Breadcrumb display of the path to the currently edited Node
        • Filter Field
  • Uber Material
    • Material Asset, build with the new Node system
    • Three reflection channels
      • Diffuse Channel: renders diffuse reflections
      • Reflection Channel with three reflection modes
        • Artistic - blends between two user defined colors
        • Dielectric - for dielectric reflections, such as plastic
        • Conductor - for conductors, e.g., metals
      • Coating channel, a simplified dielectric reflection layer to render effects such as a clear coat
    • Emission layer for emissive effects such as luminous materials
    • Transparency for refractive materials such as glass
    • Opacity to control the material’s opacity
    • Bump to control global bump mapping
    • Normal to control global bump mapping
    • Displacement to control the displacement of the material
  • New Node materials
    • Car Paint
    • Ceramic
    • Concrete
    • Cutout
    • Emission
    • Gold
    • Granite
    • Marble
    • Metal
    • Plastic
    • Rock
    • Wood
  • Material Manager
    • New commands in the Create menu
      • New Uber Material
      • New Node Material
      • Node materials (displays all materials in the asset repository folder)
    • Can now open the Node Editor


  • Compositing tag now has a ProRender tab
    • Shadow Catcher Alpha
    • Light Portal
    • Object Group ID
  • Multi Instances
    • New Instances integrated in the Cloner object, Instance object and supported by all internal Render Engines
    • Multi Instances are stored as one object internal, resulting in higher performance and less allocated memory
    • Supports different render modes in the Viewport (Off, Points, Matrix, Bounding Box, Object)
    • Supports the Color shader and MoGraph colors
  • Project Settings
    • Use Color Channel for Node Material"´ setting
  • New Console
    • Categories provide more overview
    • Python console can now completely replace functionality of the Command Line
    • Output can be written to files
    • Drastically improved performance
  • New gradient
    • Updated interface
    • Gradient color bar can be displayed in 3 different sizes (small, medium, large)
    • Selected knots now have an orange outline
    • If more than one Knot is selected, selection handles appear. The allow to move all selected Knots at the same time to to scale the range
    • New Double Selected Knots and Distribute Selected Knots command in the Context menu
    • New Interpolation mode Blend
    • Interpolation can now be set per Knot
    • Intensity renamed to Brightness (only available in the Legacy gradient)
  • New Gradient Node
    • Can display textures and shaders in the gradient color bar
    • Can display alpha
    • Color Chooser is extended with an Alpha slider
    • Blending Space can be set to Linear or sRGB
    • Knot symbol changes: if this Knot is driven by a Node input 
  • Enhanced Color Chooser
    • Color Chooser now can store alpha values in swatches
    • Color Picker now is always available when the Color Chooser is collapsed
    • Color Chip context menu now offers option to enable/disable Alpha (where applicable) and to copy & paste a color
    • The Color Chooser in the unfolded state is now responsive to the size of the manager it displays
    • In the Color Wheel mode it is possible to click on the number on the right side to define the amount of color samples directly
    • The Hex mode now can be enabled directly in the Color Chooser Interface
    • Linear Numeric Values switch allows to display the color sliders linearly in the nodes interface
    • Alpha slider in the nodes interface
  • Texture Manager
    • Channel column is renamed to Material Path, also supports node-based materials and displays the path within the material
    • Edit menu now contains commands formerly only available in the context menu (Show File in Explorer/Finder, ...)
    • New Open File in Manager behavior - a new command and Show in Attribute Manager now displays the attributes of the bitmap shader / Image Node. 
    • Open Material in Manager is now exposed as a command. 
    • Preview shows resolution and bit depth now and small images are centered
  • Attribute Manager was adapted to the Nodes' workflow
    • New Connector interface to handle node connections
  • Preferences
    • Interface: new dropdown menu Field Remapping Graph (Hide, Show, Hide in Field lists)
    • Input devices: new setting to enable touch devices
    • Files / Path: new Fields lists for file assets and database search paths
    • Plug-ins: new Field list for plug-in search paths
    • Units / default sets: new Alpha mode and Hexadecimal mode check boxes
      • New group Gradient
        • Size drop-down menu (Small, Medium, Large)
        • Selection handles check box
      • New group Alpha
        • Grid Color drop-down menu (Light, Medium, Dark)
    • Renderer / ProRender: new group Out of Core Cache
      • Custom Location check box
      • Location path
    • Material (previously Material Preview)
      • New group Node-based Materials
        • Node Preview Size drop-down menu (Small, Medium, Large, Huge)
        • 3D Preview Scene drop-down menu
        • Node Previews check box
        • Preview HUD check box
    • Modeling/Sculpting (previously Sculpting):
      • New group Modeling
        • Disconnected Points on Delete drop-down menu (Remove (press Shift to preserve), Preserve (press Shift to remove))
    • Import/Export:
      • Settings for new CAD formats:
        • CATIA (*.CATPart, *.CATProduct, *.cgr) Import settings
        • IGES (*.igs,*.iges) Import
        • JT (*.jt) Import
        • Solidworks (*.SLDPrt,*.SLDAsm,*.SLDDrw) Import
        • STEP (*.stp,*.step,*.p21) Import
        • Settings include:
          • Settings to enable/disable the import of geometry, splines, instances, helper and hidden objects
          • Settings how to import Normals, display colors, layers and materials
          • Combine by None, Original Bodies, By Topology, By Color or By Layer
          • Heal and Stitch
          • Optimize Hierarchy
          • Setting to import Source Mesh 
          • Settings to import LOD with JT
          • Settings to influence the tessellation, also scale-based tesselation
      • FBX (*.fbx) Export
        • General: new Instances check box
        • Additional: new Flip Z Axis check box and new Up Axis drop-down menu (Y Axis (default), X Axis, Z Axis)
      • FBX (*.fbx) Import
        • General: new Instances check box
        • Additional: new Flip Z Axis check box and new Up Axis drop-down menu (Y Axis (default), X Axis, Z Axis)
      • Volume (*.vdb) Export
        • Scale input field
        • Animation check box
        • Name drop-down menu
        • From and To input fields
        • Selected Only check box
      • Volume (*.vdb) Import
        • Volume Grids list field
        • Scale input field
        • Animation check box
        • Name drop-down menu
        • From and To input fields
        • Group Objects check box
        • Import to Project Location check box
    • Assets
      • Node-based materials and Node networks can be stored as Assets
      • Save Assets dialog
        • Name: name of the Asset
        • Version tag: the version number of the Asset
        • ID: Asset ID
        • Database: the database the Asset will be stored in
        • Category: Asset Category (Color, Context, Conversion, Generator, Info, Material, Math, Shape, String, Surface, Uncategorized, Utility, New Category)
  • General
    • Send to PictureViewer now supports all Viewport renderings (also OpenGL)
    • Camera 2D mode for the Viewport 
    • New Export Selected Object as ... menu entry in the Object Manager
    • The Compositing Project File for Nuke now supports Alembic
    • New Viewport display modes for the Texture tag (Simple, Grid, Solid)
    • Improved UVs for Sphere (some types), Pyramid and Platonic
    • New Bake as Alembic and Bakes as Alembic + Delete commands
    • New command Save as Default Scene
    • Updated Visualize layout
    • New Multi-Passes
      • Direct Diffuse
      • Indirect Diffuse
      • Direct Specular
      • Indirect Specular
    • Texture mode now works as the former Texture Axis mode. Texture Axis mode isn't available anymore.


  • MoGraph Fields
    • MoGraph Fields replace falloffs in all areas where formerly Falloffs were used
    • Field Objects are Objects in the scene and can be freely placed and animated
    • Some Fields can have Sub-Fields, modifying one of their special parameters
    • Fields can write values into certain maps (Vertex Maps, Vertex Colors, Point/Edge/Polygon selections, MoGraph selections, MoGraph Weights)
    • Old falloffs are loaded as legacy falloffs, can be converted to Fields
    • MoGraph Fields UI allows for layering of Fields
      • Different Blend modes available (Normal, Min, Subtract, Multiply, Overlay, Max, Add, Screen, Clip)
      • Opacity slider
      • Value, direction (for certain Effectors) and color modification of each layer can ben enabled/disabled
    • New Field Objects (Box, Capsule, Cone, Cylinder, Linear, Spherical, Torus, Formula, Python, Radial, Random, Shader, Sound, Group)
    • New Modifier Layers (Clamp, Color Filter, Colorizer, Curve, Decay, Delay, Formula, Freeze, Invert, Noise Remap, Python, Quantize, Rangemap, Remap)
    • New Field Layers (MoGraph Object, Particle Object, Point Object, Solid, Spline Object, Step, Time, Variable Tag, Volume Object)
    • Fields Interface
      • Blending tab: here are the Blending options that are also found in the Field Layer interface.
      • Field tab: here are the field-specific parameters of the object
      • Optional sub-fields tab: this tab offers a Field Layer UI for the sub-fields 
      • Remapping tab: this tab holds the integrated remapping parameters of the Field value.
      • Color Remapping tab: this tab holds integrated remapping options for the Field color
      • Direction tab: this tab holds integrated remapping options for Field direction
      • Optional View Settings tab: this tab holds the Viewport settings for the Field
    • Field object interface
      • Same as Fields Interface, minus the Blending tab, plus Direction tab
      • Direction tab: Direction Mode drop-down menu (No Remap, Custom Direction, Attenuate by Strength) and Normalize Direction check box
  • MoGraph Cloner object now supports Multi-Instances

Motion Tracking

  • Updated Motion Tracker layout
  • Simplified workflow to create a Motion Tracker object and to load the footage
  • Show dope sheet style data representation for selected track in the Graph Mode of Graph View.
  • The tracking direction can now be defined per keyframe
  • Tracks can now be frozen, to prevent them from being changed by other edits
  • Newauto re-keying options automatically inserts a key whenever the 2D error reaches a certain threshold to 
  • improve tracking for tracks where the size or orientation of the surface changes significantly
  • New 2D Tracks editor mode
  • User Tracks list
    • Selected tracks are highlighted in the Cinema 4D standard way
    • Individual tracks can be renamed directly within the GUI
    • Full set of standard selection interactions supported
    • Ability for user to re-order tracks
    • Multiple column data display to show the main track settings
    • Support for folders
    • Cursor navigation
    • Ability to delete track(s) using the Delete key
    • Pop up context menu with relevant controls.
  • Tracking direction indication in Graph View
  • Multi-selection and editing of mask vertices is now supported
  • New dockable Track Window that shows the zoomed view of a 2D Track


  • C++
    • New MAXON API
    • Project tool
      • to generate project files for different operating systems
      • support (optional) style and syntax checks
  • Python
    • Integrated Python updated to version 2.7.14, including updated OpenSSL module
    • Script Manager: Python scripts can now also set the menu state, as it was possible in previous versions with C.O.F.F.E.E. scripts
    • Improved developer workflow due to better integration into external IDEs, including code auto completion
    • First exposure of MAXON API in Python

Minimum System Requirements Cinema 4D and BodyPaint 3D

Windows 7 SP1 64-bit or higher on Intel or AMD 64-bit CPU with SSE3 support or MacOS 10.11.6 or 10.12.4+ with 64-bit CPU running on Intel-based Apple Macintosh 4 GB RAM (8 GB or more recommended), OpenGL graphics card supporting OpenGL 4.1 (dedicated GPU recommended)

The GPU renderer requires an NVIDIA or AMD graphics card on Windows or AMD on MacOS that supports OpenCL 1.2 or newer. Metal support requires MacOS 10.13.2 or newer. We recommend at least 4 GB VRAM for GPU rendering.

USB port, registration is required.

Graphics cards

Although Cinema 4D and BodyPaint 3D support all OpenGL 4.1-capable graphics cards, we recommend using a dedicated 3D graphics card with an AMD or NVIDIA chip set.

MAXON is not responsible for the compatibility of individual graphics cards with the OpenGL, OpenCL or Metal mode. Due to the large number and types of available chip sets, operating systems and driver versions we cannot guarantee the compatibility of all systems.

Please make sure that you always use the most current official graphics card driver (no beta versions).

Important notice

We test the compatibility of our products with the driver and OS versions available at the time of the announcement of a new Cinema 4D/BodyPaint 3D release and focus on typical mid-range to high-end systems and basic coverage on low-end (min. requirements) systems. Additionally, we try to keep up with hardware, driver, and OS updates as soon as they are released.

Nevertheless, please understand that we cannot guarantee support of new hardware and operating systems shipped after the announcement of this Cinema 4D/BodyPaint 3D version.

The technical specifications of MAXON products are constantly changing. Please use the most current demo version of the software to test its compatibility on your computer (especially if you have a more elaborate configuration).

Regarding NVIDIA 3D Vision

A quad buffered graphics card is required to use NVIDIA's 3D Vision Shutter glasses for viewing the stereoscopic display in Cinema 4D.

An overview of graphics cards that meet all requirements can be found here.


6 reviews
93% of reviewers recommend this product
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Please Note: This page is intended for product reviews. If you are having trouble with a product and require customer support, please Contact Us

Customer Reviews

This review is for Cinema 4D R19 only. I’ve been a Cinema 4D user for over a 15 years. I started with R6 so I know a little bit about what I am talking about. All I have to say is that Maxon has dropped the ball. The R19 offers a few upgrades but nothing life changing. 3rd party work arounds for all these upgrades have been around for years so there is nothing really new. The only thing that made the R19 upgrade seem valuable was the new ProRender. This had possibilities. I have been using RedShift for years but a native render is just what I was looking for. Unfortunately it’s garbage! Also, there is no GPU support for mac. I contacted Maxon support to make sure I was running the best hardware to use their render and Maxon support was beyond useless. I begged for the littlest bit of information and they refused to give it. All I wanted to know was what graphics card they tested the software on and they refused to tell me that. More bad news. R19 is incredibly unstable. Maxon used to be one of the most stable platforms for 3D work. With the R19 upgrade it has become the most unstable application on my system. Constant crashes, sometimes so severe it reboots my computer. Cinema 4D has never been able to close completely, forcing me to force quit every time. Honestly I’m so disappointed with what Maxon has become. A completely unstable platform with horrible customer service. I would recomend anyone new to 3d design to start with any other 3d platform, Lightwave, Maya or 3DS Max. If you decide to still go with Cinema 4D. . . good luck.

Would you recommend this product to a colleague? No

By: Richard Swindell
Date: December 27, 2017

  • Vendor Response:

    Richard, my sincerest apologies that you were not satisfied with the answers our tech team and VP (head of tech) provided. They did invest a lot of time trying to help you, but there is just so much we can offer with older hardware and custom configurations.

    As a general policy we do not test or recommend specific hardware but strive to ensure the software works great on any hardware. It’s true that ProRender isn’t supported with Nvidia cards on Mac due to driver and OS-level limitations. ProRender uses Nvidia and AMD graphics cards on Windows systems and AMD graphics chips on Macintosh. On Mac, it’s tested using the graphics cards in currently-shipping Apple devices, and soon-to-ship devices. We don’t test external GPUs or custom GPUs, as they’re not common, current or supported configurations.

    We just simply cannot make recommendations for custom configurations on older machines we have not directly tested. There are just too many variables and they are not even supported by Apple. I’m sorry you found that response useless, but there is no way we can guarantee the performance will be to your liking or even work reliably.

    If you’re experiencing stability issues, please use Cinema 4D’s built-in crash reporting to submit a crash log. We did a search through the logs and cannot find any crash logs submitted by you. Based on the logs we can see exactly where in the code the crash occurred and advise you on a solution. The type of crash you are describing is not at all typical. The more info we have the better we can serve you.

    We take tremendous pride in our customer service and gladly welcome comparisons to any other platform. Our tech support team is locally staffed (So Cal) with live human beings knowledgeable about the product. Tougher issues are quickly escalated directly to the VP or myself.

    Paul Babb

    By: Paul Babb Vendor
    Date: January 08, 2018

  • I appreciate that you took time to respond, although it feels like a PR move instead of an attempt to change my mind about the R19 upgrade and lackluster tech support. I would have been more impressed if you contacted me directly. You have my email from my numerous support requests. I know Maxon has my number from all the sales calls I get when there is an upgrade to buy. 

    My frustration stems from my “older” system meeting Maxon’s stated requirements except for the graphics card. I eagerly set about upgrading my graphics card to meet the ideal specs for R19 and that’s why I contacted your support team. I don’t think the majority of the customers upgrading to R19 are upgrading recently acquired currently-shipping or soon-to-ship devices.  I would wager most of your customers are guys like me, loyal to the brand for many, many years, upgrading along the way with a variety of systems that suit the variety of projects we’ve worked on over the years. I’m going to date myself, but I started with R6, dutifully upgrading along the way, and I have never been inspired to leave a review until now.

    My review still stands. I’m disappointed with the performance of R19, disappointed with Maxon tech support and now disappointed with this PR response. 

    I’d like to point out the rave reviews below. They are 5 star ratings from April 4th, 6th, 9th, 11th and 13th of 2012, all of which predate R19 by years.  2012 was R15 which great and rightly deserves 5 stars.

    I’m a very loyal customer who has been let down.

    By: richard S Customer
    Date: January 31, 2018

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Cinema 4D Studio

A fantastic product. Though it is extremely deep and complex it is fairly easy to get started with and learn as you go. Lots of online tutorials to learn from on YouTube, etc. Great integration with After Effects.

Would you recommend this product to a colleague? Yes

By: James Scott
Date: April 13, 2012

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Powerfull and easy to use

Cinema 4D is the tool to use if you need good results pretty fast. This powerfull 3D package is becoming more and more the secret weapon among post houses and studios all over the world. If you want power combined with ease of use this is the 3D package for you.

Would you recommend this product to a colleague? Yes

By: Diogo Valente
Date: April 11, 2012

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Geared toward motion designers. Insanely good support.

When making the leap from 2.5D compositing and animation (using After Effects) to a 3D app, I found that all the designers I follow use Cinema 4D. After taking a few courses through FXPHD.com, I fell in love with the package and never looked back. As of R13, integration between C4D and AE has become an exceptionally strong feature, making the process of working in my most familiar environment (AE) in order to help me work through my 3D projects effortless. Aside from the really fun Dynamics and Mograph features, probably the best selling point of the software is the team that supports it. Every interaction I've had with Maxon has been a positive one-- it's clear they really love their users, and they've helped make my transition into the 3D world a much easier one than I imagined.

Would you recommend this product to a colleague? Yes

By: Jared Flynn
Date: April 09, 2012

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Plays well with AE

Cinema 4D R13 integrates very-well with After Effects, exporting multi-pass files, camera data, lights, mattes. Now C4D R13 imports AE cameras, comps & lights as well, making it easier to design organically. And that's just the beginning...

Would you recommend this product to a colleague? Yes

By: Stephane Dehais
Date: April 06, 2012

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Earns the Microfilmmaker Magazine's Award of Superiority

I wish more software companies followed Maxon's customer centric method of developing products. I always approach software updates with fear and trepidation because with many companies, it's always a guessing game about what "improved" work flows they engage that totally trash your current methods. If you've spent any time with Adobe products, than you know they are a hero at mucking about with interface elements. (Great software but annoying habits.)

Maxon does the opposite. When a feature is engaged, it remains in the same location. and on the rare occasion something moves, users can create shortcuts to mitigate it or rearrange the interface to their liking, which is absolutely fantastic. Users don't have to slow production down to pick up a new edition of C4D. Maxon's implementations are well thought out and wonderfully implemented. Improvements are seamless and easy to use. Like a good wine, C4D keeps getting better with age.

Read the full review for Maxon Cinema 4D R12 by Mark Bremmer at Microfilmmaker Magazine, November 1, 2010.

Would you recommend this product to a colleague? Yes

By: Jeremy Hanke
Date: April 04, 2012

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Release 20 SP2

This service update (version 20.057) improves the stability and performance of Cinema 4D and is highly recommended for all Release 20 users. A complete overview of all improvements contained in Release 20 SP2 can be found in the official improvements list.

C4D Live SIGGRAPH 2018 Rewind - Round 7

This is the seventh and final round of videos from SIGGRAPH 2018, held in August in Vancouver, Canada. Watch the fantastic...


C4D Live SIGGRAPH 2018 Rewind - Round 5

This is the fifth round of videos from SIGGRAPH 2018, held in August in Vancouver, Canada. Watch the fantastic presentations...


C4D Live SIGGRAPH 2018 Rewind - Round 6

This is the sixth round of videos from SIGGRAPH 2018, held in August in Vancouver, Canada. Watch the fantastic presentations...


Cinema 4D and U-Render

This continues our series on Cinema 4D and third-party renderers. At the time of this publishing, U-Render is still in beta...


Cinema 4D R20: Falloffs vs. Fields - What They Are and How They Work

The new Fields system in Cinema 4D R20 completely replaces Falloffs. So, what are they? How do they work? And how is it a...


C4D Live SIGGRAPH 2018 Rewind - Round 1

Check out the first round of videos from SIGGRAPH 2018, held last week in Vancouver, Canada. In the first batch, we have Tim...


Cinema 4D and Redshift

Today we’re doing a gathering of tutorials about third-party renderers for Cinema 4D. First up, Redshift!

  • Redshift for...

Cinema 4D and Octane Render

Today we’re doing a gathering of tutorials about third-party renderers for Cinema 4D. Enjoy some tutorials about Cinema 4D...


Cinema 4D and Corona Renderer

If you’re using Corona Renderer with Cinema 4D or thinking about it, here some tutorials to get you started. We’ve covered...


C4D Live SIGGRAPH 2018 Rewind - Round 2

This is the second round of videos from SIGGRAPH 2018, held earlier in August in Vancouver, Canada. Watch the fantastic...


C4D Live SIGGRAPH 2018 Rewind - Round 3

This is the third round of videos from SIGGRAPH 2018, held earlier in August in Vancouver, Canada. Watch the fantastic...


C4D Live SIGGRAPH 2018 Rewind - Round 4

This is the third round of videos from SIGGRAPH 2018, held in August in Vancouver, Canada. Watch the fantastic presentations...


Cinema 4D and Arnold

A couple of weeks ago we did some features on Cinema 4D and third party renderers that work with Cinema 4D. We’re continuing...


Cinema 4D: Creating 2D Wood Textures in Cinema 4D

EJ Hassenfranz from eyedesyn teaches you how to create stylized 2D wood textures for use in 3D or After Effects.


Create Mountains using World Machine & Redshift for C4D

Jean-Marc Denis show you to use Redshift’s displacement node in Cinema 4D, using terrain maps generated with World Machine,...


Placing Text on a Spline in Cinema 4D

In this Cinema 4D Quick Tip with Jonas Pilz, learn 2 methods of putting your text on a spine in Cinema 4D.


Save Time with Custom Render Passes / AOVs in Redshift for Cinema 4D

Chad Ashley at Greyscalegorilla demonstrates how he uses Redshift’s New Custom AOVs to save loads of time in production....


Shoelace Displacement in Cinema 4D

Sean Dove explains how he used custom displacement maps to create realistic shoelaces in Cinema 4D and Photoshop.


Speed Up The Cinema 4D Physical Render…. Here’s How!

Cut your Physical Render time in half with this time-saving Cinema 4D tutorial. Optimize the Physical Renderer for speed...


Cinema 4D Octane Tutorial: Dramatic Lighting Tip

Joren at The Pixel Lab has a C4D quick tip for creating dramatic, moody lighting using the Octane for C4D Daylight Tag,...


Cinema 4D Advanced Octane Shaders parts 1 & 2

David Ariew of arievvisuals.com shows how to make some glass textures with dust, complete with lots of tips and tricks....


In Depth: Render Farms / Network Rendering, 2018 Edition

In 2015 we produced a very popular article on Render Farms and Network Rendering. A lot has changed since then, so this is...


Add Stickers and Labels in Redshift for Cinema 4D

Greyscalegorilla’s Chad Ashley shows a simple way to add stickers or labels using multiple UV channels in one material.... More...

Medical Animations & Tutorials Roundup for Maya, Cinema 4D, After Effects

The human body is still such an enigma and there are so many technical, yet beautiful, 2D and 3D animations that help to...


ProRender for Cinema 4D

You have so many choices in renderers these days and GPU rendering is a favorite lately. ProRender, and developed by AMD,...


Cinema 4D: Animate Growing Foliage with X-Particles

Want to populate your scenes with animated growing vegetation? This step-by-step tutorial from Rob Redman shows you how,...


Cinema 4D: Retopology of a Human Head in Cinema 4D

This free training course from Michael Balchaitis walks you through the process of how to retopology of a high mesh human...


Cinema 4D: Lighting Scenes with Luminous Objects

Jonas Pilz offers a C4D quick tip on how to light a scenes using only the light from luminous materials.


Cinema 4D: Getting Started with ProRender in C4D R19

This Cinema 4D Quick Tip with Jonas Pilz explains how to get started using the new Radeon ProRender in Cinema 4D R19.


Procedural Growing Frost Cinema 4D & X-Particles + Creating a Realistic Ice Material in Arnold 5

Daniel Danielsson is a Freelance Director / Motion Designer who is based in Hertfordshire, which is north of London,...


Setting Up A Render Farm in Cinema 4D with Team Render

Who wants to render faster? Everyone!! We’ve covered this topic a bit before but with Team Render for Cinema 4D, you can...


Speed up your HDRI Workflow in Arnold with HDRI Link

Chad Ashley from Greyscalegorilla explains how to work faster using HDRI Link with Cinema 4D and Arnold. Plus, the...


3 Tips For More Realistic Reflections in Cinema 4D

Nick Campbell from Greyscalegorilla gives some great tips on how to make your reflections look real in Cinema 4D. He...


Displacer Deformer And Sub Poly Displacement in Cinema 4D

Nick Campbell from Greyscalegorilla shows you a couple of ways to add displacement to your Cinema 4D geometry to add bumpy...


Cinema 4D: Christmas Cookies in CINEMA 4D

Why not make some yummy Christmas cookies this holiday season? Of course you can’t eat these, but they look delicious, and...


Cinema 4D: Creating Clouds with a Painterly Look

David Gruwier is a 3D Artist at Ghost VFX, and gives a quick tutorial on how to recreate the look of the painterly clouds,...


Cinema 4D R19 Voronoi Fracture New Features

Chris Schmidt takes you through all the newest features and improvements in C4D R19 Voronoi Fracture.


Cinema 4D: Projecting Animated Textures

Here’s is a quick tutorial, from Zulu8 design studio, on how to project footage and animated textures onto an object in...


Antique Coke Bottle Cinema 4D 3D Model + C4D Octane Tutorial from The Pixel Lab

The Pixel Lab is giving away a really cool free model of 3 antique Coca-Cola glass bottles designs, created by Rick Ellis....


Are you making these 5 Animation Mistakes in Cinema 4D?

Nick Campbell from Greyscalegorilla talks about some errors that you may be making in Cinema 4D and gives tips on how you...


Cinema 4D: Model a Low Poly Wolf Part 2

Here’s is part 2 to the C4D Low Poly Wolf tutorial, by Jonathan Lam. Here he shows you how to model the neck, legs and...


Cinema 4D: Model a Low Poly Wolf Part 1

This step-by-step tutorial by Jonathan Lam is a great way to learn Cinema 4D quickly while creating a character that can...


Creating C4D Cinematic Scenes with Volumetrics

In this live presentation from Siggraph 2017, Mitch Myers shows how Octane volumetric effects can help to create cinematic...


VR and Character Animation Workflow in C4D

In this presentation, digital artist Steve Teeple shares how he uses Virtual Reality for faster more expressive modeling...


3D Motion Tracking and VFX in C4D

Eric Smit, master Cinema 4D artist from the MAXON headquarters in Germany, visits us today to show the best ways to use...


Essential Character Rigging and Animation Workflows in C4D

EJ Hassenfratz from eyedesyn.com gives a presentation on how he created and animated octopus character used in a recent...


Mirrored Disco Ball in Cinema 4D

Matt Umney from Maxon shows how to make a mirrored disco ball with Cinema 4D, using caustics for the light reflections.


Animate a Character in Cinema 4D

EJ Hassenfratz from eyedesyn animates a simple sushi character in Cinema 4D. He uses Pose Morph to animate the face and...


RealFlow | Cinema 4D 2.0: Elastic Solver

The new Multiphysics solver includes Granular, Viscous, Viscoelastic, Rigid, and Elastic. Today’s tutorial is about...


Cinema 4D: Creating Pipes and Rails

Toby Pitman from Motion Works explains an easier way of visualizing the modeling process when creating pipes and rails...


Rendering in CINEMA 4D - Which to Choose

With all the different renderers out there, it’s sometimes difficult to determine which is the best for you and your...


New in Cinema 4D R19 - Voronoi Fracture Features

In this tutorial, Chris Schmidt from Greyscalegorilla takes you through the new Voronoi Fracture features in Cinema 4D...


Brain Cells

Motionsquared has a breat tutorial on creating brain cells in Cinema 4D. I used this tutorial in a project last year....


Sub Surface Scattering, Blurry Reflections, X-Particles, Physical Render and Blurry Transparency

Nick Campbell explains how to create some cells with Cinema 4D and X-Particles. Scroll down the page to tutorials...


Burning Question: Medical Animations

The human body is still such an enigma and there are so many technical, yet beautiful, 2D and 3D animations that help to...


Introduction to the Time Effector in Cinema 4D

EJ Hassenfratz shared his tutorial on the Greyscalegorilla website, where he explains how to make some cool time based...


Render Like a Photographer in Cinema 4D

In this episode, the guys talk about rendering, obviously, color theory, and the benefits of multiple UV’s,


Wet Roads in Cinema 4D with Octane Render

David Brodeur, for Greyscalegorilla, explains how to make realistic wet roads and puddles in Cinema 4D using Octane Mix...


Water Condensation With Mograph, Greyscalegorilla

Chad Ashley from Greyscalegorilla gives an excellent, in depth, 3-part tutorial on how to make realistic condensation on...


Cinema 4D: Create Simple Flocking Sims with C4D Flock Modifier

Sam Winter from Digital Meat explains how to use the Flock Modifier plug-in to make particles simulate the flocking of...


AE/C4D: Tips for Compositing Cinema 4D Renders into Footage

EJ from Eyedesyn gives some great tips on compositing your 3D work into After Effects.


Vectorize Voronoi Texture Tutorial

Ryan Somerville explains how to create a Voronoi texture in Cinema 4D with the Vectorizer object in Cinema 4D to rasterize...


VoronoiGenerator for Cinema 4D

Developed by Dominik Ruckli, the VoronoiGenerator is a Python plug-in for Cinema 4D that generates a 2D Voronoi Diagram or...


How to Restrict Fracturing in MoGraph Setups

Jonas Pilz explains how to adjust the amount of fracturing on clones, depending on the weight. Featured in C4D Spotlight:...


Shatter An Object In Cinema 4D R18 with Voronoi Fracture

Learn how to make a Shatter animation using Fracture Voronoi. ***** Learn how Transform can help you Animate With No...


C4D R18 Tutorial | Voronoi fracturing

From Rob Redman, Cinema 4D R18 has been announced but there's a while to wait before you can get your hands on it, so why...


Cinema 4D R18 Voronoi Fracture - Break Objects In Cinema 4D

Nick Campbell from Greyscalegorilla explains the features of Voronoi Fracture in Cinema 4D. Featured in C4D Spotlight:...


Cinema 4D: Free Book Generator Tutorial

Joren Kandel from the Pixel Lab recently found a “secret” book generator hidden inside of Cinema 4D that many people might...


Cinema 4D: The 4 Most Important Parts for Soft Bodies

Chris Schmidt from Greyscalegorilla teaches you the most important settings for soft body dynamics in Cinema 4D, so you...


Cinema 4D Tutorial - Creating Soft Body Dynamic Strings

EJ at Eyedesyn shows you how to make Silly String with an often overlooked feature in Soft Body Dynamics, "Made of...


Control Softbody Dynamics with The Mesh Deformer

Nick Campbell of Greyscalegorilla shows you how to make a low-poly mesh that affects a high-poly dynamic object with the...


Tips For Using Soft Body Dynamics

Joren of The Pixel Lab has some great tips on using the Soft Body Dynamics Feature in Cinema 4D. He talks about some...


An Introduction to Soft Body Dynamics in Cinema 4D

EJ at Eyedesyn gives a quick introduction to using Soft Body Dynamics and how to loop soft body dynamics to make an...


Character Animation in Cinema 4D

This is a webinar with Jonas Pilz where he explains how to animate a shark. The shark model can be found on Turbo Squid.


How to Rig a Character in Cinema 4D

EJ shows you how to create a walk cycle for this super cute lemon character in Cinema 4D, with an introduction to Spline...


Cartoon Heart Character Modeling, Rigging, and Texturing

EJ Hassenfranz of Eyedesyn explains how he modeled, rigged, and textured a cute little candy heart in Cinema 4D. EJ has...


Creating a Procedural Wood Texture in After Effects and CINEMA 4D

Learn how to generate realistic wood grain textures from scratch in After Effects with this tutorial from Joshua Cam...


Improve Your Workflow with Cinema 4D’s Take System

Chad Ashley from Greyscalegorilla talks about the Take System in Cinema 4D and how it can help with workflow.


5 min Strawberry Modeling C4D Tutorial + Quick Tip HD

Daniel Mozbäuchel shows you how to make a strawberry in Cinema 4D.


Cinema 4D: Team Render 101 - Turn Your Old Computers Into A Render Farm For Cinema 4D

Nick Campbell from Greyscalegorilla show you how to use Team Render in Cinema 4D to utilize some of your old computers (or...


Cinema 4D to After Effects: Working with Nulls

If you ever have a problem with nulls misbehaving when you bring a project form C4D into AE, Joren at The Pixel Lab has a...


Reset PSR: How to Center any Object in Cinema 4D

The Reset PSR Button is hidden by default but this button makes it super easy to quickly reset any item’s position to...


After Effects: Create Cel Shaded 3D Objects Using the Cinema 4D Renderer

EJ Hassenfranz from Eyedesyn teaches us about the brand new Cinema 4D renderer included in After Effects CC 2017 & how to...


Cinema 4D: Plexus Particle Trail Animation Tutorial

Dennis Wei shows you how to make a very cool particle trail using Plexus, C4D, After Effects and a few other things, like...


Modeling, Texturing & Rendering a Gingerbread Man in Cinema 4D

Aleksey Voznesenski shows you how to model a gingerbread man in Cinema 4D in this 2 part tutorial from Tuts+.


C4D: Optimize Ambient Occlusion Renders in Cinema 4D

Learn 5 ways to speed up your Ambient Occlusion rendering in Cinema 4D from EJ Hassenfratz at eyedesyn.


Cinema 4D - Bouncy Logo Animation using the Jiggle Deformer Tutorial

EJ Hassenfratz shows you how to create a bouncy cursive logo animation in C4D using the jiggle deformer and how to...


CINEMA 4D - Animated Wind Effect

Check out this very cool tutorial on creating a stylized wind effect in CINEMA 4D, using MoSpline (Studio and Broadcast)....


C4D: Shallow Depth of Field, Create a Microscopic Look

Learn how to take an Atom Array, A Mograph Cloner and Depth of field to create a simple yet beautiful looking C4D Scene.


Tutorial: Plumbing with RealFlow for CINEMA 4D

Steven Emerson from Next Limit shows you how to create a scene with water flowing through plumbing using CINEMA 4D and the...


Michele Learns Cinema 4D: Episode 6: Toolfarm’s NAB Survival Video Open

If you’ve had a chance to check out our NAB Survival Video, you should! It’s lots of fun. I dove back into Cinema 4D to...


Michele Learns Cinema 4D: Episode 3: After Effects & Cinema 4D Integration

Michele Yamazaki of Toolfarm continues her journey learning Maxon Cinema 4D, this time focusing on the plug-ins for After...


Michele Learns Cinema 4D: Episode 2: Training, Wacom & Shortcuts

Michele talks about getting started with Cineversity, 1on1 Training with a Maxon Trainer, setting up a Wacom tablet and...


Michele Learns Cinema 4D: Episode 1: WOEIMD?

Join Michele Yamazaki of Toolfarm on her journey of learning Maxon Cinema 4D. Episode 1: What on Earth is Michele doing?...


Michele Learns Cinema 4D: Episode 7: Making a Brain

Michele shows you how she created a brain in Cinema 4D, starting with a sphere object, then uses the sculpting tools to...


X-Wing Hologram using Cinema 4D and After Effects

Dennis Wei explains some of the techniques he used to create an X-Wing Hologram animation using Cinema 4D and After Effects,...


C4D and AE: 3D Pokemon Title

Ignace Aleya from Tolerated Cinematics takes you through the steps to create a pretty cool looking 3D Pokémon title using...


Optimizing Scenes in Cinema 4D

Tim from Helloluxx shows us several tricks for optimizing Cinema 4D Projects, from speeding up render times to increasing...


X-Particles Explosions in Cinema 4D

Noah Witchell has a tutorial on making a fiery explosion using the FLIP Solver, which is built into X-Particles.


Model a Glass Pitcher in Cinema 4D

Pete Maric, triplet3d.com shows how to model a pitcher with spline and lathe NURBS, editing the points to create the top...